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Author : Martha B. Helfer
Publisher : SUNY Press
Page : 240 pages
File Size : 47,6 Mb
Release : 1996-01-01
Category : Philosophy
ISBN : 0791429113
Examines the notion of Darstellung [representation] in the critical discourse of German Idealism and Romanticism, paying particular attention to Kant, Fichte, Novalis, and Kleist.
Author : Martha B. Helfer
Publisher : SUNY Press
Page : 240 pages
File Size : 45,9 Mb
Release : 1996-03-28
Category : Philosophy
ISBN : 0791429121
Examines the notion of Darstellung [representation] in the critical discourse of German Idealism and Romanticism, paying particular attention to Kant, Fichte, Novalis, and Kleist.
Author : Patrick L. Bourgeois
Publisher : Lexington Books
Page : 167 pages
File Size : 42,7 Mb
Release : 2013-09-05
Category : Philosophy
ISBN : 9780739181904
Imagination and Postmodernity addresses the role of the imagination in philosophy today. By focusing on philosophy at the boundary of reason with constant reference to Kant’s view of the boundary-limit, it is possible to advance a viable alternative to deconstructing the imagination. Patrick L. Bourgeois puts forth the claim that by refocusing the imagination in the postmodern conversation, a far-reaching contemporary position can be reached that reestablishes the position of the humanities as central against the anti-humanism of deconstruction. This work addresses some of the challenges and problems that emerge in conflicting positions within contemporary philosophy, including a concentration on the role of the imagination in the work of Paul Ricoeur in contrast and in opposition to its role in such postmodern thinkers as Derrida and Lyotard. This treatment requires going back to the role of the imagination in the period of Kant and his immediate followers in order to clarify the various ways of seeing the imagination then and now, for the role today is anticipated in the nineteenth century. Finally, this work, as a creative appropriation of the position of Paul Ricoeur, presents a role for the imagination today that is more encompassing than most thinkers allow for.
Author : Johan Van der Walt
Publisher : CRC Press
Page : 296 pages
File Size : 43,9 Mb
Release : 2014-06-11
Category : Law
ISBN : 9781134233823
In the wake of apartheid, Law and Sacrifice draws on the uniquely expansive protection of fundamental rights now entrenched in the South African Constitution to outline a new theory of law. The South African Constitution not only protects the rights of people against abuses of power by the state, but also against abuses of power by private legal subjects. Drawing upon the work of contemporary thinkers such as Martin Heidegger, Hannah Arendt, George Bataille, Jacques Derrida Emmanuel Levinas and Jean-Luc Nancy, the author elicits the radical democratic potential of this 'horizontal' notion of rights. Johan van der Walt argues that apartheid must be understood as more than a racist abuse of power, and here he articulates its 'sacrificial logic'. It is in going beyond this logic, he maintains, that the truly democratic potential of the South African Constitution can be understood: in a radical formal and substantive equality that offers the legal basis for rethinking a post-apartheid future. Combining a rigorous theoretical understanding with a subtle political engagement, Law and Sacrifice is a dazzling interrogation of the limits and possibilities of democratic pluralism. It will be of interest to political and legal theorists as well as to those who are concerned with South African law and politics.
Author : Jairo Moreno
Publisher : Indiana University Press
Page : 266 pages
File Size : 41,7 Mb
Release : 2004-12-21
Category : Music
ISBN : 0253111196
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions -- musical, philosophical, and historical -- that "make a certain form of thought about music necessary and possible at the time it emerges." Musical Meaning and Interpretation -- Robert S. Hatten, editor
Author : Brian A. Connery
Publisher : University of Delaware Press
Page : 320 pages
File Size : 46,6 Mb
Release : 2002
Category : Electronic
ISBN : 0874137977
These thirteen essays offer not only the representations of Swift to which its title refers but also a representation of Swift scholarship at the close of the twentieth century and a return to fundamental questions about the life, writing, and views of Swift, issues raised in part by literary scholarship's return to historicism but also powerfully suggestive of a return to biography.
