The Representation Of Masculinity In Contemporary British Fiction

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The Representation of Masculinity in Contemporary British Fiction

Author : Holger Kiesow
Publisher : GRIN Verlag
Page : 94 pages
File Size : 47,9 Mb
Release : 2007-01-20
Category : Literary Criticism
ISBN : 9783638585378

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The Representation of Masculinity in Contemporary British Fiction by Holger Kiesow Pdf

Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).

Posting the Male

Author : Anonim
Publisher : BRILL
Page : 171 pages
File Size : 48,5 Mb
Release : 2022-06-08
Category : Law
ISBN : 9789004456655

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Posting the Male by Anonim Pdf

The essays collected in Posting the Male examine representations of masculinity in post-war and contemporary British literature, focussing on the works of writers as diverse as John Osborne, Joe Orton, James Kelman, Ian Rankin, Carol Ann Duffy, Alan Hollinghurst, Ian McEwan, Graham Swift and Jackie Kay. The collection seeks to capture the current historical moment of ‘crisis’, at which masculinity loses its universal transparency and becomes visible as a performative gender construct. Rather than denoting just one fixed, polarised point on a hierarchised axis of strictly segregated gender binaries, masculinity is revealed to oscillate within a virtually limitless spectrum of gender identities, characterised not by purity and self-containment but by difference and alterity. As the contributors demonstrate, rather than a gender ‘in crisis’ millennial manhood is a gender ‘in transition’. Patriarchal strategies of man-making are gradually being replaced by less exclusionary patterns of self-identification inspired by feminism. Men have begun to recognise themselves as gendered beings and, as a result, masculinity has been set in motion.

Men and Masculinity - the Presentation of Men and Male Relationships in Three Contemporary British Novels

Author : Symon Nicklas
Publisher : GRIN Verlag
Page : 109 pages
File Size : 44,7 Mb
Release : 2011-03
Category : Electronic
ISBN : 9783640864621

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Men and Masculinity - the Presentation of Men and Male Relationships in Three Contemporary British Novels by Symon Nicklas Pdf

Thesis (M.A.) from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 2,7 (B-), Free University of Berlin (English Philology), 82 entries in the bibliography, language: English, abstract: The 1990s has witnessed a groundswell of interest in men and masculinity. The book market saw countless publications, the media took up the topic and discussions about the 'nineties man' became and still are very much en vogue (even though we are on the brink of the next millennium). Parallel to public interest there was also an increase in academic writing. Numerous sociological and psychological studies endeavoured to explore the roots of masculinity and examined the mechanisms of its functions in cultures depending of various kinds of gender division. They concluded that masculinity has no fixed concept, that masculinity is not just what a group of men happen to do. Rather it has to be understood in relation to the gender role as a social practice negotiated by men and understood in relation to the gender order. So one should instead speak of 'masculinities' if one wants to grasp the different representations of maleness in society. Feminists and multiculturalists have repeatedly criticised the dominant gender position of men in society and questioned the legitimacy for patriarchy. They asked for a 'new man', a new social understanding of male values and attitudes and asked for change. Since the mid-1970s men responded to the call for change, explored aspects of men's lives and started to question whether the traditional concept (a concept that is still very much practised by men throughout the Western world) of male domination is still irreproachable. This, however, also sparked off a crisis, indeed a dilemma because many men felt that, without a fixed basis to define themselves they lost their bearings. Bearing this in mind it is an interesting question to ask in what way men represent men so the task of my thesis is to find out what kind

Representations of Masculinity in Literature and Film

Author : Sara Martín
Publisher : Cambridge Scholars Publishing
Page : 302 pages
File Size : 42,5 Mb
Release : 2020-09-11
Category : Performing Arts
ISBN : 9781527559301

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Representations of Masculinity in Literature and Film by Sara Martín Pdf

How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.

