The Representation Of World War One In Film And Its Effect On Collective Memory

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The Representation of World War One in Film and its Effect on Collective Memory

Anonim
The Representation of World War One in Film and its Effect on Collective Memory Book PDF

Author : Anonim
Publisher : GRIN Verlag
Page : 48 pages
File Size : 51,6 Mb
Release : 2024-06-11
Category : Literary Criticism
ISBN : 9783389033784

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The Representation of World War One in Film and its Effect on Collective Memory by Anonim Pdf

Bachelor Thesis from the year 2023 in the subject English Language and Literature Studies - Literature, grade: 2,0, Technical University of Braunschweig (Institut für Anglistik und Amerikanistik), course: Film Studies, language: English, abstract: This Bachelor's thesis begins with theoretical chapters on the culture of remembrance (collective/cultural memory) according to Assmann, film theory and forms of representation of the First World War in films. This is followed by brief analyses of three different films (All Quiet on the Western Front 1930; Paths of Glory 1957; The Trench 2000), each of which is examined with the aid of the preceding theory. In the conclusion, this analysis is categorized and critically evaluated. First and foremost, the thesis that the same cinematic representation of the First World War since 1930 has led to our current conception of the First World War is discussed. It is also argued that the First World War was one of the reasons why the medium of film became the most popular worldwide. Diese Bachelorarbeit beginnt mit theoretischen Kapiteln zu Erinnerungskultur (Kollektives/Kulturelles Gedächtnis) nach Assmann, Filmtheorie und Darstellungsformen des Ersten Weltkriegs in Filmen. Darauf folgen kurze Analysen zu drei verschiedenen Filmen (All Quiet on the Western Front 1930; Paths of Glory 1957; The Trench 2000), die jeweils mithilfe der vorangegangenen Theorie betrachtet werden. Im Fazit wird diese Analyse eingeordnet und kritisch bewertet. In erster Linie wird die These behandelt, dass die immer gleiche filmische Darstellung des Ersten Weltkriegs seit 1930 zu unserer heutigen Vorstellung des Ersten Weltkriegs geführt hat. Zudem wird argumentiert, dass der Erste Weltkrieg einer der Gründe war, dass das Medium Film das populärste weltweit wurde.

Memories and Representations of War

Anonim
Memories and Representations of War Book PDF

Author : Anonim
Publisher : BRILL
Page : 351 pages
File Size : 44,5 Mb
Release : 2009-01-01
Category : Literary Criticism
ISBN : 9789042026292

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Memories and Representations of War by Anonim Pdf

The contributors to the present volume approach World War I and World War II as complex and intertwined crossroads leading to the definition of the new European (and world) reality, and deeply pervading the making of the twentieth century. These scholars belong to different yet complementary areas of research – history, literature, cinema, art history; they come from various national realities and discuss questions related to Italy, Britain, Germany, Poland, Spain, at times introducing a comparison between European and North American memories of the two World War experiences. These scholars are all guided by the same principle: to encourage the establishment of an interdisciplinary and trans-national dialogue in order to work out new approaches capable of integrating and acknowledging different or even opposing ways to perceive and interpret the same historical phenomenon. While assessing the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories and by divided memories not to emphasise divisions, but to acknowledge the ethical need for a truly shared act of reconciliation.

The Great War in Post-Memory Literature and Film

Martin Löschnigg,Marzena Sokolowska-Paryz
The Great War in Post Memory Literature and Film Book PDF

Author : Martin Löschnigg,Marzena Sokolowska-Paryz
Publisher : Walter de Gruyter GmbH & Co KG
Page : 528 pages
File Size : 55,8 Mb
Release : 2014-10-14
Category : History
ISBN : 9783110391527

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The Great War in Post-Memory Literature and Film by Martin Löschnigg,Marzena Sokolowska-Paryz Pdf

The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.

Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

Michael Baumgartner,Ewelina Boczkowska
Music Collective Memory Trauma and Nostalgia in European Cinema after the Second World War Book PDF

Author : Michael Baumgartner,Ewelina Boczkowska
Publisher : Routledge
Page : 314 pages
File Size : 49,9 Mb
Release : 2019-09-23
Category : Music
ISBN : 9781315298436

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Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War by Michael Baumgartner,Ewelina Boczkowska Pdf

In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.

French Cinema and the Great War

Marcelline Block,Barry Nevin
French Cinema and the Great War Book PDF

Author : Marcelline Block,Barry Nevin
Publisher : Rowman & Littlefield
Page : 206 pages
File Size : 52,5 Mb
Release : 2016-02-04
Category : History
ISBN : 9781442260986

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French Cinema and the Great War by Marcelline Block,Barry Nevin Pdf

Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost defending the nation from the Central Powers. It is no surprise that the impact of the First World War can still be seen in French films into the present day. French Cinema and the Great War: Remembrance and Representation provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films. Presented in three thematic sections—Recording and Remembering the Great War, Women at the Front, and Interrogating Commemoration—the essays in this volume explore the ways in which French film contributes to the restoration and modification of memories of the war. Films such as La Grande Illusion,King of Hearts, A Very Long Engagement, and Joyeux Noel are among those discussed in the volume’s examination of the various ways in which film mediates personal and collective memories of this critical historical event. This volume will be an invaluable resource, not only to those interested in French Cinema or the cinema of the Great War, but also to those interested in the impacts of war, more generally, on the cultural output of nations torn by the violence, death, and destruction of military conflict.

Memories and Representations of War

Elena Lamberti,Vita Fortunati
Memories and Representations of War Book PDF

Author : Elena Lamberti,Vita Fortunati
Publisher : Rodopi
Page : 352 pages
File Size : 46,8 Mb
Release : 2009
Category : History
ISBN : 9789042025219

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Memories and Representations of War by Elena Lamberti,Vita Fortunati Pdf

The contributors to this volume approach the World Wars as complex and intertwined crossroads leading to the definition of a new European reality. While assessing the the way the memories of the two World Wars have been readjusted each time in relation to the evolving international historical setting and through various mediators of memory (cinema, literature, art and monuments), the various essays contribute to unveil a cultural panorama inhabited by contrasting memories.

World War II, Film, and History

John Whiteclay Chambers II,David Culbert
World War II Film and History Book PDF

Author : John Whiteclay Chambers II,David Culbert
Publisher : Oxford University Press
Page : 204 pages
File Size : 42,6 Mb
Release : 1996-10-10
Category : Performing Arts
ISBN : 9780199728732

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World War II, Film, and History by John Whiteclay Chambers II,David Culbert Pdf

The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."

Memory and Popular Film

Paul Grainge
Memory and Popular Film Book PDF

Author : Paul Grainge
Publisher : Manchester University Press
Page : 278 pages
File Size : 54,8 Mb
Release : 2003-09-06
Category : Performing Arts
ISBN : 0719063752

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Memory and Popular Film by Paul Grainge Pdf

Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present. Considering the relationship between official and popular memory, the politics of memory, and the technological and representational shifts that have come to effect memory's contemporary mediation, the book contributes to the growing debate on the status and function of the past in cultural life and discourse. By gathering key critics from film studies, American studies and cultural studies, Memory and Popular Film establishes a framework for discussing issues of memory in film and of film as memory. Together with essays on the remembered past in early film marketing, within popular reminiscence, and at film festivals, the book considers memory films such as Forrest Gump, Lone Star, Pleasantville, Rosewood and Jackie Brown.

Remembering War

J. M. Winter
Remembering War Book PDF

Author : J. M. Winter
Publisher : Yale University Press
Page : 350 pages
File Size : 55,9 Mb
Release : 2006-01-01
Category : History
ISBN : 9780300127522

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Remembering War by J. M. Winter Pdf

This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the "memory boom" is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers "theaters of memory"-film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.

