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The Private Journal of William Reynolds by William Reynolds Pdf
One of the finest nineteenth-century first-person narratives of a sea voyage in existence, and a principle source for Sea of Glory, The Private Journal of William Reynolds brings to life the boisterous world traversed by the six vessels that comprised America's first ocean-going voyage of discovery, the U.S. Exploring Expedition of 1838–1842. With great eloquence and verve Midshipman William Reynolds describes the harrowing 87,000-mile, four-year circuit of the globe, and relates the story of how the abusive commander of the Ex. Ex., Lieutenant Charles Wilkes, gradually lost the support of his crew. With a seaman's understanding and an artist's appreciation for the wild beauty that surrounds him, the Journal is a tour de force combining meticulous observations with a young man's sense of wonder and, on occasion, terror as he is tossed about by the tremendous seas.
Author : Michael A. Verney Publisher : University of Chicago Press Page : 309 pages File Size : 55,9 Mb Release : 2022-07-27 Category : History ISBN : 9780226818375
A Great and Rising Nation by Michael A. Verney Pdf
A Great and Rising Nation illuminates the unexplored early decades of the United States’ imperialist naval aspirations. Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
As the United States grew into an empire in the late nineteenth century, notions like "sea power" derived not only from fleets, bases, and decisive battles but also from a scientific effort to understand and master the ocean environment. Beginning in the early nineteenth century and concluding in the first years of the twentieth, Jason W. Smith tells the story of the rise of the U.S. Navy and the emergence of American ocean empire through its struggle to control nature. In vividly told sketches of exploration, naval officers, war, and, most significantly, the ocean environment, Smith draws together insights from environmental, maritime, military, and naval history, and the history of science and cartography, placing the U.S. Navy's scientific efforts within a broader cultural context. By recasting and deepening our understanding of the U.S. Navy and the United States at sea, Smith brings to the fore the overlooked work of naval hydrographers, surveyors, and cartographers. In the nautical chart's soundings, names, symbols, and embedded narratives, Smith recounts the largely untold story of a young nation looking to extend its power over the boundless sea.
In this book Phil Corr provides a tour de force by writing for both the biography reader and the scholar. In this hybrid work he vividly portrays the life of Titus Coan, “the pen painter,” while also filling gaps in the scholarship. These gaps include: the volume itself (no full-length published book has previously been written on Titus Coan) and the following chapters—“Patagonia,” “Peace,” and “Other Religions.” Using the unpublished thesis by Margaret Ehlke and many other primary and secondary sources, he significantly deepens the understanding of Coan in many areas. This book is presented to the future reader for the purposes of edification and increasing the scholarship of this man who lived an incredible life during incredible times.
Although North America and Australasia occupy opposite ends of the earth, they have never been that far from each other conceptually. The United States and Australia both began as British colonies and mutual entanglements continue today, when contemporary cultures of globalization have brought them more closely into juxtaposition. Taking this transpacific kinship as his focus, Paul Giles presents a sweeping study that spans two continents and over three hundred years of literary history to consider the impact of Australia and New Zealand on the formation of U.S. literature. Early American writers such as Benjamin Franklin, Thomas Jefferson, Joel Barlow and Charles Brockden Brown found the idea of antipodes to be a creative resource, but also an alarming reminder of Great Britain's increasing sway in the Pacific. The southern seas served as inspiration for narratives by Washington Irving, Edgar Allan Poe, and Herman Melville. For African Americans such as Harriet Jacobs, Australia represented a haven from slavery during the gold rush era, while for E.D.E.N. Southworth its convict legacy offered an alternative perspective on the British class system. In the 1890s, Henry Adams and Mark Twain both came to Australasia to address questions of imperial rivalry and aesthetic topsy-turvyness. The second half of this study considers how Australia's political unification through Federation in 1901 significantly altered its relationship to the United States. New modes of transport and communication drew American visitors, including novelist Jack London. At the same time, Americans associated Australia and New Zealand with various kinds of utopian social reform, particularly in relation to gender politics, a theme Giles explores in William Dean Howells, Charlotte Perkins Gilman, and Miles Franklin. He also considers how American modernism in New York was inflected by the Australasian perspectives of Lola Ridge and Christina Stead, and how Australian modernism was in turn shaped by American styles of iconoclasm. After World War II, Giles examines how the poetry of Karl Shapiro, Louis Simpson, Yusef Komunyakaa, and others was influenced by their direct experience of Australia. He then shifts to post-1945 fiction, where the focus extends from Irish-American cultural politics (Raymond Chandler, Thomas Keneally) to the paradoxes of exile (Shirley Hazzard, Peter Carey) and the structural inversions of postmodernism and posthumanism (Salman Rushdie, Donna Haraway). Ranging from figures like John Ledyard to John Ashbery, from Emily Dickinson to Patricia Piccinini and J. M. Coetzee, Antipodean America is a truly epic work of transnational literary history.
With American independence came the freedom to sail anywhere in the world under a new flag. Drawing on private journals, letters, ships' logs, memoirs, and newspaper accounts, this book traces America's earliest encounters on a global stage through the exhilarating experiences of five Yankee seafarers.
Author : Wendy N. E. Ikemoto Publisher : Taylor & Francis Page : 200 pages File Size : 44,5 Mb Release : 2017-07-06 Category : Art ISBN : 9781351668620
Antebellum American Pendant Paintings by Wendy N. E. Ikemoto Pdf
Antebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.
