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Morrison concludes with a provocative analysis of deconstruction and the work of Paul de Man. Without reducing the political implications of poetry to mere caricature and without slighting the force and fact of literary mediation, The Poetics of Fascism will reshape the discussion of the social dimension of modernism.
Morrison examines the legacy of the modernist poetics of Ezra Pound and T.S. Eliot, as it relates to current theoretical orthodoxies, and traces its influence on the current crisis in post-structural literary theory. Morrison reads the politics of post-structural theory in relation to the socio-cultural arguments espoused in the poetry and prose by Pound and Eliot, and reveals a continuity between that theory and high modernism's tendency towards fascism. Without reducing the political implications of poetry to mere caricature and without slighting the force and fact of literary mediation, Morrison has produced a book that will reshape the discussion of the social dimension of modernism. He concludes with a provocative analysis of deconstruction and the work of Paul de Man, and makes a case for a new post-structural theory that can accommodate history.
Poetics of Loss in the Cantos of Ezra Pound by Nick Selby Pdf
This book examines how the modernist poetics exemplified in Ezra Pound's epic poem The Cantos are unavoidable bound-in with the ideological forces underpinning his advocacy of fascism. Overall it argues that Pound's reactionary urge to redefine a lost culture, couples with his sense of textual annihilation of a validating poetic centre, is the cultural ground on which his ideal of fascist republic rests.
In October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
Reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build and promote the modern Fascist state. Drawing on unpublished archival material and untranslated periodical contributions, the author delves into the vexing work of perhaps the most famous, certainly the most notorious, American in Italy in the 1930s and 1940s, providing fresh understanding of Fascist deployment of art, architecture, blockbuster exhibitions, music, archaeological projects, urban design,a nd literature. Pound's prose writings of this period cement a "directive" approach - declaiming his views with an authority that shuts down disagreement. This work reveals the importance of this approach to his larger artistic mission.
This is the first book to provide a sustained critical analysis of the literary-aesthetic dimension of French fascism--the peculiarly French form of what Walter Benjamin called the fascist "aestheticizing of politics." Focusing first on three important extremist nationalist writers at the turn of the century and then on five of the most visible fascist intellectuals in France in the 1930s, David Carroll shows how both traditional and modern concepts of art figure in the elaboration of fascist ideology--and in the presentation of fascism as an art of the political. Carroll is concerned with the internal relations of fascism and literature--how literary fascists conceived of politics as a technique for fashioning a unified people and transforming the disparate elements of society into an organic, totalized work of art. He explores the logic of such aestheticizing, as well as the assumptions about art, literature, and culture at the basis of both the aesthetics and politics of French literary fascists. His book reveals how not only classical humanism but also modern aesthetics that defend the autonomy and integrity of literature became models for xenophobic forms of nationalism and extreme "cultural" forms of anti-Semitism. A cogent analysis of the ideological function of literature and culture in fascism, this work helps us see the ramifications of thinking of literature or art as the truth or essence of politics.
Spanish Fascist Writing presents the first collection of Spanish fascist texts in English translation and offers an intellectual and political history of fascist writing in Spain, a history that resituates the country within the larger unfolding of right-wing extremism worldwide from the early twentieth century to the present. The manifestos, newspaper articles, essays, letters, and pieces of prose fiction gathered in this volume demonstrate why the Spanish case proves essential to a comprehensive understanding of fascism in general. These Spanish fascist texts also highlight the need for comparative analysis in order to better grasp the transnational character of fascism, fascism’s profound roots in colonialism, fascism’s multiple temporalities, and the rise in recent years of right-wing extremism throughout the world. In short, Spanish Fascist Writing takes Spain from the margins to the forefront of fascist studies.
Yeats, Eliot, Pound and the Politics of Poetry by Cairns Prof. Craig Pdf
It has long been recognised that there is an apparently paradoxical relationship between the revolutionary poetic style developed by Yeats, Eliot and Pound in the period during and after the First World War, and the reactionary politics with which they were associated in the 1920s and 1930s. Concentrating on their writings in the period up to the 1930s, this study, first published in 1982, helps to resolve the paradox and also provides a much needed reappraisal of the factors influencing their poetic and political development. The work of these poets has usually been seen as deriving from the tradition of continental symbolist poetics. Yeats, Eliot, Pound and the Politics of Poetry will be of interest to students of literature.