Men and Masculinity. The Presentation of Men and Male Relationships in Three Contemporary British Novels

Author : Symon Nicklas
Publisher : GRIN Verlag
Page : 102 pages
File Size : 51,8 Mb
Release : 2003-04-12
Category : Literary Criticism
ISBN : 9783638184342

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Men and Masculinity. The Presentation of Men and Male Relationships in Three Contemporary British Novels by Symon Nicklas Pdf

Thesis (M.A.) from the year 1999 in the subject English Language and Literature Studies - Literature, grade: 2,7 (B-), Free University of Berlin (English Philology), 82 entries in the bibliography, language: English, abstract: The 1990s has witnessed a groundswell of interest in men and masculinity. The book market saw countless publications, the media took up the topic and discussions about the 'nineties man' became and still are very much en vogue (even though we are on the brink of the next millennium). Parallel to public interest there was also an increase in academic writing. Numerous sociological and psychological studies endeavoured to explore the roots of masculinity and examined the mechanisms of its functions in cultures depending of various kinds of gender division. They concluded that masculinity has no fixed concept, that masculinity is not just what a group of men happen to do. Rather it has to be understood in relation to the gender role as a social practice negotiated by men and understood in relation to the gender order. So one should instead speak of ‘masculinities’ if one wants to grasp the different representations of maleness in society. Feminists and multiculturalists have repeatedly criticised the dominant gender position of men in society and questioned the legitimacy for patriarchy. They asked for a ‘new man’, a new social understanding of male values and attitudes and asked for change. Since the mid-1970s men responded to the call for change, explored aspects of men’s lives and started to question whether the traditional concept (a concept that is still very much practised by men throughout the Western world) of male domination is still irreproachable. This, however, also sparked off a crisis, indeed a dilemma because many men felt that, without a fixed basis to define themselves they lost their bearings. Bearing this in mind it is an interesting question to ask in what way men represent men so the task of my thesis is to find out what kind of men are presented in Alan HOLLINGHURST's The Swimming Pool Library, Irvine WELSH's Trainspotting and Nick HORNBY's High Fidelity and what relationships to other men and women the authors form. I chose this combination of novels and authors for a number of reasons. The novels are all contemporary works of fiction, in a publicational time span from 1988-1995, making them fictional works written at the peak of masculinity research and the social questioning of masculine concepts. Male characters and their authors come from different social backgrounds and thus promise interesting aspects, which take power, class and sexual orientation into consideration. [...]

Masculinity in British Cinema, 1990-2010

Author : Sarah Godfrey
Publisher : EUP
Page : 0 pages
File Size : 45,9 Mb
Release : 2023-11-30
Category : Masculinity in motion pictures
ISBN : 1399527797

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Masculinity in British Cinema, 1990-2010 by Sarah Godfrey Pdf

Explores British cinematic representations of masculinity.

Masculinity in Fiction and Film

Author : Brian Baker
Publisher : A&C Black
Page : 186 pages
File Size : 52,8 Mb
Release : 2008-06-08
Category : Performing Arts
ISBN : 9781847062628

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Masculinity in Fiction and Film by Brian Baker Pdf

Covers wide range of popular British and American fiction and film including Westerns, spy fiction, science fiction and crime narratives.

Constructions of Masculinity in British Literature from the Middle Ages to the Present

Author : S. Horlacher
Publisher : Springer
Page : 445 pages
File Size : 44,8 Mb
Release : 2011-12-19
Category : Literary Criticism
ISBN : 9781137015877

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Constructions of Masculinity in British Literature from the Middle Ages to the Present by S. Horlacher Pdf

An in-depth analysis into the construction of male identity as well as a unique and comprehensive historical overview of how masculinity has been constructed in British literature from the Middle Ages to the present. This book is an important contribution to the emerging field of masculinity studies.

Intersectionality and Decolonisation in Contemporary British Crime Fiction

Author : Charlotte Beyer
Publisher : Cambridge Scholars Publishing
Page : 234 pages
File Size : 47,8 Mb
Release : 2023-01-24
Category : Literary Criticism
ISBN : 9781527591592

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Intersectionality and Decolonisation in Contemporary British Crime Fiction by Charlotte Beyer Pdf

Intersectionality and decolonisation are prominent themes in contemporary British crime fiction. Through an in-depth critical and contextual analysis of selected contemporary British crime fiction novels from the 1990s to 2018, this distinctive book examines representations of race, class, sexuality, and gender by John Harvey, Stella Duffy, M.Y. Alam, and Dorothy Koomson. It argues that contemporary British crime fiction is a field of contestation where urgent cultural and social questions are debated and the politics of representation explored. A significant resource which will be valuable to researchers and scholars of the crime genre, as well as British literature, this book offers timely critical engagement with intersectionality and decolonisation and their representation in contemporary British crime fiction.

