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The Puritans And Music In England And New England by Percy A. Scholes Pdf
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The Puritans and Music in England and New England - Scholar's Choice Edition by Percy A. Scholes Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Following the execution of the king in 1649, the new Commonwealth and then Oliver Cromwell set out to drive forward a puritan reformation of manners. They wanted to reform the church and its services, enforce the Sabbath, suppress Christmas, and spread the gospel. They sought to impose a stern moral discipline to regulate and reform sexual behaviour, drinking practices, language, dress, and leisure activities ranging from music and plays to football. England's Culture Wars explores how far this agenda could be enforced, especially in urban communities which offered the greatest potential to build a godly civic commonwealth. How far were local magistrates and ministers willing to cooperate, and what coercive powers did the regime possess to silence or remove dissidents? How far did the reformers themselves wish to go, and how did they reconcile godly reformation with the demands of decency and civility? Music and dancing lived on, in genteel contexts, early opera replaced the plays now forbidden, and puritans themselves were often fond of hunting and hawking. Bernard Capp explores the propaganda wars waged in press and pulpit, how energetically reformation was pursued, and how much or little was achieved. Many recent historians have dismissed interregnum reformation as a failure. He demonstrates that while the reforming drive varied enormously from place to place, its impact could be powerful. The book is therefore structured in three parts: setting out the reform agenda and challenges, surveying general issues and patterns, and finally offering a number of representative case-studies. It draws on a wide range of sources, including local and central government records, judicial records, pamphlets, sermons, newspapers, diaries, letters, and memoirs; and demonstrates how court records by themselves give us only a very limited picture of what was happening on the ground.
Author : Avery T. Sharp,James Michael Floyd Publisher : Taylor & Francis Page : 344 pages File Size : 53,8 Mb Release : 2005 Category : Church music ISBN : 9780415966474
Music and Politics in Thirties Britain by John Morris Pdf
Radical domestic politics, musical experimentation, advancing technology and the influence of migration from Europe and Britain's enrichment from it, all had their affects on a remarkable year in musical cultural life in the mid-30s. This book looks at the little-known aspect of music and politics in domestic Britain in 1934, a pivotal year in terms of political and cultural developments. Music and Politics in Thirties Britain focuses on the production, reception and interpretation of classical music in relation to the changes of the 1930s. John Morris treads new ground by examining the relationship between music, musicians and fascism – an area overlooked by existing scholarship. The book expertly traces the complexities and contradictions of British music history in the 1930s as musicians like others in the Arts attempted to engage with the political turmoil of the period. John Morris exemplifies the “cultural turn” in studies of British fascism, and also shows the overlap between ideas of the BUF and more progressive musicians. The result is a stimulating addition to existing scholarship which will be of interest to scholars and students alike.
Musical Women in England, 1870-1914 by NA NA,Paula Gillett Pdf
Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
The Puritans by Perry Miller,Thomas H. Johnson Pdf
Critically acclaimed compilation includes writings by William Bradford, Increase Mather, William Hubbard, Anne Bradstreet, and other influential figures. "The best selection ever made of Puritan literature." — historian Samuel Eliot Morison.
Desire, Drink and Death in English Folk and Vernacular Song, 1600-1900 by Vic Gammon Pdf
This much-needed book provides valuable insights into themes and genres in popular song in the period c. 1600-1900. In particular it is a study of popular ballads as they appeared on printed sheets and as they were recorded by folk song collectors. Vic Gammon displays his interest in the way song articulates aspects of popular mentality and he relates the discourse of the songs to social history. Gammon discusses the themes and narratives that run through genres of song material and how these are repeated and reworked through time. He argues that in spite of important social and economic changes, the period 1600-1850 had a significant cultural consistency and characteristic forms of popular musical and cultural expression. These only changed radically under the impact of industrialization and urbanization in the nineteenth century. The book will appeal to those interested in folk song, historical popular music (including church music), ballad literature, popular literature, popular culture, social history, anthropology and sociology.
