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Author : Antony Griffiths
Publisher : British museum Press
Page : 0 pages
File Size : 54,6 Mb
Release : 2016
Category : Pictures
ISBN : 0714126950
A landmark publication--beautifully illustrated with over 300 prints from the British Museum's renowned collection--which traces the history of printmaking from its earliest days until the arrival of photography.
Author : Antony Griffiths
Publisher : Univ of California Press
Page : 172 pages
File Size : 40,7 Mb
Release : 1996
Category : Art
ISBN : 0520207149
Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.
Author : Peter Galassi (Museumskurator)
Publisher : Unknown
Page : 156 pages
File Size : 52,9 Mb
Release : 1981
Category : Art
ISBN : UOM:39015006349123
Author : Kirsten Belgum,Vance Byrd,John D. Benjamin
Publisher : Walter de Gruyter GmbH & Co KG
Page : 395 pages
File Size : 55,6 Mb
Release : 2021-03-08
Category : Social Science
ISBN : 9783110696448
Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.
Author : Richard Benson
Publisher : The Museum of Modern Art
Page : 352 pages
File Size : 46,7 Mb
Release : 2008
Category : Art
ISBN : 0870707213
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
Author : Mia Fineman,National Gallery of Art (U.S.),Museum of Fine Arts, Houston
Publisher : Metropolitan Museum of Art
Page : 298 pages
File Size : 54,6 Mb
Release : 2012
Category : Exhibitions
ISBN : 9781588394736
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
Author : Vicki Goldberg
Publisher : UNM Press
Page : 580 pages
File Size : 43,6 Mb
Release : 1988
Category : Photography
ISBN : 0826310915
Essays by photographers, critics, and philosophers.
Author : Ruth E. Iskin,Britany Salsbury
Publisher : Bloomsbury Publishing USA
Page : 308 pages
File Size : 51,7 Mb
Release : 2019-12-12
Category : Art
ISBN : 9781501338502
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Author : Jennifer L. Roberts
Publisher : Princeton University Press
Page : 232 pages
File Size : 45,5 Mb
Release : 2024-05-14
Category : Art
ISBN : 9780691255859
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Author : Jane A. Bernstein
Publisher : Oxford University Press
Page : 297 pages
File Size : 45,8 Mb
Release : 2024-02-16
Category : Music
ISBN : 9780197669631
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Author : Rena M. Hoisington
Publisher : Princeton University Press
Page : 289 pages
File Size : 45,6 Mb
Release : 2021-10-26
Category : Art
ISBN : 9780691229799
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishing, connoisseurship, leisure travel, drawing instruction, and the popularity of neoclassicism. She offers new insights into sophisticated experiments by artists such as Francisco de Goya, Katharina Prestel, Paul Sandby, and Jean-Baptiste Le Prince. Marvelously illustrated with rare works from the National Gallery of Art’s collection of early aquatints, this engaging book provides a fresh look at how printmaking contributed to a vibrant exchange of information and ideas in Europe during the Enlightenment. Published in association with the National Gallery of Art, Washington, DC Exhibition Schedule National Gallery of Art, Washington, DC October 24, 2021–February 21, 2022
Author : Martha A. Sandweiss
Publisher : Yale University Press
Page : 426 pages
File Size : 49,8 Mb
Release : 2002-01-01
Category : History
ISBN : 0300103158
Resurrecting scores of rare images of the 19th century American West, "Print the Legend" offers engaging tales of ambitious photographic adventurers, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photos and to envision their expanding nation. 138 illustrations.
Author : Ashli White
Publisher : Yale University Press
Page : 393 pages
File Size : 52,9 Mb
Release : 2023-06-20
Category : History
ISBN : 9780300271843
How objects associated with the American, French, and Haitian revolutions drew diverse people throughout the Atlantic world into debates over revolutionary ideals “By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of Objects of Love and Regret: A Brooklyn Story “In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University Historian Ashli White explores the circulation of material culture during the American, French, and Haitian revolutions, arguing that in the late eighteenth century, radical ideals were contested through objects as well as in texts. She considers how revolutionary things, as they moved throughout the Atlantic, brought people into contact with these transformative political movements in visceral, multiple, and provocative ways. Focusing on a range of objects—ceramics and furniture, garments and accessories, prints, maps, and public amusements—White shows how material culture held political meaning for diverse populations. Enslaved and free, women and men, poor and elite—all turned to things as a means to realize their varied and sometimes competing visions of revolutionary change.
Author : Julie Farguson
Publisher : Boydell & Brewer
Page : 423 pages
File Size : 42,9 Mb
Release : 2021
Category : Art
ISBN : 9781783275441
The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne
Author : Carolyn Yerkes,Heather Hyde Minor
Publisher : Princeton University Press
Page : 240 pages
File Size : 55,7 Mb
Release : 2020-09
Category : Art
ISBN : 9780691206103
Layers / by Heather Hyde Minor -- Lost and found / by Carolyn Yerkes -- Pages / by Carolyn Yerkes -- Dedicated and sent / by Heather Hyde Minor -- Bound / by Heather Hyde Minor -- Sold / by Carolyn Yerkes.