Post-World War II Masculinities in British and American Literature and Culture

Author : Dr Kevin Floyd,Dr Stefan Horlacher
Publisher : Ashgate Publishing, Ltd.
Page : 221 pages
File Size : 54,9 Mb
Release : 2013-12-28
Category : Language Arts & Disciplines
ISBN : 9781409466000

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Post-World War II Masculinities in British and American Literature and Culture by Dr Kevin Floyd,Dr Stefan Horlacher Pdf

Analyzing literary texts, plays, films and photographs within a transatlantic framework, this volume explores the inseparable and mutually influential relationship between different forms of national identity in Great Britain and the United States and the construction of masculinity in each country. The contributors take up issues related to how certain kinds of nationally specific masculine identifications are produced, how these change over time, and how literature and other forms of cultural representation eventually question and deconstruct their own myths of masculinity. Focusing on the period from the end of World War II to the 1980s, the essays each take up a topic with particular cultural and historical resonance, whether it is hypermasculinity in early cold war films; the articulation of male anxieties in plays by Arthur Miller, David Mamet and Sam Shepard; the evolution of photographic depictions of masculinity from the 1960s to the 1980s; or the representations of masculinity in the fiction of American and British writers such as Patricia Highsmith, Richard Yates, John Braine, Martin Amis, Evan S. Connell, James Dickey, John Berger, Philip Roth, Frank Chin, and Maxine Hong Kingston. The editors and contributors make a case for the importance of understanding the larger context for the emergence of more pluralistic, culturally differentiated and ultimately transnational masculinities, arguing that it is possible to conceptualize and emphasize difference and commonality simultaneously.

Representations of Masculinity in Literature and Film

Author : Sara Martin,Sara Martín Alegre
Publisher : Unknown
Page : 305 pages
File Size : 54,8 Mb
Release : 2020-10
Category : Masculinity
ISBN : 152755757X

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Representations of Masculinity in Literature and Film by Sara Martin,Sara Martín Alegre Pdf

How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men's liberation from patriarchy by raising an awareness of its crippling constraints.

Contemporary Masculinities in Fiction, Film and Television

Author : Brian Baker
Publisher : Bloomsbury Publishing USA
Page : 273 pages
File Size : 50,7 Mb
Release : 2015-01-01
Category : Performing Arts
ISBN : 9781623567477

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Contemporary Masculinities in Fiction, Film and Television by Brian Baker Pdf

While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twentieth century.

Typical Men

Author : Andrew Spicer
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 55,8 Mb
Release : 2001-04-12
Category : Performing Arts
ISBN : 9780857717627

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Typical Men by Andrew Spicer Pdf

Typical Men is the first book length study of masculinity in British cinema and offers a broad and lively overview from the Second World War to the present day. Spicer argues that masculinity in popular fiction can best be understood as a range of dynamic and competing cultural types which rise and fall in relation to shifting patterns of film production, audience taste and social change. Specific chapters are devoted to each of the major types debonair gentlemen, civilian professionals, action adventurers, the Ever yma n, Fools and Rogues, criminals, rebels and damaged men - which trace their changing histories through innovative readings of key films, together with a fresh look at the performances of particular stars including James Mason, Kenneth More, Michael Caine and Sean Connery. A final chapter explores the complex and hybrid types that have evolved within a volatile and unstable contemporary British cinema, now part of an array of interrelated media images of masculinity. Typical Men will be of keen interest to those concerned with the cultural history of gender, and its detailed and carefully contextualised interpretations of films afford a reappraisal of British cinema history, especially the neglected and despised 1950s. 'Andrew Spicer's Typical Men is a major intervention in debates about masculinity in the cinema. It takes a lot of intellectual risks, and locates cinematic stereotypes of masculinity in a cinematic and cultural context. It is trenchant and original, and redefines the field of gender representation.' – Sue Harper, Professor of Film History, University of Portsmouth 'The strength of this elegantly and wittily written book is that, in the precision of its detail about individual performances, actors and films, it never loses sight of its argumentative threads.' – Brian McFarlane, Screening the Past