Author : Frank Burke,Marguerite R. Waller
Publisher : University of Toronto Press
Page : 278 pages
File Size : 45,7 Mb
Release : 2002-01-01
Category : Performing Arts
ISBN : 0802076475
A collection of critical essays on the noted postwar Italian director includes pieces that examine his works from a range of social and political perspectives to consider his motivations and impact on modern film. Simultaneous.
Author : Enhua Zhang
Publisher : Routledge
Page : 249 pages
File Size : 47,7 Mb
Release : 2016-12-08
Category : History
ISBN : 9781317326113
Regarding revolution as a spatial practice, this book explores modes of spatial construction in modern China through a panoramic overview of major Chinese revolutionary events and nuanced analysis of cultural representations. Examining the relationship between revolution, space, and culture in modern China the author takes five spatially significant revolutionary events as case studies - the territorial dispute between Russia and the Qing dynasty in 1892, the Land Reform in the 1920s, the Long March (1934-36), the mainland-Taiwan split in 1949, and the Cultural Revolution (1966-76) - and analyses how revolution constructs, conceives, and transforms space. Using materials associated with these events, including primarily literature, as well as maps, political treatises, historiography, plays, film, and art, the book argues that in addition to redirecting the flow of Chinese history, revolutionary movements operate in and on space in three main ways: maintaining territorial sovereignty, redefining social relations, and governing an imaginary realm. Arguing for reconsideration of revolution as a reorganization of space as much as time, this book will appeal to students and scholars of Chinese culture, society, history and literature.
Author : Cameron McCarthy
Publisher : Psychology Press
Page : 364 pages
File Size : 43,5 Mb
Release : 1993
Category : Curriculum change
ISBN : 0415905583
Despite differing orientations, the contributors here all share a common concern for stressing the importance of social context, nuance and language in understanding the dynamics of race relations.
Author : David M. Kaplan
Publisher : State University of New York Press
Page : 272 pages
File Size : 43,8 Mb
Release : 2008-07-24
Category : Philosophy
ISBN : 9780791477922
In Reading Ricoeur, fourteen well-known scholars interpret, evaluate, and criticize the works of Paul Ricoeur, one of the twentieth century's most important and far-reaching philosophers. The contributors discuss Ricoeur's entire philosophical career: from his existentialist-phenomenology of the 1940s and '50s; his hermeneutics and critique of structuralism in the 1960s and '70s; his narrative and moral philosophy of the 1980s; his political and legal philosophy of the 1990s; his recent work on memory, forgiveness, and recognition; as well as his enduring interests in religious language and the problem of evil. The contributors not only explain the central concepts and structures of Ricoeur's philosophy, but they also bring him into dialogue with his contemporaries, including Sartre, Heidegger, Gadamer, Habermas, Rawls, and Lyotard. Reading Ricoeur demonstrates the central role of Paul Ricoeur in the development of twentieth-century philosophy.
Author : Monica Brito Vieira
Publisher : Routledge
Page : 232 pages
File Size : 53,9 Mb
Release : 2017-05-25
Category : Political Science
ISBN : 9781317400936
Representation is integral to the functioning and legitimacy of modern government. Yet political theorists have often been reluctant to engage directly with questions of representation, and empirical political scientists have closed down such questions by making representation synonymous with congruence. Conceptually unproblematic and normatively inert for some, representation has been deemed impossible to pin down analytically and to defend normatively by others. But this is changing. Political theorists are now turning to political representation as a subject worthy of theoretical investigation in its own right. In their effort to rework the theory of political representation, they are also hoping to impact how representation is assessed and studied empirically. This volume gathers together chapters by key contributors to what amounts to a "representative turn" in political theory. Their approaches and emphases are diverse, but taken together they represent a compelling and original attempt at re-conceptualizing political representation and critically assessing the main theoretical and political implications following from this, namely for how we conceive and assess representative democracy. Each contributor is invited to look back and ahead on the transformations to democratic self-government introduced by the theory and practice of political representation. Representation and democracy: outright conflict, uneasy cohabitation, or reciprocal constitutiveness? For those who think democracy would be better without representation, this volume is a must-read: it will question their assumptions, while also exploring some of the reasons for their discomfort. Reclaiming Representation is essential reading for scholars and graduate researchers committed to staying on top of new developments in the field.
