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The Politics of Everyday Life in Fascist Italy by Joshua Arthurs,Michael Ebner,Kate Ferris Pdf
This book explores the complex ways in which people lived and worked within the confines of Benito Mussolini’s regime in Italy, variously embracing, appropriating, accommodating and avoiding the regime’s incursions into everyday life. The contributions highlight the experiences of ordinary Italians – midwives and schoolchildren, colonists and soldiers – over the course of the Fascist era, in settings ranging from the street to the farm, and from the kitchen to the police station. At the same time, this volume also provides a framework for understanding the Italian experience in relation to other totalitarian dictatorships in twentieth-century Europe and beyond.
Everyday Life in Fascist Venice, 1929-40 by K. Ferris Pdf
This book explores the day-to-day 'lived experience' of fascism in Venice during the 1930s, charting the attempts of the fascist regime to infiltrate and reshape Venetians' everyday lives and their responses to the intrusions of the fascist state.
Ordinary Violence in Mussolini's Italy by Michael R. Ebner Pdf
Ordinary Violence in Mussolini's Italy reveals the centrality of violence to Fascist rule, arguing that the Mussolini regime projected its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination, and other everyday forms of coercion. Fascist repression was thus more intense and ideological than previously thought and even shared some important similarities with Nazi and Soviet terror.
For almost all nations the First World War was an unparalleled disaster, but the Italian experience especially was to have catastrophic consequences. Weakened and embittered, trying and failing to come to terms with 600,000 dead and with an entire generation of men militarized by fighting, Italy gave birth to a new form of political life: Fascism. Richard Bosworth brings to life the period when Italians participated in a vast and ultimately ruinous political experiment under their dictator, Benito Mussolini, and his fascist henchmen. The fascists were the first totalitarians, aiming to reshape Italy and its people utterly. Their regime was based on a cult of violence and obedience. Yet, despite this, Italians found ingenious ways of adapting, limiting, undermining and ridiculing Mussolini's ambitions for them. The heart of this book is its engagement with the life of these ordinary Italians and their families, struggling through terrible times. Bosworth creates a powerful, plausible and entertaining picture of Italian life and a regime which - as the world hurtled towards the cataclysm of the Second World War - was to force humiliation, defeat, invasion and the utter collapse of the nation state.
Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime? In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious. Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.
The Routledge Companion to Italian Fascist Architecture by Kay Bea Jones,Stephanie Pilat Pdf
Today, nearly a century after the National Fascist Party came to power in Italy, questions about the built legacy of the regime provoke polemics among architects and scholars. Mussolini’s government constructed thousands of new buildings across the Italian Peninsula and islands and in colonial territories. From hospitals, post offices and stadia to housing, summer camps, Fascist Party Headquarters, ceremonial spaces, roads, railways and bridges, the physical traces of the regime have a presence in nearly every Italian town. The Routledge Companion to Italian Fascist Architecture investigates what has become of the architectural and urban projects of Italian fascism, how sites have been transformed or adapted and what constitutes the meaning of these buildings and cities today. The essays include a rich array of new arguments by both senior and early career scholars from Italy and beyond. They examine the reception of fascist architecture through studies of destruction and adaptation, debates over reuse, artistic interventions and even routine daily practices, which may slowly alter collective understandings of such places. Paolo Portoghesi sheds light on the subject from his internal perspective, while Harald Bodenschatz situates Italy among period totalitarian authorities and their symbols across Europe. Section editors frame, synthesize and moderate essays that explore fascism’s afterlife; how the physical legacy of the regime has been altered and preserved and what it means now. This critical history of interpretations of fascist-era architecture and urban projects broadens our understanding of the relationships among politics, identity, memory and place. This companion will be of interest to students and scholars in a range of fields, including Italian history, architectural history, cultural studies, visual sociology, political science and art history.
The massive international bestseller—an epic historical novel that chronicles the birth and rise of fascism in Italy, witnessed through the eyes of its founder, the terrifyingly charismatic figure who would become one of the most notorious dictators of the twentieth century, Benito Mussolini. It is 1919, and the Great War that has ravaged Europe is over. In Italy, the people are exhausted. Tired of the political class. Tired of vague promises, inept moderates, and the agonizing machinations of a democracy that has failed ordinary citizens. While elite leaders have sat idly by, achieving nothing, one outsider—the director of a small opposition newspaper and a tireless political agitator—is electrifying the masses, promising hope for a demoralized nation hungry for change. A former socialist leader ousted by his own party, he is a drifter who knows what it is to feel lost. His voice speaks for the misfits and the outcasts; he is a protector of those who are forgotten. He is Benito Mussolini. And soon Italy—and the world—will be forever remade. In M: Son of the Century, Antonio Scurati tells the story of fascism from within the mind of its founder, the man known to his followers as Il Duce. Steeped in historical detail and interspersed with period documents and sources, this masterful saga explores the seductive power of nationalism and idolatry, revealing how authoritarianism took hold and a nation bent to the will of one ruthless strongman. Provocative and resonant, M is a chilling reminder that the past is never gone, and that it holds urgent lessons for us today.
Mass Culture and Italian Society from Fascism to the Cold War by David A. Forgacs,Stephen Gundle Pdf
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
The cultural and material legacies of the Roman Republic and Empire in evidence throughout Rome have made it the "Eternal City." Too often, however, this patrimony has caused Rome to be seen as static and antique, insulated from the transformations of the modern world. In Excavating Modernity, Joshua Arthurs dramatically revises this perception, arguing that as both place and idea, Rome was strongly shaped by a radical vision of modernity imposed by Mussolini's regime between the two world wars. Italian Fascism's appropriation of the Roman past-the idea of Rome, or romanità- encapsulated the Fascist virtues of discipline, hierarchy, and order; the Fascist "new man" was modeled on the Roman legionary, the epitome of the virile citizen-soldier. This vision of modernity also transcended Italy's borders, with the Roman Empire providing a foundation for Fascism's own vision of Mediterranean domination and a European New Order. At the same time, romanità also served as a vocabulary of anxiety about modernity. Fears of population decline, racial degeneration and revolution were mapped onto the barbarian invasions and the fall of Rome. Offering a critical assessment of romanità and its effects, Arthurs explores the ways in which academics, officials, and ideologues approached Rome not as a site of distant glories but as a blueprint for contemporary life, a source of dynamic values to shape the present and future.
Italian Fascism's Empire Cinema by Ruth Ben-Ghiat Pdf
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
