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The Restorative Poetics of a Geological Age by Timothy Attanucci Pdf
Geohistoricism examines two mid-nineteenth century thinkers – the Austrian writer Adalbert Stifter and the French architect Eugène E. Viollet-le-Duc – who imagined cultural history on the model of earth history: as a history of objects to be restored and worlds to be reconstructed. The nascent field of geology shaped cultural thought; their conservationism, informed by erosion, envisions a future of restorative renewal.
Author : Michel Mallet,Maria Mayr,Kristin Rebien Publisher : Walter de Gruyter GmbH & Co KG Page : 232 pages File Size : 40,6 Mb Release : 2024-08-05 Category : Social Science ISBN : 9783110732948
Postsocialist Memory in Contemporary German Culture by Michel Mallet,Maria Mayr,Kristin Rebien Pdf
Scholarship on Eastern Europe after 1989 often focuses narrowly on the socialist past as authoritarian, dictatorial, or totalitarian. This collection, by contrast, illuminates an additional dimension of post-socialist memory: it traces the survival of hopes and dreams born under socialism and the legacy of the unrealized alternative futures embedded within the socialist past. Looking at contemporary German-language literature, film, theater, and art, the volume analyzes reflections on everyday socialist realities as well as narratives of opposition and dissent. The texts discussed here not only revisit the past, but also challenge the present and help us imagine alternative futures. Rather than framing the unrealized futures envisioned in the pre-1989 era as failures, this collection probes post-socialist memory for its future-oriented potential to rethink issues of community, equity and equality, and late-stage capitalism. Foregrounding the complexities of Eastern European legacies also helps us reimagine the relationship between East and West both in Germany and in Europe as a whole.
This book offers new interpretations of Tennyson’s major poems along-side contemporary geology, and specifically Charles Lyell’s Principles of Geology (1830-3). Employing various approaches – from close readings of both the poetic and geological texts, historical contextualisation and the application of Bakhtin’s concept of dialogism – the book demonstrates not only the significance of geology for Tennyson’s poetry, but the vital import of Tennyson’s poetics in explicating the implications of geology for the nineteenth century and beyond. Gender ideologies in The Princess (1847) are read via High Miller’s geology, while the writings of Lyell and other contemporary geologist, comparative anatomists and language theorists are examined along-side In Memoriam (1851) and Maud (1855). The book argues that Tennyson’s experimentation with Lyell’s geology produced a remarkable ‘uniformitarian’ poetics that is best understood via Bakhtinian theory; a poetics that reveals the seminal role methodologies in geology played in the development of divisions between science and culture, and that also, quite profoundly, anticipates the crisis in language later associated with the linguistic turn of the twentieth century.
Heidegger, Hölderlin, and the Subject of Poetic Language by Jennifer Anna Gosetti-Ferencei Pdf
Gosetti-Ferencei argues that Heidegger has overlooked central elements in Hlderlin's poetics, such as a Kantian understanding of aesthetic subjectivity and a commitment to Enlightenment ideals. These elements, she argues, resist the more politically distressing aspects of Heidegger's interpretations, including Heidegger's nationalist valorization of the German language and sense of nationhood, or Heimat.
"Anthropocene Poetics looks at contemporary anglophone poetry from Anthropocene, Plantationocene, and Multispecies perspectives, and sets out a poetics for thinking about 'geologic intimacy,' the deeply relational reality of 'sacrifice zones,' and processes of kin-making in a time of extinction"
The Restorative Poetics of a Geological Age by Timothy Attanucci Pdf
At this moment, the concept of the Anthropocene is challenging us to rethink our relationship to the earth and its history, but we have not yet fully understood the extent to which our knowledge of earth history has shaped the historical culture of modernity. This study examines the relationship of geology — including its central narratives, metaphors, topoi, and other imaginative tools — to the broader historical imagination that has until now been called “historicism.” Two major figures in the rise of historical conservationism and aesthetic historicism in nineteenth-century Europe guide this study of geohistoricism: the Austrian writer, painter, and art conservator Adalbert Stifter, whose novel Der Nachsommer (Indian Summer, 1857) narrates the rise of geohistoricism through the friendship of a geologist and his art-historian mentor; and French architect and conservator Eugène Emmanuel Viollet-le-Duc, whose theoretical/abstract/imaginative understanding of “restoration,” based on the geology of Georges Cuvier, informed his practical approach. These authors reveal how geological thought provides a powerful new way to envision and reconstruct past worlds, even as it also demonstrates the erosive precariousness of our present.
Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. The Geological Unconscious traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown. Through a series of careful readings of romantic, realist, and modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, Groves elaborates a geological unconscious—unthought and sometimes actively repressed geological knowledge—in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period before it was named. These close readings show the entanglement of the human and the lithic in periods well before the geological turn of contemporary cultural studies. In those depictions of human-mineral encounters, the minerality of the human and the minerality of the imagination become apparent. In registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, The Geological Unconscious points toward alternative relations with, and less destructive mobilizations of, the geologic.