Author : Grant Profant McAllister
Publisher : Peter Lang
Page : 224 pages
File Size : 46,7 Mb
Release : 2005
Category : Literary Criticism
ISBN : 082047486X
Heinrich von Kleist's problematic relationship with the philosophy and the aesthetics of idealism informs his parodic, rebellious, and destructive oeuvre. This book focuses on this relationship and examines Kleist's female leading characters and their role as amorphous ciphers for his own subversive aesthetic theory. Through parody these characters call into question idealist philosophy regarding truth, knowledge, and gender, and offer a theory of aesthetic representation that replaces traditional binary oppositions with pluralities and nonclosure. Nietzsche may have opened the door to postmodernism; however, Kleist unlocked it with four cunning female voices. This is the first book in Kleist scholarship to focus solely on Kleist's female leading figures and their symbolic role as both character and literary theory - a theory anticipating Derridean deconstruction.
Author : Melinda McPherson
Publisher : Routledge
Page : 230 pages
File Size : 42,9 Mb
Release : 2014-10-07
Category : Education
ISBN : 9781134099757
Even with increased attention to refugee women’s issues in the late 20th century, post-colonial discourses have nurtured limiting representations of refugee women, predominantly as subjects of charity and as victims. Adding to a growing body of work in the field, the author challenges this preconception by offering an opportunity for women’s voices to shape and influence policy, especially as it pertains to the role of education in the authoring of their own lives. In this volume, Melinda McPherson centres refugee women’s voices in the educational policy debate. Drawing on interviews with a group of refugee women in Melbourne, she explores purposes of education, and asks what kind of society these women imagine for themselves and for others. Their critical reflections, personal experiences and diverse backgrounds offer a contrasting picture to that privileged in ordinary policy debate. The women require support, resources, and guidance; but they are agents in their own lives who bring strength, thought, and imagination to crafting their own destinies in a new country. Education is a pivotal tool in exercising that agency. Throughout the book, discussions centre on why education matters to refugee women, focusing upon the integral links between education, civil society, and successful settlement, and conversely on the negative impacts of exclusionary practices. Representation and participation in education is a topic of critical social justice concern, and as such, the book will form important reading for academics, students, policy makers, and community development researchers.
Author : Charles O. Nussbaum
Publisher : MIT Press
Page : 401 pages
File Size : 49,9 Mb
Release : 2007
Category : Emotions in music
ISBN : 9780262140966
How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.
Author : Inge Hinterwaldner
Publisher : MIT Press
Page : 394 pages
File Size : 42,6 Mb
Release : 2017-01-13
Category : Computers
ISBN : 9780262335560
A new conceptualization of the relationship between the systemic and the iconic in real-time simulations that distinguishes among four levels of forming. Computer simulations conceive objects and situations dynamically, in their changes and progressions. In The Systemic Image, Inge Hinterwaldner considers not only the technical components of dynamic computer simulations but also the sensory aspects of the realization. Examining the optic, the acoustic, the tactile, and the sensorimotor impressions that interactive real-time simulations provide, she finds that iconicity plays a dominant yet unexpected role. Based on this, and close readings of a series of example works, Hinterwaldner offers a new conceptualization of the relationship between systemic configuration and the iconic aspects in these calculated complexes. Hinterwaldner discusses specifications of sensorialization, necessary to make the simulation dynamic perceivable. Interweaving iconicity with simulation, she explores the expressive possibilities that can be achieved under the condition of continuously calculated explicit changes. She distinguishes among four levels of forming: the systems perspective, as a process and schema that establishes the most general framework of simulations; the mathematical model, which marks off the boundaries of the simulation's actualization; the iconization and its orientation toward the user; and interaction design, necessary for the full unfolding of the simulation. The user makes manifest what is initially latent. Viewing the simulation as an interface, Hinterwaldner argues that not only does the sensorially designed aspect of the simulation seduce the user but the user also makes an impact on the simulation—on the dynamic and perhaps on the iconization, although not on the perspectivation. The influence is reciprocal.
