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The Political Portrait by Luciano Cheles,Alessandro Giacone Pdf
The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history.
Leon Golub (1922–2004) is best known for his iconic history paintings of mercenaries, interrogations, torture scenes, and the riots of the 1980s and ’90s. Published to accompany an exhibition at the National Portrait Gallery in London running from March through November 2016, this collection of nearly all of Golub’s political portraits from 1975–1978, almost 100 paintings, offers a rich survey of his powerful style with analysis from curator Jon Bird and professor of art history Gill Perry. Bird and Perry examine the ways Golub increasingly explored the effects of power upon the body through facial expressions, gestures, and poses, and how he invested his characters with psychological tension and depth. As they show, Golub always derived his source material from media representations, aiming to capture the way power—whether political, military, or social—is mediated through the camera lens. This “look of power” is the dominant characteristic of the portraits included here, all painted as part of his Political Portraits series of the 1970s, which captured historical figures—ranging from Fidel Castro and Henry Kissinger to Pinochet and Mao Tse-Tung—at various stages of their public office. With a narrative of arrogance and venality traced clearly across the face, these portraits forcefully show that power is uncompromising. The result is a startling collection of faces, arrestingly rendered through Golub’s signature, visceral style.
For the rest of the decade deputy editors Mostyn Lloyd and G. D. H. Cole struggled to combine academic careers with re-establishing the discredited New Statesman as the voice of the left. Success was to come only under the leadership and inspiration of a new editor, Kingsley Martin, and a new chairman, John Maynard Keynes, following the paper's symbolic take-over in 1930 of the Liberal weekly, the Nation.
The first in-depth look at Staël's political life and writings Germaine de Staël (1766–1817) is perhaps best known today as a novelist, literary critic, and outspoken and independent thinker. Yet she was also a prominent figure in politics during the French Revolution. Biancamaria Fontana sheds new light on this often overlooked aspect of Staël's life and work, bringing vividly to life her unique experience as a political actor in a world where women had no place. The banker's daughter who became one of Europe's best-connected intellectuals, Staël was an exceptionally talented woman who achieved a degree of public influence to which not even her wealth and privilege would normally have entitled her. During the Revolution, when the lives of so many around her were destroyed, she succeeded in carving out a unique path for herself and making her views heard, first by the powerful men around her, later by the European public at large. Fontana provides the first in-depth look at her substantial output of writings on the theory and practice of the exercise of power, setting in sharp relief the dimension of Staël's life that she cared most about—politics. She was fascinated by the nature of public opinion, and believed that viable political regimes were founded on public trust and popular consensus. Fontana shows how Staël's ideas were shaped by the remarkable times in which she lived, and argues that it is only through a consideration of her political insights that we can fully understand Staël's legacy and its enduring relevance for us today.
Social Forms: A Short History of Political Art by Christian Viveros-Faune Pdf
In an increasingly polarized world, with shifting and extreme politics, Social Forms illustrates artists at the forefront of political and social resistance. Highlighting different moments of crisis and how these are reflected and preserved through crucial artworks, it also asks how to make art in the age of Brexit, Trump, and the refugee and climate crises. In Social Forms: A Short History of Political Art, renowned critic, curator, and writer Christian Viveros-Fauné has picked fifty representative artworks—from Francisco de Goya’s The Disasters of War (1810–1820) to David Hammons’s In the Hood (1993)—that give voice to some of modern art’s strongest calls to political action. In accessible and witty entries on each piece, Viveros-Fauné paints a picture of the context in which each work was created, the artist’s background, and the historical impact of each contribution. At times artists create projects that subvert existing power structures; at other moments they make artwork so powerful it challenges the very fabric of society. Whether it is Picasso’s Guernica and its place at the 1937 Worlds Fair, or Jenny Holzer’s Truisms (1977–1979), which still stop us in our tracks, this book tells the story behind some of the most important and unexpected encounters between artworks and the real worlds they engage with. Never professing to be a definitive history of political art, Social Forms delivers a unique and compelling portrait of how artists during the last 150 years have dealt with changing political systems, the violence of modern warfare, the rise of consumer culture worldwide, the prevalence of inequality and racism, and the challenges of technology.
