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Petersburg, and the Asian Civilisations Museum in Singapore, Spalding illustrates how to use objects and artefacts to create profound and poetic insights into the past."
Author : Catherine E. Paul Publisher : University of Michigan Press Page : 320 pages File Size : 52,5 Mb Release : 2002 Category : Art ISBN : 0472112643
Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.
Author : James A. W. Heffernan Publisher : University of Chicago Press Page : 261 pages File Size : 51,7 Mb Release : 2004-04 Category : Literary Criticism ISBN : 9780226323145
Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.
Museum of Ice Cream is Jenna Clake's second collection, following her debut Fortune Cookie (2017), winner of an Eric Gregory Award, shortlisted for a Somerset Maugham Award. An uncanny examination of objects, scenes and flavours, these poems explore how food can connect or divide, can feel isolating or terrifying, and what it mean to have a secret.
Drawing upon literary criticism, cultural studies, and social history, this book examines the canonizing assumptions (and compulsions) that have fabricated an image of American poetry since World War II, foremost of which is the enshrinement of the self-expressive subject. The tone of the book oscillates between documentary and polemic in an attempt to preserve the tensions that underlie the field of American poetry and which are typically subdued by anthologists and glossed over by commentators. The first chapter offers a theoretical scaffolding intended to contextualize following chapters and to invite other poets and critics to consider what it means to assemble and police a national canon of poetry. Subsequent chapters examine scholarship on contemporary American poetry; the cultural politics of publication and reviewing (which excludes, women, people of color, and gays and lesbians from many poetry anthologies); and poetry in the academy and the role of the poetry workshop. Ten appendixes list American poetry anthologies, most anthologized poets, number of anthology appearances, poets by birthdate, first anthology appearances, anthologies in translation, prizes and awards, results of a search of the MLA bibliography on CD-ROM, critical discussions of American poets, and interviews/collections of poets' essays. (RS).
In the process of tracing poetic and critical responses to the museum and its collections, Poem Exhibitions simultaneously demonstrates the impact of nationalist ideologies and scientific discourse on formal and thematic developments in Romantic poetry and aesthetics.".
In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author’s claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome’s de facto temple of the Muses—in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus.
Longlisted for the 2018 National Book Award in Poetry Winner of the National Poetry Series Competition, selected by Cornelius Eady--an exploration in verse of imperial appropriation and Mexican American cultural identity "Marvelous, argumentative, and curiosity-provoking" --The New York Times Book Review The poems in J. Michael Martinez's third collection of poetry circle around how the perceived body comes to be coded with the trans-historical consequences of an imperial narrative. Engaging beautiful and otherworldly Mexican casta paintings, morbid photographic postcards depicting the bodies of dead Mexicans, the strange journey of the wood and cork leg of General Santa Anna, and Martinez's own family lineage, Museum of the Americas gives accounts of migrant bodies caught beneath, and fashioned under, a racializing aesthetic gaze. Martinez questions how "knowledge" of the body is organized through visual perception of that body, hypothesizing the corporeal as a repository of the human situation, a nexus of culture. Museum of the Americas' poetic revives and repurposes the persecuted ethnic body from the appropriations that render it an art object and, therefore, diposable.
“With The One Day, this is his best work, a modest, skeptical, and brave poetry that embodies something essential about this late American century.” —Harvard Review This is Donald Hall’s most advanced work, extending his poetic reach even beyond his recent volumes. Conflict dominates this book, and conflict unites it. Hall takes poetry as an instrument for revelation, whether in an elegy for a (fictional) contemporary poet, or in the title series of poems, whose form imitates the first book of the Odes of Horace. The book’s final section, “Extra Innings,” moves with poignancy to questions about the end of the game. “A stunning volume of testamentary verse . . . an often perfect American blend of rue and buoyancy, narrative verve and grace.” —The New Yorker “Donald Hall is our finest elegist. The Museum of Clear Ideas is as original, idiosyncratic, and un-museumlike a poetic work as we are likely to see for a long time to come.” —Richard Tillinghast, The New Criterion “Hall’s poems make ‘durable relics’ of late twentieth-century life in much the same way that Byron’s Don Juan does for the early nineteenth. The ‘clear ideas,’ however, are timeless.” —Beloit Poetry Journal “These are some of the darkest lines Donald Hall has ever composed. They move through aching poignancy through illness diagnosed, sorrow, and poignant revelation, yet the final chord is not one of despair.” —Robert Taylor, Boston Globe “A collection of powerful new poems . . . Hall’s voice is more mature and classically spare than ever, offering revelatory glimpses of wisdom.” —Publishers Weekly “A brilliantly inventive tour de force . . . A significant and engaging book.” —Library Journal