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The Realist: Plug and Play continues the journey of Eisner-Award winning, husband, father, and ordinary Israeli citizen Asaf Hanuka (The Divine) as he plumbs the depths of human existence with humor and melancholy, imagination, and quiet desperation. This new volume of the series brings the mix of pathos and politics that makes Hanuka a modern master of cartooning.
"This edition collects material from K.O. aa Tel Aviv volumes #1-3, originally published in French by Steinkis and the story "A complicated question" which was originally published in Nautilus, Winter 2015. "Obsession" was originally created for the book "Tribute to Otomo" (2017, Kodansha.Ltd)"--Title page verso.
Acclaimed Israeli cartoonist Asaf Hanuka's weekly strips unfold an emotional autobiography full of humor and melancholy, wild imagination, and quiet desperation. Collected for the first time in English and including never-before-collected strips, The Realist delivers both honesty and whimsy from a master of his craft. With echoes of R. Crumb and Daniel Clowes, Hanuka moves readers with his depictions of everyday life, commenting on everything from marriage to technology to social activism through intimate moments of triumph and failure.
Realist, The: Last Day on Earth (Book 3) by Asaf Hanuka Pdf
The long-awaited third collection of the Eisner Award-winning series of New York Times bestselling cartoonist Asaf Hanuka’s one-page autobiographical weekly comics returns to captivate, inspire, and challenge readers. Through scenes both real and imagined, the acclaimed Israeli cartoonist examines the joys (and pitfalls) of parenting in a politically divisive world and the ongoing struggle to manifest art even as real life humor and pathos keeps getting in the way. The internationally acclaimed and Hugo Award-nominated cartoonist’s beautifully drawn stories about self, family, society, and everything in between conjure a deeply rich and unforgettable reading experience.
The Comics of Asaf Hanuka: Telling Particular and Universal Stories tells the story of how cartoonist Asaf Hanuka illustrates both universal and particular narratives. Through close readings of Hanuka’s entire catalogue of comics and graphic narratives, Hanuka’s work is situated within the broader story of his own experiences of being an insider (as a Jew and Israeli) and an outsider (as a Mizrahi, or Judeo-Arab) in Israeli society. By moving chronologically through Hanuka’s works, the book traces how Hanuka navigates these disparate particular identities alongside more universal concerns about how to be a present partner to his spouse and to his children.
Mark's out of the military, these days, with his boring, safe civilian job doing explosives consulting. But you never really get away from war. So it feels inevitable when his old army buddy Jason comes calling, with a lucrative military contract for a mining job in an obscure South-East Asian country called Quanlom. They'll have to operate under the radar-Quanlom is being torn apart by civil war, and the US military isn't strictly supposed to be there. With no career prospects and a baby on the way, Mark finds himself making the worst mistake of his life and signing on with Jason. What awaits him in Quanlom is going to change everything. What awaits him in Quanlom is weirdness of the highest order: a civil war led by ten-year-old twins wielding something that looks a lot like magic, leading an army of warriors who look a lot like gods. What awaits him in Quanlom is an actual goddamn dragon. From world-renowned artists Asaf and Tomer Hanuka (twins, whose magic powers are strictly confined to pen and paper) and Boaz Lavie, The Divine is a fast-paced, brutal, and breathlessly beautiful portrait of a world where ancient powers vie with modern warfare and nobody escapes unscathed.
Tillie Walden's Eisner Award winning graphic memoir Spinning captures what it’s like to come of age, come out, and come to terms with leaving behind everything you used to know. It was the same every morning. Wake up, grab the ice skates, and head to the rink while the world was still dark. Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again. She was good. She won. And she hated it. For ten years, figure skating was Tillie Walden’s life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. Skating was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the team, were nowhere close to Olympic hopefuls. The more Tillie thought about it, the more Tillie realized she’d outgrown her passion—and she finally needed to find her own voice. This title has Common Core connections. A New York City Public Library Notable Best Book for Teens A Chicago Public Library Best Book of 2017 A 2018 YALSA Great Graphic Novel A 2017 Booklist Youth Editors' Choice
"[A] tender, funny, terrific new play. . . . Mr. Eno's voice, which teases out the poetry in the pedestrian and finds glinting humor in the static that infuses our faltering efforts to communicate, is as distinctive as any American playwright's today."The New York Times "Weird and wonderful . . . Eno's familiar sudden-shifting between profound and playful verbiage is delightfully disarming and sometimes awfully funny."Variety Plays as funny and moving, as wonderful and weird as The Realistic Joneses do not appear often on Broadway. Or ever, really. Mr. Eno's voice may be the most singular of his generation, but it's humane, literate and slyly hilarious. For all the sadness woven into its fabric, The Realistic Joneses brought me a pleasurable rush virtually unmatched by anything I've seen this season.”The New York Times As usual, Eno's dialogue is a marvel of compression and tonal control, trivial chitchat flipping into cosmic profundity with striking ease. There's much to savor: the dry but meaningful banter, the joy of humans sharing time and space, battling the darkness with a joke or silence. Life in Enoland isn't what you'd call realisticit's more real than that.”Time Out New York [An] elliptical, funny, dark and strangely moving new play. Eno is a writer with heart and compassion.”Chicago Tribune Eno's first-ever commercial foray ups the creative ante in a Broadway climate that can be resistant to new voices. [A] very fine play where laughter exists a heartbeat, or heartbreak, away from tears.”The Telegraph Meet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who have more in common than their identical last names. Boasting the playwright's quintessential existential quirkiness, this new comedy finds poetry in the banal while humorously exploring our ever-floundering efforts at communication. Listed as one of New York Times's Best Plays of 2012,The Realistic Joneses received its Broadway premiere in spring 2014, starring Toni Collete, Michael C. Hall, Tracy Letts and Marisa Tomei, and opening to rave reviews. Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works includeMiddletown, The Flu Season, Tragedy: a tragedy, Intermission, andGnit, an adaptation of Henrik Ibsen's Peer Gynt. His many awards include the PEN/Laura Pels International Foundation for Theatre Award, the Horton Foote Prize, and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.
