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Author : Christopher Cairns
Publisher : Unknown
Page : 128 pages
File Size : 42,8 Mb
Release : 1999
Category : English drama
ISBN : 0075460068
Author : Taylor & Francis Group
Publisher : Routledge
Page : 130 pages
File Size : 52,5 Mb
Release : 2019-05-23
Category : Electronic
ISBN : 0367134306
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
Author : Christopher Cairns
Publisher : Routledge
Page : 130 pages
File Size : 53,5 Mb
Release : 2019-01-04
Category : Drama
ISBN : 9780429640360
Originally published in 1999, this book is a critical analysis of Renaissance theatre, including chapters on speaking theatres, performing theatre and redesigning Shakespeare.
Author : Christopher Cairns
Publisher : Routledge
Page : 206 pages
File Size : 40,8 Mb
Release : 2019-05-23
Category : Electronic
ISBN : 1138360619
First published in 1999, this volume examines iconography, nature, gardens, staging, tradition and innovation in the Renaissance theatre, continuing the growing interest in relationships between image and performance as a fertile field for theatre research. Papers explored areas including The Tempest, Elizabeth Cary, Antonia Pulci and Shakespeare's Italian nature.
Author : Christopher Cairns
Publisher : Ashgate Pub Limited
Page : 358 pages
File Size : 53,5 Mb
Release : 1999-12-01
Category : Performing Arts
ISBN : 0754600084
This two-volume set (of The English and Italian Theatre and Design, Image and Acting) includes many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
Author : Christopher Cairns
Publisher : Ashgate Pub Limited
Page : 130 pages
File Size : 40,6 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0754600076
This volume along with a previous one (on The English and Italian Theatre) include many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
Author : Jane Collins,Andrew Nisbet
Publisher : Routledge
Page : 424 pages
File Size : 50,6 Mb
Release : 2012-10-02
Category : Performing Arts
ISBN : 9781136344527
Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.
Author : Marco Sgarbi
Publisher : Springer Nature
Page : 3618 pages
File Size : 42,6 Mb
Release : 2022-10-27
Category : Philosophy
ISBN : 9783319141695
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
Author : Martin White
Publisher : Routledge
Page : 276 pages
File Size : 41,6 Mb
Release : 2013-05-13
Category : Performing Arts
ISBN : 9781134917815
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Author : Clive Barker,Simon Trussler
Publisher : Cambridge University Press
Page : 108 pages
File Size : 47,7 Mb
Release : 2001-05-10
Category : Drama
ISBN : 0521001471
Provides an international forum where theatrical scholarship and practice can meet.
Author : Meredith K. Ray,Lynn Lara Westwater
Publisher : Rutgers University Press
Page : 211 pages
File Size : 48,9 Mb
Release : 2023-04-14
Category : Literary Criticism
ISBN : 9781644533062
The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.
Author : Margaret L. King,Albert Rabil Jr.
Publisher : University of Chicago Press
Page : 254 pages
File Size : 55,9 Mb
Release : 2008-09-15
Category : Social Science
ISBN : 9780226436333
The books in The Other Voice in Early Modern Europe series chronicle the heretofore neglected stories of women between 1400 and 1700 with the aim of reviving scholarly interest in their thought as expressed in a full range of genres: treatises, orations, and history; lyric, epic, and dramatic poetry; novels and novellas; letters, biography, and autobiography; philosophy and science. Teaching Other Voices: Women and Religion in Early Modern Europe complements these rich volumes by identifying themes useful in literature, history, religion, women's studies, and introductory humanities courses. The volume's introduction, essays, and suggested course materials are intended as guides for teachers--but will serve the needs of students and scholars as well.
Author : Rosalind Kerr
Publisher : University of Toronto Press
Page : 231 pages
File Size : 40,9 Mb
Release : 2015-01-01
Category : Literary Criticism
ISBN : 9781442649118
The Rise of the Diva on the Sixteenth-Century Commedia dell'Arte Stage examines the emergence of the professional actress from the 1560s onwards in Italy. Tracing the historical progress of actresses from their earliest appearances as sideshow attractions to revered divas, Rosalind Kerr explores the ways in which actresses commodified their sexual and cultural appeal. Newly translated archival material, iconographic evidence, literary texts, and theatrical scripts provide a rich repertoire through which Kerr demonstrates how actresses skillfully improvised roles such as the maidservant, the prima donna, and the transvestite heroine. Following the careers of early stars such as Flaminia of Rome, Vincenza Armani, Vittoria Piissimi, and Isabella Andreini, Kerr shows how their fame arose from the combination of dazzling technical mastery and eloquent powers of persuasion. Seamlessly integrating the Italian and English scholarly literature on the subject, The Rise of the Diva is an insightful analysis of one of the modern world's first celebrity cultures.
Author : M.A. Katritzky
Publisher : Routledge
Page : 442 pages
File Size : 41,6 Mb
Release : 2016-12-05
Category : Medical
ISBN : 9781351931458
While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in their birth town of Basle, or the Catholic physician Hippolytus Guarinonius, who was born in Trent, trained in Padua and practiced in Hall near Innsbruck. During his student years and brilliant career as early modern Basle's most distinguished municipal, court and academic physician, Felix Platter built up a wide network of private, religious and aristocratic patients. His published medical treatises and private journal record his professional encounters with them as a healer. They also offer numerous vivid accounts of theatrical events experienced by Platter as a scholar, student and gifted semi-professional musician, and during his Grand Tour and long medical career. Here Felix Platter's accounts, many unavailable in translation, are examined together with relevant extracts from the journals of his younger brother Thomas Platter, and Guarinonius's medical and religious treatises. Thomas Platter is known to Shakespeare scholars as the Swiss Grand Tourist who recorded a 1599 London performance of Julius Caesar, and Guarinonius's descriptions of quack performances represent the earliest substantial written record of commedia dell'arte lazzi, or comic stage business. These three physicians' records of ceremony, festival, theatre, and marketplace diversions are examined in detail, with particular emphasis on the reactions of 'respectable' medical practitioners to healing performers and the performance of healing. Taken as a whole, their writings contribute to our understanding of many aspects of European theatrical culture and its complex interfaces with early modern healthcare: in carnival and other routine manifestations of the Christian festive year, in the extraordinary performance and ceremony of court festivals, and above all in the rarely welcomed intrusions of quacks and other itinerant performers.
Author : Natalie R. Tomas
Publisher : Taylor & Francis
Page : 246 pages
File Size : 46,7 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351885836
The Medici Women is a study of the women of the famous Medici family of Florence in the fifteenth and early sixteenth centuries. Natalie Tomas examines critically the changing contribution of the women in the Medici family to the eventual success of the Medici regime and their exercise of power within it; and contributes to our historical understanding of how women were able to wield power in late medieval and early modern Italy and Europe. Tomas takes a feminist approach that examines the experience of the Medici women within a critical framework of gender analysis, rather than biography. Using the relationship between gender and power as a vantage point, she analyzes the Medici women's uses of power and influence over time. She also analyzes the varied contemporary reactions to and representation of that power, and the manner in which the women's actions in the political sphere changed over the course of the century between republican and ducal rule (1434-1537). The narrative focuses especially on how women were able to exercise power, the constraints placed upon them, and how their gender intersected with the exercise of power and influence. Keeping the historiography to a minimum and explaining all unfamiliar Italian terms, Tomas makes her narrative clear and accessible to non-specialists; thus The Medici Women appeals to scholars of women's studies across disciplines and geographical boundaries.