Portraiture and Politics in Revolutionary France by Amy Freund Pdf
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
The Role of Ideas in Political Analysis by Andreas Gofas,Colin Hay Pdf
Despite the proliferation of ideational accounts in the last decade or so, the debate over the role of ideas remains caught up in a series of disputes over the ontological foundations, epistemological status and practical pay-off of the (re)turn to ideational explanations. It is thus unsurprising that there is still little clarity about just what sort of an approach an ideational approach is and about what it would take to establish the kind of fully-fledged ideational research programme many seem to assume has already been developed. The contributors in this volume address these dilemmas in diverse but engagingly complementary ways. They argue that what plagues most attempts to accord ideas an explanatory role is the persistence of the perennial dualities in political analysis. In aspiring to eschew the current vogue for dualistic polemic, the present volume reveals elements of dualistic thinking in the ideational turn and assesses the impact of the persistence of these perennial dualisms in the attempt to accord ideas an explanatory role.
Al Smith: Hero of the Cities (A Political Portrait Drawing on the Papers of Frances Perkins) by Matthew Josephson,Hannah Josephson Pdf
Al Smith (1873-1944) was born and grew up in New York’s Lower East Side slums and got his start in politics under Tammany Hall sponsorship. Frances Perkins was a New Englander, a trained social worker who became a public figure when Smith appointed her to the New York State Industrial Commission. They shared a concern for working people and a love for the Empire State, which Smith served as governor for four precedent-breaking terms between 1919 and 1928 after serving in the New York State Assembly between 1904 and 1915 as a member and later as Speaker. Smith considered himself an Assemblyman. His record as governor is based on the solid understanding of politics he acquired in those years. It was also fostered by his encounter, at a decisive stage, with a group of reformers and social workers, including Belle Moskowitz who became his chief political strategist. Smith’s own great contribution was to show how reform could be made practicable. As governor, Smith fought a running battle with an obstructive legislature; he was able to reorganize New York State’s sprawling executive departments, protect women and children in industry, strengthen workmen’s compensation laws and shorten their working hours, stop the handouts of state resources to private companies, and expand recreational areas for the benefit of the public. He cut taxes while building hospitals, schools and low-cost housing developments. When the legislature balked, he appealed to the people on radio, and they responded with avalanches of letters and telegrams to their representatives. The dauntless spirit with which he battled his adversaries earned him the title “The fighting Governor.” After his defeat for the Presidency in 1928, Smith was able to hand on to his successor — a comparatively inexperienced politician named Franklin D. Roosevelt — a working state government and a blueprint for social reform which Roosevelt would put to good use. At the time of her death in 1965 Frances Perkins was working on a book about Al Smith as she knew him. Her notes, the few chapters she had written, and the oral history she recorded for Columbia University were turned over to Matthew and Hannah Josephson, who used them and their own exhaustive research to write this biography. “The Josephsons, both authors in their own right... were invited to complete the unfinished biography of Smith that Frances Perkins left behind at her death in 1965. Finding only a rather bare start, they ended up writing it ‘90%’ themselves... The sections on Smith’s early years provide a delightful picture of the Old East Side and a thriving Tammany Hall... A happily executed portrait of an eminent and engaging American.” — Kirkus Reviews “The most thorough study yet available of Smith’s career, and one that also pays considerable attention to Frances Perkins’ contributions to reform during the Progressive period and during Smith’s gubernatorial administrations... [a] useful biography of Al Smith.” — Joel A. Tarr, The American Historical Review “The book reflects the warmth and vigour of its subject... The book’s principal contribution is its emphasis on Smith’s tremendous effectiveness both as a party leader and as a reformer. His quarter-century of almost continuous success was founded on exceptional memory, intense application, a sharp wit and shrewd appeals to the people. His enduring monuments are his reform of the state administration, his fight against the utilities, and his work in housing, conservation and social reform.” — Michael Simpson, History “The Josephsons’ political portrait is of a man who was at one and the same time an ambitious and successful politician who could skillfully manipulate the party system, reward friends and punish enemies, hold personal grudges, yet temper his actions with genuine humanistic concern for the welfare of the first- and second-generation immigrants for whom he was both spokesman and symbol.” — John L. Shover, The Pacific Northwest Quarterly “The Josephsons’ biography is... comprehensive, providing careful and discerning detail about Smith’s life and career.” — William W. Bremer, The Wisconsin Magazine of History
