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Author : Richard Taylor
Publisher : Cambridge University Press
Page : 238 pages
File Size : 42,8 Mb
Release : 2008-10-30
Category : History
ISBN : 0521088550
The book provides an illuminating background of the political history of the Soviet cinema in the twenties.
Author : Richard T. Taylor
Publisher : Unknown
Page : 648 pages
File Size : 48,7 Mb
Release : 1977
Category : Electronic
ISBN : OCLC:630678137
Author : Peter Kenez
Publisher : Cambridge University Press
Page : 332 pages
File Size : 50,9 Mb
Release : 1985-11-29
Category : History
ISBN : 0521313988
Peter Kenez's comprehensive study of the Soviet propaganda system, describes how the Bolshevik Party went about reaching the Russian people. Kenez focuses on the experiences of the Russian people. The book is both a major contribution to our understanding of the genius of the Soviet state, and of the nature of propaganda in the twentieth-century.
Author : Louis Harris Cohen
Publisher : New York : Arno Press, 1974 [c1973]
Page : 760 pages
File Size : 50,5 Mb
Release : 1974
Category : Performing Arts
ISBN : UOM:39015027247462
Author : Jamie Miller
Publisher : Unknown
Page : 0 pages
File Size : 41,6 Mb
Release : 2006
Category : Electronic
ISBN : OCLC:1425048047
Author : Marina L. Levitina
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 42,7 Mb
Release : 2015-09-29
Category : Performing Arts
ISBN : 9780857727701
Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.
Author : Derek Spring,Richard Taylor
Publisher : Routledge
Page : 324 pages
File Size : 40,9 Mb
Release : 2013-11-05
Category : Social Science
ISBN : 9781136128363
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Author : Birgit Beumers
Publisher : John Wiley & Sons
Page : 672 pages
File Size : 49,8 Mb
Release : 2016-07-12
Category : Performing Arts
ISBN : 9781118412763
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Author : Stephen White,Ralph C. Elwood
Publisher : Cambridge University Press
Page : 232 pages
File Size : 51,7 Mb
Release : 2002-05-02
Category : History
ISBN : 0521893437
This volume presents work on the history of the Soviet Union.
Author : Jamie Miller
Publisher : I.B. Tauris
Page : 240 pages
File Size : 47,6 Mb
Release : 2010-01-15
Category : Performing Arts
ISBN : 1848850093
Analyses key films, from the classic musical "Circus" to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'.
Author : Denise J. Youngblood
Publisher : University of Texas Press
Page : 353 pages
File Size : 54,5 Mb
Release : 2014-09-10
Category : Performing Arts
ISBN : 9780292761117
The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.
Author : David C. Gillespie
Publisher : Routledge
Page : 229 pages
File Size : 41,9 Mb
Release : 2014-09-25
Category : Performing Arts
ISBN : 9781317874126
Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.
Author : European Consortium for Political Research, University of Essex. Compiled and ed. by the Central Services of the ECPR
Publisher : Walter de Gruyter GmbH & Co KG
Page : 656 pages
File Size : 41,5 Mb
Release : 2016-11-07
Category : Political Science
ISBN : 9783111577555
Author : David Gillespie
Publisher : Wallflower Press
Page : 126 pages
File Size : 46,8 Mb
Release : 2000
Category : Performing Arts
ISBN : 1903364043
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Author : Peter Rollberg
Publisher : Scarecrow Press
Page : 831 pages
File Size : 50,7 Mb
Release : 2008-11-07
Category : History
ISBN : 9780810862685
Film lovers all over the world are familiar with the masterpieces of Eisenstein and Tarkovsky. These directors' unique achievements were embedded in a powerful process that began under Russia's last tsar and underwent several periods of blossoming: the bourgeois cinema in the 1910s, the revolutionary avant-garde in the 1920s, the Thaw in the 1950s, and the awakening of national cinemas in the 1960s and 1970s. The Historical Dictionary of Russian and Soviet Cinema is the first reference work of its kind in the English language devoted entirely to the cinema of the Russian Empire, the Soviet Union, and the post-Soviet period, including both the cinematic highlights and the mainstream. The cinemas of the former Soviet republics, including Ukraine, Belarus, Armenia, Georgia, Lithuania, and Latvia, are also represented with their most influential artists. Through a chronology, an introduction essay, a bibliography, and over 500 cross-referenced dictionary entries on filmmakers, performers, cinematographers, composers, producers, studios, genres, and outstanding films, this reference work covers the history of Russian and Soviet filmmaking from 1896 to 2007.