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When the six-year war between the Uplanders and Downlanders is over and Cam returns home to his village, questions dog him, from how he lost an arm to why he was the only one of his fellow soldiers to survive, such that he must leave until his own suspicions are resolved.
They say the Awakening is coming. That she’s the key. But can she find her identity in the light Before she perishes in the dark? Twenty years have passed since Carrington and Remko Brant’s baby, Elise, was kidnapped and they were forced to leave her captive in the Authority City. Though they fled with the Seers far from Authority reach, they’ve never given up hope of rescuing their daughter from the man who betrayed them. Now Authority President, he’s ushered the city into a new era of “peace”—one where the Scientist Roth Reynard’s Genesis Serum has eradicated all memory of emotion or rebellion. But the mysterious Aaron and his Seers are once again on the move, threatening the illusion the Authority has worked so hard to build. As the Seers send seven chosen warriors to rescue Elise and bring restoration to the Authority City, the lines are drawn for a final battle between light and darkness. The key to ultimate victory may rest within the strangely powerful girl who has felt forgotten but was never abandoned—a truth she’ll need to wage war against the powerful forces of evil.
"An affecting meditation on loss and exile" ANGEL GURRIA-QUINTANA, Financial Times Windsor Laferrière left Haiti in fear of his life. He has lived in Montreal for thirty-three years, and when his father dies in New York, himself an exile for half a century, Windsor travels there to attend the funeral, and then back to Haiti to inform his mother of the death. In Haiti, Windsor is faced with the grim truth of life in his homeland - the endemic poverty, the thwarted ambitions and broken dreams. But only here can he become a writer again . . . The Enigma of the Return lives where fiction, poetry and autobiography meet. These creative tensions sustain a narrative of astonishing beauty, clarity and insight. "Looks set to become one of the great poetic statements of homesickness and return . . . It should be read by all exiles everywhere" Ian Thomson, Independent "A poetic, melancholic tour de force . . . a compelling, intense, stark and poignant exploration of living life as an outsider . . . The great Haitian novel" Jo Lateu, New Internationalist
At the age of twenty-three, the narrator hurriedly packed his bags and left behind the stifling heat of Port-au-Prince for the unending winter of Montreal. It was 1976, and Baby Doc Duvalier's regime had just killed a journalist colleague. But thirty-three years later, after his father's death, he decides to return him to Baradères, the village where he was born. How does one return from exile? In Dany's case, he grounds himself in a hotel room in Port-au-Prince, afraid to see the city he has dreamed of in Montreal. Every time he ventures out of this safety zone, the past and present collide in dizzying ways - the rhythm of the language, the faces of the people, the dust on the roads. How is it that we are undeniably born of a particular place? Why are we always our father's son? The Return captures the tension between being from a place but not of it and the subtle ways in which the sights and sounds of memory can seduce. This is at once a novel that is new and original, that melds haiku and narration. A serious book, yet poetic, oneiric, realist. It is the novel of a great writer.
Noted New Testament scholar Poythress provides an understandable and practical look into Revelation in this insightful commentary. Poythress focuses on Revelation's core message and ensures that its details do not cloud the big picture. He shows Revelation to be a "picture book, not a puzzle book," relevant and applicable to the daily lives of Christians.
WINNER OF THE 2017 PULITZER PRIZE: from Man Booker Prize and National Book Critics Circle Award finalist Hisham Matar, a memoir of his journey home to his native Libya in search of answers to his father's disappearance. In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." Winner of the 2017 Pulitzer Prize for biography/autobiography, the PEN/Jean Stein Book Award, France's Prix du livre étranger, and a finalist for the Orwell Book Prize and the 2016 National Book Critics Circle Award, The Return is a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.
Returning Home by Farina King,Michael P. Taylor,James R. Swensen,Terence Wride Pdf
Returning Home features and contextualizes the creative works of Diné (Navajo) boarding school students at the Intermountain Indian School, which was the largest federal Indian boarding school between 1950 and 1984. Diné student art and poetry reveal ways that boarding school students sustained and contributed to Indigenous cultures and communities despite assimilationist agendas and pressures. This book works to recover the lived experiences of Native American boarding school students through creative works, student interviews, and scholarly collaboration. It shows the complex agency and ability of Indigenous youth to maintain their Diné culture within the colonial spaces that were designed to alienate them from their communities and customs. Returning Home provides a view into the students’ experiences and their connections to Diné community and land. Despite the initial Intermountain Indian School agenda to send Diné students away and permanently relocate them elsewhere, Diné student artists and writers returned home through their creative works by evoking senses of Diné Bikéyah and the kinship that defined home for them. Returning Home uses archival materials housed at Utah State University, as well as material donated by surviving Intermountain Indian School students and teachers throughout Utah, Arizona, and New Mexico. Artwork, poems, and other creative materials show a longing for cultural connection and demonstrate cultural resilience. This work was shared with surviving Intermountain Indian School students and their communities in and around the Navajo Nation in the form of a traveling museum exhibit, and now it is available in this thoughtfully crafted volume. By bringing together the archived student arts and writings with the voices of living communities, Returning Home traces, recontextualizes, reconnects, and returns the embodiment and perpetuation of Intermountain Indian School students’ everyday acts of resurgence.