Church Music and Protestantism in Post-Reformation England by Jonathan Willis Pdf
'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
Gary North,Allen C. Guelzo,David H. Chilton,Richard Flinn,Rita Mancha,Edmuch S. Morgan,James B. Jordan,Gordon Geddes,Greg L. Bahnsen
Author : Gary North,Allen C. Guelzo,David H. Chilton,Richard Flinn,Rita Mancha,Edmuch S. Morgan,James B. Jordan,Gordon Geddes,Greg L. Bahnsen Publisher : Chalcedon Foundation Page : 216 pages File Size : 49,6 Mb Release : 2024-06-11 Category : Religion ISBN : 8210379456XXX
Symposium on Puritanism and Society (JCR Vol. 06 No. 02) by Gary North,Allen C. Guelzo,David H. Chilton,Richard Flinn,Rita Mancha,Edmuch S. Morgan,James B. Jordan,Gordon Geddes,Greg L. Bahnsen Pdf
This volume is devoted to a study of the Puritans, the contributors survey the impact of Puritan sermons, thought, and law on society in general. There is little doubt today that the Puritan movement in England and the New World helped to reshape the basic institutions of the Anglo-Saxon world. In previous issues, we have surveyed the Puritan views concerning civil law, economics, science, and other kingdom institutions. Now we focus on those aspects of Puritan life that concerned the family, the institutional church, music, death, and Cromwell's Protectorate. Whatever politics you adopt, he says, should be liberal; whatever economics you adopt, of course, should be interventionist. Not impressed by biblical law. Dr. Lloyd-Jones falls back upon the conventional "unconventionality" of late-twentieth-century British politics—all in the name of liberal innovation. He ignores the fact that the dominion covenant was reestablished, after the Fall, with Noah. The Fall has now become an excuse for not doing anything to cure its effects. However, he said in his 1975 essay, "Looking at history it seems to me that one of the greatest dangers confronting the Christian is to become a political conservative, and an opponent of legitimate reform, and the legitimate rights of people" (p. 103). But if explicitly Christian reform is doomed, what kind of "legitimate reform" does he have in mind? Why, "Calvinist reform," meaning economic interventionism, since Arminianism supposedly leads to laissez-faire: "Arminianism over-stresses liberty. It produced the laissez-faire view of economics, and it always introduces inequalities—some people becoming enormously wealthy, and others languishing in poverty and destitution" (p. 106). Free enterprise creates inequality! If these conclusions seem preposterous to you, you will want to order the latest Journal of Christian Reconstruction, which contains my article showing how free enterprise economics came to the Puritan colonies iii the final years of the 17th century. You will want to read Gordon Geddes' essay on the Puritan view of death, Greg Bahnsen's defense of biblical law against Merideth Kline's attack, Rita Mancha's study of women in Calvinist thought, Richard Flinn's essay on the Puritan concept of the family, James Jordan's essay on Puritanism and music, and David Chilton's defense of Oliver Cromwell. "Puritanism and Society" will provide you with information which will enable you to decide whether Dr. Lloyd-Jones' assessment is correct, whether his view on 17th-century Puritanism's outlook is truly heretical. These three issues of The Journal have created considerable controversy. The idea that Puritanism was essentially a "package deal"—a comprehensive world-and-life outlook that affected all spheres of social life—has alienated numerous self-proclaimed neo-Puritans. This series has also driven another group to abandon the Puritan tradition, and to adopt a kind of neo-anabaptism to replace the older "theonomic" Puritan tradition. The "reprinting neo-Puritans" have faced a dual challenge: either adopt the theonomic tradition which was fundamental to the Puritan movement, or else abandon Puritanism's tradition in favor of new-anabaptism. Predictably, they wish to do neither. Yet to remain "betwixt and between" is to remain caught in a crossfire. The interesting product of this immobility has been a narrowing of focus: endless articles on the ("beneficial") emotionalism of Puritanism, and a stream of biographical articles, primarily dealing with the less well-known later preachers who have defended predestination, but who had little or no lasting influence on Western culture, and who were not explicitly Puritan in their outlook.