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Author : Michel Eugène Chevreul
Publisher : Unknown
Page : 544 pages
File Size : 50,9 Mb
Release : 1860
Category : Color
ISBN : OXFORD:305073002
Author : Michel Eugène Chevreul
Publisher : Unknown
Page : 270 pages
File Size : 48,6 Mb
Release : 1967
Category : Color
ISBN : UOM:39015006315801
Author : Faber Birren
Publisher : Schiffer Publishing
Page : 0 pages
File Size : 41,8 Mb
Release : 1987
Category : Color
ISBN : 0887401031
An elementary work on color, dealing with traditional principles of harmony as well as advanced principles derived from modern studies of the psychology of human color perception. Mr. Birren tells a well-organized story of how to achieve harmony with color, beginning with a chapter on color circles and proceeding to a straightforward discussion of traditional principles of color harmony and how they were accepted in the past.
Author : Michel E. Chevreul
Publisher : Unknown
Page : 0 pages
File Size : 47,9 Mb
Release : 2009-04
Category : Literary Collections
ISBN : 1104353059
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Author : Michel Eugène Chevreul
Publisher : Unknown
Page : 256 pages
File Size : 55,5 Mb
Release : 1967
Category : Color
ISBN : OCLC:487420348
Author : Nita Leland
Publisher : North Light Books
Page : 164 pages
File Size : 43,7 Mb
Release : 2008-10-21
Category : Art
ISBN : PSU:000065238028
Reviews the history of color theory and systems, addresses the use of elements and principles of color design, looks at seven types of contrast and how to achieve color harmony, explains the split-primary color mixing system and the use of full-spectrum palettes, and includes demonstrations.
Author : M. E. Chevreul,Dan Margulis
Publisher : Unknown
Page : 128 pages
File Size : 51,9 Mb
Release : 2019-12-02
Category : Electronic
ISBN : 0988280817
Asked by royalty to analyze why certain very expensive fabrics didn't meet expectations, a French chemist found that the dyes could not be blamed. M.E. Chevreul named the real culprit in a single paragraph-which he then expanded into a unified theory about every design discipline and, in 1839, the most ambitious and influential book ever written about color usage. Half a century later, On the Law of Simultaneous Contrast of Colors had become "the scientific foundation of Impressionist and Neo-Impressionist painting," according to Johannes Itten. "It is my Bible," said Winslow Homer. Vincent van Gogh called it "a luminous theory of colors," allowing "effects so violent that the human eye can scarcely stand to look at them." Chevreul explained how and why this occurred, but he then went on to discuss how it affects and can be exploited in any artistic context. Although this book is mostly noted for its impact on painting (and by extension, photography) it culminates with a chapter labeled Ten Principles for All Forms of Visual Art. He meant it, too: he prescribes design principles for tapestries, carpets, furniture, mosaics, churches, museums, apartments, formal gardens, theaters, maps, typography, framing, stained glass, and even military uniforms. Chevreul's basic ideas were clear but his explanations of how to implement them were convoluted even in the original French. The standard English edition, the only one available in print until now, has been condemned as plodding and misleading ever since it appeared in 1854. Today, this brilliant work reappears in a lucid form that goes far beyond a "translation." Color expert Dan Margulis has rewritten obscure parts, corrected errors, updated references, commented separately when needed, and added six chapters of his own. Technology stymied Chevreul's desire for extensive color graphics. Margulis has added them: photographs, line art, and reproductions of the works of those who swore by his ideas. And, he has used his digital expertise to explain what few critics have understood about how the painters were choosing their colors.
Author : Michel Eugene Chevreul
Publisher : Unknown
Page : 403 pages
File Size : 47,6 Mb
Release : 1854
Category : Color
ISBN : LCCN:77018673
Author : Michel Eugene Chevreul,Charles Martel
Publisher : Franklin Classics
Page : 472 pages
File Size : 41,7 Mb
Release : 2018-10-10
Category : Electronic
ISBN : 0342148982
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Michel Eugene Chevreul
Publisher : Unknown
Page : 252 pages
File Size : 54,8 Mb
Release : 1858
Category : Color
ISBN : OCLC:851885150
Author : M. Chevreul
Publisher : BoD – Books on Demand
Page : 518 pages
File Size : 42,5 Mb
Release : 2023-03-23
Category : Fiction
ISBN : 9783382153502
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : Michel Eugène Chevreul
Publisher : Unknown
Page : 270 pages
File Size : 48,8 Mb
Release : 1858
Category : Color
ISBN : CORNELL:31924102270216
Author : Michel Eugène Chevreul
Publisher : Unknown
Page : 465 pages
File Size : 45,9 Mb
Release : 1912
Category : Color
ISBN : OCLC:27374301
Author : Josef Albers
Publisher : Yale University Press
Page : 210 pages
File Size : 52,5 Mb
Release : 2013-06-28
Category : Art
ISBN : 9780300179354
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Author : Marcie Cooperman
Publisher : Pearson Higher Ed
Page : 334 pages
File Size : 40,7 Mb
Release : 2013-06-14
Category : Design
ISBN : 9780133427202
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in art and design foundations, interior design, fashion design, merchandising, graphic and communications design, and design marketing. The first color theory textbook ever! An in-depth look at color and how we perceive it. Color: How to Use It is the first in-depth color theory textbook that examines color interactions and how they can be manipulated in art and design. It is the first textbook on color theory that thoroughly explores color relationships and the compositional elements that completely change how we perceive color. It is the only textbook that is targeted toward the color theory student, with in-depth explanations of all elements of 2-D compositions, lessons designed to build skills, exercises, and a teacher’s manual with objectives and assessment guides for each exercise in every chapter. Color: How to Use It makes learning color theory easier than ever. Organized in a clear and concise fashion, this book explains color theory through a gradual process. Chapters examine the history of color, color theory, the definitions of terms, color relationships, and the more complex interactions that come about from the elements of composition. The text aims to help readers (1) learn to see color, color relationships, and elements of composition that affect the perception of color; (2) understand how altering just one color or compositional element will change the dynamics of a composition; and (3) gain skills in using color and composition to their greatest potential in 2-D design. Each chapter offers another piece of the compositional puzzle. Graphic illustrations, fine art, and photographs clarify how the chapter concepts affect color usage.