Spanish Modernism and the Poetics of Youth by Leslie J. Harkema Pdf
In Spanish Modernism and the Poetics of Youth: From Miguel de Unamuno to La Joven Literatura, Leslie J. Harkema analyzes the literature of the modernist period in Spain in light of the emergence of youth culture in the late nineteenth and early twentieth century. Harkema argues for the prominent role played by Miguel de Unamuno—as a poet, essayist, and public figure—in Spanish writers’ response to this phenomenon. She demonstrates how early twentieth-century Spanish literature participated in the glorification of adolescence and questioning of Bildung seen elsewhere in European modernism, in ways that were not only aesthetic but also political. Harkema critically re-examines the relationship between Unamuno and several Spanish writers associated with the so-called Generation of 1927 (known as at the time as “la joven literatura” or “the young literature”). By situating this period within the wider framework of European modernism, Spanish Modernism and the Poetics of Youth brings to light the central role that the early twentieth century’s re-imagining of adolescence and youth played in the development of literary modernism in Spain.
Ezra Pound's Fascist Propaganda, 1935-45 by M. Feldman Pdf
Ezra Pound was an influential propagandist for British, Italian and ultimately German fascist movements. Using long-neglected manuscripts and cutting-edge approaches to fascism as a 'political religion', Feldman argues that Pound's case offers a revealing case study of a modernist author turned propagator of the 'fascist faith'.
Author : Richard Joseph Golsan Publisher : U of Nebraska Press Page : 346 pages File Size : 40,9 Mb Release : 1998-01-01 Category : Political Science ISBN : 0803270712
The past fifteen years have witnessed the renewed presence of fascism in European political and cultural life. In addition, there have been scandals surrounding the fascist pasts of numerous renowned intellectuals, including Martin Heidegger, Paul de Man, and Maurice Blanchot. In Fascism’s Return, eleven leading American and European scholars examine the resurgence of fascism from many angles, providing an essential and timely view of this troubling moment in European political, cultural, and intellectual history. Intellectual and public scandals surrounding the fascist past—including the highly publicized Barbie and Touvier trials in France—are addressed. Other writers focus on controversial efforts to revise the historical representation of fascism in Germany and France. The reemergence of the “new” fascist movements and ideologies in various European nations is also examined. A final essay considers the controversial U. S. support during the 1980s of Central American dictatorships. As editor Richard J. Golsan notes, the essays in this volume “illustrate a multitude of ways in which fascism continues to make its presence felt in western democratic societies, erupting with disturbing frequency as a ‘return of the repressed’ in judicial and artistic scandals as well as in historical, critical, and political debates.”
Fascism and Political Theory by Daniel Woodley Pdf
Fascism and Political Theory offers both students and researchers a thematic analysis of fascism, focusing on the structural and ideological links between fascism, capitalism and modernity. Intended as a critical discussion of the origins and development of fascist ideology, each chapter deals with a core substantive issue in political theory relevant to the study of fascism and totalitarianism, beginning with an assessment of the current state of debate. The emphasis on formal ideology in contemporary Anglo-American historiography has increased our awareness of the complexity and eclectic nature of fascist ideologies which challenge liberalism and social democracy. Yet in too many recent works, a programmatic or essentialist reading of fascist ideology as a ‘secular religion’ is taken for granted, while researchers remain preoccupied with the search for an elusive ‘fascist minimum’. In this book Woodley emphasizes that many outstanding questions remain, including the structural and ideological links between fascism and capitalism, the social construction of fascist nationalism, and the origins of fascist violence in European colonialism. This volume consolidates the reader’s theoretical understanding and provides the interdisciplinary skills necessary to understand the concrete social, economic and political conditions which generate and sustain fascism. A timely critique of culturalist and revisionist approaches in fascism studies which provides a concise overview of theoretical debates between liberalism, Marxism and poststructuralism, this text will be of great interest to students of politics, modern history and sociology.