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The Poetics of the American Suburbs by Jo Gill Pdf
The first scholarly study of the rich body of poetry that emerged from the post-war American suburbs, Gill evaluates the work of forty poets, including Anne Sexton, Langston Hughes, and John Updike. Combining textual analysis and archival research, this book offers a new perspective on the field of twentieth-century American literature.
The Poetics of the American Suburbs by Jo Gill Pdf
The first scholarly study of the rich body of poetry that emerged from the post-war American suburbs, Gill evaluates the work of forty poets, including Anne Sexton, Langston Hughes, and John Updike. Combining textual analysis and archival research, this book offers a new perspective on the field of twentieth-century American literature.
Scenes from the Suburbs by Timotheus Vermeulen Pdf
This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen usesDesperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.
Conformity and Resistance in America by Jacek Gutorow,Tomasz Lebiecki Pdf
Conformity and Resistance in America, a collection of thirty six essays from various fields of the U.S. studies, addresses the American culture as a space of fruitful tensions between the generally acknowledged canons and the projects that have questioned and subverted its very foundations and archives. The book seeks to give justice to those areas of American culture that traditionally used to be treated as marginal and negligible but which in fact have added up to its uniqueness. This includes various areas of American cultural and literary studies, gender and minority studies, themes of diasporic communities, multi-ethnic and multicultural society, problems of global economy and of competing worldwide ideologies. The papers included in this book try to answer pressing questions of the American identity in the post-9/11 world, and do so by pointing to the recent â oehumanities crisisâ as well as revealing moments of heterogeneity and discontinuity in the making of any culture. Contrary to Samuel Huntingtonâ (TM)s dictum telling us of the inevitable â oeclash of civilizations, â the following essays concentrate on what Edward W. Said called â oehumanismâ (TM)s sphereâ â " the sphere of antagonizing discourses and narratives which challenge rather than confirm the bases of their legitimacy. Wavering between conformity and resistance, the essays propose possible formulas for the new American identity as it strives to define and project itself into the new century.
In the middle of the nineteenth century, as Americans contended with rapid industrial and technological change, readers relied on periodicals and books for information about their changing world. Within this print culture, a host of writers, editors, architects, and reformers urged men to commute to and from their jobs in the city, which was commonly associated with overcrowding, disease, and expense. Through a range of materials, from pattern books to novels and a variety of periodicals, men were told of the restorative effects on body and soul of the natural environment, found in the emerging suburbs outside cities such as New York, Boston, and Philadelphia. They were assured that the promise of an ideal home, despite its association with women's work, could help to motivate them to engage in the labor and commute that took them away from it each day. In Suburban Plots, Maura D'Amore explores how Henry David Thoreau, Henry Ward Beecher, Donald Grant Mitchell, Nathaniel Hawthorne, Nathaniel Parker Willis, and others utilized the pen to plot opportunities for a new sort of male agency grounded, literarily and spatially, in a suburbanized domestic landscape. D'Amore uncovers surprising narratives that do not fit easily into standard critical accounts of midcentury home life. Taking men out of work spaces and locating them in the domestic sphere, these writers were involved in a complex process of portraying men struggling to fulfill fantasies outside of their professional lives, in newly emerging communities. These representations established the groundwork for popular conceptions of suburban domestic life that remain today.
The novels in question all take place in the sprawling terrain that stretches out beyond the Twin Towers - the postwar suburbs that since the end of World War II have served, like the Twin Towers themselves, as a powerful advertisement of dominance to people around the globe, by projecting an image of prosperity and family values. These suburban tales and their everyman protagonists grapple, however indirectly, with the implications of the apparent decline of the economic, geopolitical, and moral authority of the United States. In the context of perceived decay and diminishing influence, these novels actively counteract the narrative of American exceptionalism frequently peddled in the wake of 9/11.
The Suburban Gothic in American Popular Culture by B. Murphy Pdf
An examination of the way American suburbia has been depicted in Gothic and horror films, television and literature from 1948 to the present day, in which Bernice Murphy demonstrates that Gothic depictions of suburbia provide an intriguing glimpse into the way modern American society views itself.