The Enemy in Contemporary Film

Martin Löschnigg,Marzena Sokołowska-Paryż
The Enemy in Contemporary Film Book PDF

Author : Martin Löschnigg,Marzena Sokołowska-Paryż
Publisher : Walter de Gruyter GmbH & Co KG
Page : 417 pages
File Size : 54,8 Mb
Release : 2018-08-21
Category : History
ISBN : 9783110590036

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The Enemy in Contemporary Film by Martin Löschnigg,Marzena Sokołowska-Paryż Pdf

Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong

Handbook of British Literature and Culture of the First World War

Ralf Schneider,Jane Potter
Handbook of British Literature and Culture of the First World War Book PDF

Author : Ralf Schneider,Jane Potter
Publisher : Walter de Gruyter GmbH & Co KG
Page : 540 pages
File Size : 42,9 Mb
Release : 2021-09-20
Category : Literary Criticism
ISBN : 9783110422467

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Handbook of British Literature and Culture of the First World War by Ralf Schneider,Jane Potter Pdf

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.

Haunted Laughter

Jonathan C. Friedman
Haunted Laughter Book PDF

Author : Jonathan C. Friedman
Publisher : Rowman & Littlefield
Page : 241 pages
File Size : 51,5 Mb
Release : 2022-03-14
Category : Religion
ISBN : 9781793640161

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Haunted Laughter by Jonathan C. Friedman Pdf

A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.

Flashbacks in Film

Maureen Turim
Flashbacks in Film Book PDF

Author : Maureen Turim
Publisher : Routledge
Page : 360 pages
File Size : 45,7 Mb
Release : 2013-12-17
Category : Performing Arts
ISBN : 9781317916666

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Flashbacks in Film by Maureen Turim Pdf

The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.

Memory and Migration

Julia Creet,Andreas Kitzmann
Memory and Migration Book PDF

Author : Julia Creet,Andreas Kitzmann
Publisher : University of Toronto Press
Page : 346 pages
File Size : 55,7 Mb
Release : 2014-02-24
Category : Social Science
ISBN : 9781442620483

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Memory and Migration by Julia Creet,Andreas Kitzmann Pdf

Memory plays an integral part in how individuals and societies construct their identity. While memory is usually considered in the context of a stable, unchanging environment, this collection of essays explores the effects of immigration, forced expulsions, exile, banishment, and war on individual and collective memory. The ways in which memory affects cultural representation and historical understanding across generations is examined through case studies and theoretical approaches that underscore its mutability. Memory and Migration is a truly interdisciplinary book featuring the work of leading scholars from a variety of fields across the globe. The essays are collaborative, successfully responding to the central theme and expanding upon the findings of individual authors. A groundbreaking contribution to an emerging field of study, Memory and Migration provides valuable insight into the connections between memory, place, and displacement.

Reagan’s “Boys” and the Children of the Greatest Generation

Jonathan M. Bullinger
Reagan s Boys and the Children of the Greatest Generation Book PDF

Author : Jonathan M. Bullinger
Publisher : Routledge
Page : 263 pages
File Size : 52,6 Mb
Release : 2019-10-10
Category : History
ISBN : 9781000709605

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Reagan’s “Boys” and the Children of the Greatest Generation by Jonathan M. Bullinger Pdf

During the 1980s and 1990s, aging Baby Boomer parents constructed a particular type of memory as they attempted to laud their own parents’ wartime accomplishments with the label "The Greatest Generation." This book is the first to tell the entire story of this particular type of U.S. World War II memory begun by U.S. President Ronald Reagan in 1984, and promoted the same year by newscaster Tom Brokaw. The story continues in 1994, when it was given academic credence by historian Stephen E. Ambrose, a sensory realism and ideal American character by director Steven Spielberg and actor Tom Hanks, sloganized by Tom Brokaw in 1998, and later interpreted in light of 9/11 and new wars.