Native American Whalemen and the World by Nancy Shoemaker Pdf
In the nineteenth century, nearly all Native American men living along the southern New England coast made their living traveling the world's oceans on whaleships. Many were career whalemen, spending twenty years or more at sea. Their labor invigorated economically depressed reservations with vital income and led to complex and surprising connections with other Indigenous peoples, from the islands of the Pacific to the Arctic Ocean. At home, aboard ship, or around the world, Native American seafarers found themselves in a variety of situations, each with distinct racial expectations about who was "Indian" and how "Indians" behaved. Treated by their white neighbors as degraded dependents incapable of taking care of themselves, Native New Englanders nevertheless rose to positions of command at sea. They thereby complicated myths of exploration and expansion that depicted cultural encounters as the meeting of two peoples, whites and Indians. Highlighting the shifting racial ideologies that shaped the lives of these whalemen, Nancy Shoemaker shows how the category of "Indian" was as fluid as the whalemen were mobile.
With Sails Whitening Every Sea by Brian Rouleau Pdf
Many Americans in the Early Republic era saw the seas as another field for national aggrandizement. With a merchant marine that competed against Britain for commercial supremacy and a whaling fleet that circled the globe, the United States sought a maritime empire to complement its territorial ambitions in North America. In With Sails Whitening Every Sea, Brian Rouleau argues that because of their ubiquity in foreign ports, American sailors were the principal agents of overseas foreign relations in the early republic. Their everyday encounters and more problematic interactions—barroom brawling, sexual escapades in port-city bordellos, and the performance of blackface minstrel shows—shaped how the United States was perceived overseas. Rouleau details both the mariners’ "working-class diplomacy" and the anxieties such interactions inspired among federal authorities and missionary communities, who saw the behavior of American sailors as mere debauchery. Indiscriminate violence and licentious conduct, they feared, threatened both mercantile profit margins and the nation’s reputation overseas. As Rouleau chronicles, the world’s oceans and seaport spaces soon became a battleground over the terms by which American citizens would introduce themselves to the world. But by the end of the Civil War, seamen were no longer the nation’s principal ambassadors. Hordes of wealthy tourists had replaced seafarers, and those privileged travelers moved through a world characterized by consolidated state and corporate authority. Expanding nineteenth-century America’s master narrative beyond the water’s edge, With Sails Whitening Every Sea reveals the maritime networks that bound the Early Republic to the wider world.
U.S. Exploring Expedition linguist Wiki Coffin sails with the famous convoy of ships toward Brazil, where he faces a whole new set of trials and tribulations, not the least being blamed for the sudden grave illness of a fellow crewman. But soon his own fate will be the least of his problems. As the great flagship Vincennes leads the convoy under the dubious command of eccentric captain Charles Wilkes toward a dramatic entrance in the port of Rio, careless maneuvering leads one of the vessels to run afoul of a Salem trading ship. The trader is owned and commanded by none other than the famous and larger-than-life Captain William Coffin, father to Wiki and sailor of all seven seas (plus another dozen or so he's managed to invent in his years of telling tall tales). The encounter sets in motion a series of chaotic events that reunite Coffin with his illegitimate half-Maori son and that will see two men dead, Captain Coffin on trial for murder, and Wiki working feverishly to unmask the real killers before the Expedition sails on—leaving his father at the mercy of an unforgiving Brazilian court.
Wiki Coffin, linguist aboard the U.S. Exploring Expedition, the famous voyage meant to put America at the forefront of 19th century scientific discovery, brings many skills to his job. Whether he's translating native languages, assisting his good friend Captain George Rochester as unofficial first mate, or upholding the rule of law as deputy to the sheriff of the port of Virginia, Wiki is never far from the action aboard the seven ships that make up the expedition. But when they encounter a wrecked sealing ship and its desperate crew on the shoals of remote, uninhabited Shark Island, Wiki has little idea just how many of his skills are about to be put to the test. As soon as they board the wreck, a dead body turns up with a dagger firmly inserted between its shoulder blades. And it's not just any dead body: the victim of the brutal murder is none other than the enigmatic captain of the doomed voyage. What's more, Wiki's colleague and nemesis Lieutenant Forsythe is suspected of the crime. Knowing full well that Forsythe is capable of such violence, Wiki nonetheless believes him innocent and is duty-bound to prove it for the good of the expedition. Was the murder a case of mutinous sealers taking the law into their own hands? Did the secrets of several mysterious long-ago voyages finally come back to haunt a dishonest and dishonorable captain? Or is Shark Island home to something more sinister than a few lonely goats? Something isn't quite right about the crew of the wrecked ship, and Wiki will stop at nothing to find out just what it is that they're hiding, and, in the process, unmask a vicious killer.
Wiki Coffin plays many parts on the U.S. Exploring Expedition---sailor, linguist, navigator, and, as half-Maori, cultural go-between. But then the brig Swallow reaches the coast of Patagonia, an area infamous for its rough gauchos and revolutionary spirit, and he must take on his other role, that of agent of U.S. law and order. A New England whaler shows up, desperate to find the devious trader who has cheated him of a thousand dollars and a schooner. Wiki is assigned to find the missing ship, only to follow a trail of clues to a dead body, half-buried in a hill of salt, its skull picked clean by vultures. The adventure unravels in the impoverished village of El Carmen de Patagones, where the threat of French invasion is imminent, and business is at a standstill under the orders of General de Rosas, the tyrant of Buenos Aires. Wiki must risk both life and reputation in pursuit of a vicious and determined killer who has set his sights on another target: the U.S. Exploring Expedition itself.