The Suburbs by Marie Bouchet,Nathalie Cochoy,Isabelle Keller-Privat,Mathilde Rogez Pdf
While suburbs provide a rich field of research for sociologists, architects, urbanists and anthropologists, they have not been given much attention in literary and cultural studies. The Suburbs: New Literary Perspectives sets out to enrich the limited existing body of critical analysis on the subject with a landmark collection of essays offering a far larger perspective than the books or collections published so far on the topic. This interdisciplinary and wide-ranging approach includes literary and art studies, philosophy, and cultural comment. It examines the suburbs across cultural differences, contrasting British, South African and North American suburbs. The specificity of this book therefore lies in a cross-national and cross-continental exploration of these unchartered territories. The suburbs are redefined as those rebellious margins whose geographical borders are necessarily fuzzy and sketch out a common place where cultural frontiers can be transcended. They are, to use Sarah Nuttall’s terminology, places of “entanglement” where contraries meet and where new ways of being in the world is reborn. Seen through the prism of art and literature, the suburbs may then be recognized, as philosopher Bruce Bégout argues, as a “new way of thinking and making urban space.”
Suburban space has traditionally been understood as a formless remnant of physical city expansion, without a dynamic or logic of its own. Suburban Urbanities challenges this view by defining the suburb as a temporally evolving feature of urban growth.Anchored in the architectural research discipline of space syntax, this book offers a comprehensive understanding of urban change, touching on the history of the suburb as well as its current development challenges, with a particular focus on suburban centres. Studies of the high street as a centre for social, economic and cultural exchange provide evidence for its critical role in sustaining local centres over time. Contributors from the architecture, urban design, geography, history and anthropology disciplines examine cases spanning Europe and around the Mediterranean.By linking large-scale city mapping, urban design scale expositions of high street activity and local-scale ethnographies, the book underscores the need to consider suburban space on its own terms as a specific and complex field of social practice
A groundbreaking collection from one of our most acclaimed young poets about personal loss and consumer anxiety in the American suburbs. In the wake of the critical success of The Late Parade (“poetry as lush as any of Keats’s odes,” New York Times Book Review), Adam Fitzgerald’s George Washington follows in the documentary poetics tradition of William Carlos Williams’s In the American Grain and Susan Howe’s My Emily Dickinson. These frenetic poems channel the proper names and product placement in the suburban New Jersey memescape of the 1990s. Fitzgerald’s catalogs—a world of video games and love songs, entertainment franchises and widespread anomie—seek out the proxies by which millions now live their most intimate experiences, examining everything from sexuality and faith to the spectacles of shopping and mass shootings. The poet’s memory may prove as fungible as the once-ubiquitous VHS cassette, but these queer poems form a hypertext archive of life as it’s packaged and purveyed. Fitzgerald’s “primal vision” (Harold Bloom), so wildly alive in The Late Parade, metamorphoses into an exhilarating exploration of Americana’s dark origins.
The American Avant-garde Tradition by John Lowney Pdf
"This book addresses how discourses of cultural nationalism and avant-gardism have structured the formation of American poetry canons. Examining William Carlos Williams's importance for postmodern poetry, it underscores how his literary reputation has figured prominently in recent reconsiderations of twentieth-century American literary history. The postmodern poets responding to Williams emphasize not only the cultural politics of constructing literary reputations, but also a more fundamental assumption that governs canon formation, the assumption that "poetic language" excludes speech types marking social difference." "Williams's commitment to experimentation and the destruction of traditional forms allies his poetics with the critical stance of the international avant-garde. His writing is especially sensitive, however, to linguistic registers of social difference in the United States. Focusing especially on Williams's early experimentation with poetic form, through Spring and All, but also on his critical and imaginative prose, such as In the American Grain, this book argues that two contingent rhetorical motives structure his response to cultural change: what Lowney calls the "poetics of descent" and the "poetics of dissent.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