A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?
The Return of Martin Guerre by Natalie Zemon Davis,Martin Guerre,Arnault Du Tilh Pdf
The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer’s day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago. Now a noted historian, who served as consultant for a new French film on Martin Guerre, has searched archives and lawbooks to add new dimensions to a tale already abundant in mysteries: we are led to ponder how a common man could become an impostor in the sixteenth century, why Bertrande de Rols, an honorable peasant woman, would accept such a man as her husband, and why lawyers, poets, and men of letters like Montaigne became so fascinated with the episode. Natalie Zemon Davis reconstructs the lives of ordinary people, in a sparkling way that reveals the hidden attachments and sensibilities of nonliterate sixteenth-century villagers. Here we see men and women trying to fashion their identities within a world of traditional ideas about property and family and of changing ideas about religion. We learn what happens when common people get involved in the workings of the criminal courts in the ancien régime, and how judges struggle to decide who a man was in the days before fingerprints and photographs. We sense the secret affinity between the eloquent men of law and the honey-tongued village impostor, a rare identification across class lines. Deftly written to please both the general public and specialists, The Return of Martin Guerre will interest those who want to know more about ordinary families and especially women of the past, and about the creation of literary legends. It is also a remarkable psychological narrative about where self-fashioning stops and lying begins.
Everyone has gone away... We too should no longer be here. Luanda, 1975. The Angolan War of Independence has been raging for at least a decade, but with the collapse of the Salazar dictatorship, defeat for the Portuguese is now in sight. Thousands of settlers are fleeing back to Portugal to escape the brutality of the Angolan rebels. Rui is fifteen years old. He has lived in Luanda all his life and has never even visited the far-away homeland - although he has heard many stories. But now his family are finally accepting that they too must return, and Rui is filled with a mixture of excitement and dread at the prospect. But just as they are leaving for the airport, his father is taken away by the rebels, and the family must leave without him. Not knowing if the father is alive or dead - or if they will ever find out what has become of him, Rui, his mother and sister try to rebuild their lives in their new home. This turns out to be a five star hotel in a quiet, seaside suburb of Lisbon, where returnee families are crammed into luxurious rooms by the dozen. These palatial surroundings are a cruel contrast with the reality of returnee life. The hotel becomes a curious form of purgatory as the families wait to discover what will become of them - ever conscious of the fact that they are hardly welcome back in their homeland. Rui has his own personal struggle with his new life: growing up, dropping out of school, facing discrimination, and the ever-present worry over his mother's deteriorating health and his father's fate. And then one night Rui's father returns from the dead. Translated from the Portuguese by Ángel Gurría-Quintana
In his bestselling book Dancing with a Ghost, Rupert Ross began his exploration of Aboriginal approaches to justice and the visions of life that shape them. Returning to the Teachings takes this exploration further still. During a three-year secondment with Justice Canada, Ross travelled from the Yukon to Cape Breton Island, examining—and experiencing—the widespread Aboriginal preference for “peacemaker justice.” In this remarkable book, he invites us to accompany him as he moves past the pain and suffering that grip so many communities and into the exceptional promise of individual, family and community healing that traditional teachings are now restoring to Aboriginal Canada. He shares his confusion, frustrations and delights as Elders and other teachers guide him, in their unique and often puzzling ways, into ancient visions of Creation and our role with it. Returning to the Teachings is about Aboriginal justice and much more, speaking not only to our minds, but also to our hearts and spirits. Above all, it stands as a search for the values and visions that give life its significance and that any justice system, Aboriginal or otherwise, must serve and respect.
A Globe and Mail, Hill Times and CBC Best Book of the Year Have you ever wondered what it would be like to return to your roots? Drawing on astute political analysis and extensive reporting from around the world, Return: Why We Go Back to Where We Come From illuminates a personal quest. Kamal Al-Solaylee, author of the bestselling and award-winning Intolerable: A Memoir of Extremes and Brown: What Being Brown in the World Today Means (to Everyone), yearns to return to his homeland of Yemen, now wracked by war, starvation and daily violence, to reconnect with his family. Yemen, as well as Egypt, another childhood home, call to him, even though he ran away from them in his youth and found peace and prosperity in Canada. In Return, Al-Solaylee interviews dozens of people who have chosen to or long to return to their homelands, from Basques to Irish to Taiwanese. He does make a return of sorts himself, to the Middle East, visiting Israel and the West Bank, as well as Egypt. A chronicle of love and loss, of global reach and personal desires, Return is a book for anyone who has ever wondered what it would be like to return to their roots.