What are altered states of consciousness? Can altered states produce altered worlds? Altered States brings together poetic journeys that explore the varieties of revelatory experience. These poems expand our sense of selfhood and place in the cosmos, complicating the boundaries between alterity and the ordinary, to propose a new psychedelic style for the 21st century. Introduction by Francesca Gavin Afterword by Erik Davies Contributors: K Allado-McDowell Spiros Antonopoulos Kharaini Barokka Jesse Darling Paige Emery James Goodwin Johanna Hedva Caspar Heinemann IONE Daisy Lafarge Precious Okoyomon Nisha Ramayya Hannah Satz Erica Scourti Emily Segal Tai Shani Sin Wai Kin Himali Singh Soin Jenna Sutela Rebecca Tamas Flora Yin-Wong
David Jones was born in Brockley South London in 1895. His father, a printer, was a Welshman from Flint in North Wales. In David Jones's life and art his Welsh heritage was of central importance. In 1915 he enlisted in the Royal Welsh Fusiliers and spent the next three years fighting in the trenches on the Western Front. They were prehaps the most significant years of his life and led to the writing of his masterpiece In Parenthesis which took him some 20 years to write and was not published until 1937. It was acclaimed by T.S. Eliot as a masterpiece, and won the Hawthornden Prize. It records graphically the horrors of war but also the sense of human fellowship that developed between many soldiers fighting in the trenches together. In 1922 David Jones made friends with the sculptor Eric Gill, both were recent Catholic converts - and fell in love with Gill's daughter Petra. He continued painting until his death in May 1974, a few months after he had been made a Companion of Honour.
How did literature shape nineteenth-century science? Erasmus Darwin and his grandson, Charles, were the two most important evolutionary theorists of eighteenth- and nineteenth-century Britain. Although their ideas and methods differed, both Darwins were prolific and inventive writers: Erasmus composed several epic poems and scientific treatises, while Charles is renowned both for his collected journals (now titled The Voyage of the Beagle) and for his masterpiece, The Origin of Species. In The Age of Analogy, Devin Griffiths argues that the Darwins’ writing style was profoundly influenced by the poets, novelists, and historians of their era. The Darwins, like other scientists of the time, labored to refashion contemporary literary models into a new mode of narrative analysis that could address the contingent world disclosed by contemporary natural science. By employing vivid language and experimenting with a variety of different genres, these writers gave rise to a new relational study of antiquity, or “comparative historicism,” that emerged outside of traditional histories. It flourished instead in literary forms like the realist novel and the elegy, as well as in natural histories that explored the continuity between past and present forms of life. Nurtured by imaginative cross-disciplinary descriptions of the past—from the historical fiction of Sir Walter Scott and George Eliot to the poetry of Alfred Tennyson—this novel understanding of history fashioned new theories of natural transformation, encouraged a fresh investment in social history, and explained our intuition that environment shapes daily life. Drawing on a wide range of archival evidence and contemporary models of scientific and literary networks, The Age of Analogy explores the critical role analogies play within historical and scientific thinking. Griffiths also presents readers with a new theory of analogy that emphasizes language's power to foster insight into nature and human society. The first comparative treatment of the Darwins’ theories of history and their profound contribution to the study of both natural and human systems, this book will fascinate students and scholars of nineteenth-century British literature and the history of science.
By the acclaimed author of The Rules of Engagement and Minus Time, Claire’s Head is a compulsive, psychologically charged new novel about a migraine sufferer and her search for her missing sister. On a quiet June morning, Toronto cartographer Claire Barber receives a phone call telling her that her sister Rachel, a freelance medical journalist living in New York, seems to have vanished. Last heard from while on assignment in Montreal, Rachel cancelled a trip to visit her six-year-old daughter, who lives with Claire’s middle sister, in Toronto. Among the many fears that haunt Claire as she begins to track Rachel’s whereabouts is that Rachel’s worsening migraines have pushed her beyond her limits. As Claire disrupts her orderly life to follow news of Rachel to Montreal, to Amsterdam, to Italy, and, ultimately, to Las Vegas and Mexico in the company of Rachel’s ex-lover, Brad, she enters a world of neurologists and New Age healers. Struggling with her own headaches, Claire embarks on what becomes an emotional journey, one that brings to the fore her parents’ sudden death eight years earlier. It also reveals the heightening tensions in her relationship with her partner, Stefan, portraying along the way long-held secrets from the past as well as the uniquely complex and irreplaceable bond between sisters. What Claire comes to discover will set her life on a new course. Taking place over one summer, but delving back into the past, Claire’s Head provides both a layered, engrossing story and a meditation on how we live with pain and what we will give up to be free of it, written with all the insight, intelligence, and storytelling artistry for which Catherine Bush’s fiction has come to be known. With this, her third novel, she has once again proved herself to be one of Canadian fiction’s most striking and original voices.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1807 edition. Excerpt: ... of rain, and buried deep in the soil. They were not found together, but scattered at some distance from each other. The two tusks were twenty feet apart. I had often heard of the elephant's bones at Burton, but never saw them; and I have no books to refer to. I think I saw, in what is now called the National Museum at Paris, the very large bones of an elephant, which were found in North America: though it is certain that this enormous animal is never seen in its natural state, but in the countries under the torrid zone of the old world. I have, since making this note, been told that the bones of the rhinoceros and hippopotamus have been found in America. Page 28. Line 16. "--and in giants dwelling on the hills--" The peasants believe that the large bones sometimes found belonged to giants, who formerly lived on the hills. The devil also has a great deal to do with the remarkable forms of hill and vale: the Devil's Punch Bowl, the Devil's Leaps, and the Devil's Dyke, are names given to deep hollows, or high and abrupt ridges, in this and the neighbouring county. Page 29. Line 8. "The pirate Dane, who from his circular camp-- The incursions of the Danes were for many ages the scourge of this island. Line 12. "The savage native, who his acorn meal--" The Aborigines of this country lived in woods, unshiltered but by trees and caves; and were probably as truly savage as any of those who are now termed so. Page 30. Line 10. "Will from among the fescue bring him flowers--" The grass railed Sheep's Fescue, (Festuca ovina, ) clothes these Downs with the softest turf. ." some resembling bees In velvet vest intent on their sweet toil--Ophrys apifera, Bee Ophrys, or Orchis; found plentifully on the hills, as well as the next. Line 13. "While others...
In Biological Time, Historical Time, 19th century scientific and literary works are analysed with regard to their mutual interactions, special focus being placed on concepts and dimensions of time.