A Portrait of Assisted Reproduction in Mexico by Sandra P. González-Santos Pdf
This book paints a comprehensive portrait of Mexico’s system of assisted reproduction first from a historical perspective, then from a more contemporary viewpoint. Based on a detailed analysis of books and articles published between the 1950s and 1980s, the first section tells the story of how the epistemic, normative, and material infrastructure of the assisted reproduction system was built. It traces the professionalization process of assisted reproduction as a medical field and the establishment of its professional association. Drawing on ethnographic material, the second part looks at how this system developed and flourished from the 1980s up to 2010, its commercialization process, how the expansion of reproductive services took place, and the messages regarding reproductive technologies that circulated within a wide discursive landscape. Given its scope and methods, this book will appeal to scholars interested in science and technology studies, reproduction studies, history of medicine, medical anthropology, and sociology.
Dwight D. Eisenhower and Richard Nixon had a political and private relationship that lasted nearly twenty years, a tie that survived hurtful slights, tense misunderstandings, and the distance between them in age and temperament. Yet the two men brought out the best and worst in each other, and their association had important consequences for their respective presidencies. In Ike and Dick, Jeffrey Frank rediscovers these two compelling figures with the sensitivity of a novelist and the discipline of a historian. He offers a fresh view of the younger Nixon as a striving tactician, as well as the ever more perplexing person that he became. He portrays Eisenhower, the legendary soldier, as a cold, even vain man with a warm smile whose sound instincts about war and peace far outpaced his understanding of the changes occurring in his own country. Eisenhower and Nixon shared striking characteristics: high intelligence, cunning, and an aversion to confrontation, especially with each other. Ike and Dick, informed by dozens of interviews and deep archival research, traces the path of their relationship in a dangerous world of recurring crises as Nixon’s ambitions grew and Eisenhower was struck by a series of debilitating illnesses. And, as the 1968 election cycle approached and the war in Vietnam roiled the country, it shows why Eisenhower, mortally ill and despite his doubts, supported Nixon’s final attempt to win the White House, a change influenced by a family matter: his grandson David’s courtship of Nixon’s daughter Julie—teenagers in love who understood the political stakes of their union.
"In The Halls of Power: A Political Portrait of Liz Cheney" provides a compelling and insightful journey into the life of one of the most influential figures in contemporary American politics. This meticulously researched biography delves deep into the political trajectory and personal experiences of Liz Cheney, offering readers an intimate understanding of her remarkable journey. From her early years growing up in a politically engaged family to her rise as a key player in the corridors of power, this book explores the pivotal moments that shaped Liz Cheney's character and career. Gain unprecedented access to the behind-the-scenes dynamics of her professional life, including her roles in various administrations and her unyielding commitment to principles that have defined her political legacy. Discover the challenges and triumphs that marked Cheney's path, providing readers with a nuanced perspective on the complexities of navigating the high-stakes landscape of American politics. The narrative skillfully weaves together personal anecdotes, policy decisions, and key moments in her career, creating a comprehensive and engrossing account of Liz Cheney's impact on the political landscape. "In The Halls of Power" is not just a biography; it's an exploration of the broader political landscape in which Liz Cheney has played a pivotal role. Whether you're a political enthusiast, a history buff, or simply curious about the inner workings of Washington, this biography offers a thought-provoking and comprehensive portrait of a woman whose influence reverberates through the corridors of power.