Shortlisted for the Scotiabank Giller Prize, the Governor General's Award for Fiction, and the Rogers Writers' Trust Fiction Prize In 1968, into the beautiful, spare environment of remote coastal Labrador, a mysterious child is born: a baby who appears to be neither fully boy nor girl, but both at once. Only three people are privy to the secret — the baby's parents, Jacinta and Treadway, and a trusted neighbour, Thomasina. Together the adults make a difficult decision: to raise the child as a boy named Wayne. But as Wayne grows to adulthood within the hyper-masculine hunting culture of his father, his shadow-self — a girl he thinks of as "Annabel" — is never entirely extinguished, and indeed is secretly nurtured by the women in his life. Haunting, sweeping in scope, and stylistically reminiscent of Jeffrey Eugenides' Middlesex, Annabel is a compelling tale about one person's struggle to discover the truth about their birth and self in a culture that shuns contradiction.
The Graphic Lives of Fathers by Mihaela Precup Pdf
This book explores the representation of fatherhood in contemporary North American autobiographical comics that depict paternal conduct from the post-war period up to the present. It offers equal space to autobiographical comics penned by daughters who represent their fathers’ complicated and often disappointing behavior, and to works by male cartoonists who depict and usually celebrate their own experiences as fathers. This book asks questions about how the desire to forgive or be forgiven can compromise the authors’ ethics or dictate style, considers the ownership of life stories whose subjects cannot or do not agree to be represented, and investigates the pervasive and complicated effects of dominant masculinities. By close reading these cartoonists’ complex strategies of (self-)representation, this volume also places photography and archival work alongside the problematic legacy of self-deprecation carried on from underground comics, and shows how the vocabulary of graphic narration can work with other media and at the intersection of various genres and modes to produce a valuable scrutiny of contemporary norms of fatherhood.
Marcine is fascinated with the Japanese theory of Sanpaku. It states that seeing the white around the iris of one’s eyes is a bad omen. But it’s everywhere Marcine looks—her grandmother has it, some of her classmates at Catholic school have it, JFK had it . . . even Marcine might suffer from this odd condition. It’s believed that eating a strict macrobiotic diet and meditating is supposed to help, but no matter how much Marcine wants it to, these practices can’t save her grandmother, or bring back pop star Selena, or make her life at school any easier . . .! From critically acclaimed cartoonist Kate Gavino (Last Night’s Reading), Sanpaku gives voice to the insecurities that abound in teens of all cultures.
Gender and Sexuality in Israeli Graphic Novels by Matt Reingold Pdf
This book explores how Israeli graphic novelists present depictions of masculinity and femininity that differ from conventional portrayals of gender in Israeli society, rejecting the ways that hypermasculinity and docile femininity have come to be associated with men and women. The book is the first to explore Israeli graphic novels through the lens of gender. It argues that breaking down existing gender delineations with regards to masculinity and femininity is a core feature of the Israeli graphic novel and comics tradition and that through their works, the authors and artists use their platforms to present a freer and looser conceptualization of gender for Israeli society. Undertaking close readings of Israeli graphic novels that have been published in English and/or Hebrew in the last 20 years, the book’s texts include Rutu Modan’s Exit Wounds and The Property, Ari Folman and David Polonsky’s Waltz with Bashir, Galit and Gilad Seliktar’s Farm 54, and Asaf Hanuka’s "The Realist". This book is of interest to students and scholars in comics studies, Israel Studies, Jewish Studies, and Gender Studies.
Over fifteen years after Gomorrah’s release, Saviano's life has been under constant threat from would be assassins who forced him to leave his native Italy and to live under constant police protection. For the first time since then, Saviano shares his deepest thoughts and experiences of early life in Naples, witnessing the power and violence of Camorra firsthand, his current existence living under guard, all the while continuing to call attention to the deeply rooted crime and corruption that plagues his home.
Oz Taylor may know Jet Jones' secret, but convincing the rest of his family may be harder than he counted on. As Oz plots to rid the Taylor farm of the rocket boy, Jet tries to prove himself to the family that has taken him in, in hopes of finding the home he has searched for for so long. However, when shadows of Jet's past start coming back into his life, he realizes his days of running may be numbered.
An inspiring and surprisingly comedic tale of loss and acceptance told largely through silent sequential narrative, About Betty’s Boob is a seminal work from master storytellers Véro Cazot and Julie Rocheleau. Betty lost her left breast, her job, and her guy. She does not know it yet, but this is the best day of her life.