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The Rhythms of Black Folk by Jon Michael Spencer Pdf
Since black music has been the primary carrier of African rhythms (both black religion and dance are dependent on black music), Spencer contends that it is from black music that black people glean what he calls "rhythmic confidence," a phenomenon he describes as essentially equivalent to "soul." He explains how this rhythmic confidence is sometimes casual and calm and at other times explicit and insurgent, such as in rap music.
Ain't Gonna Lay My 'ligion Down by Alonzo Johnson,Paul T. Jersild Pdf
This text examines how African Americans have created distinctive forms of religious expression. Contributors explore the degree to which newly imported slaves preserved their African spiritual heritage whilst meshing it with Western symbols and theological claims.
W. E. B. Du Bois and The Souls of Black Folk by Stephanie J. Shaw Pdf
In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois' book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century. Demonstrating the importance of the work as a sociohistorical study of black life in America through the turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, Shaw charts Du Bois' successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel's philosophy of history. Shaw adopts Du Bois' point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk.
Du Bois: The Gift of Black Folk to America by W. E. B. Du Bois Pdf
Du Bois: The Gift of Black Folk to America is a history book by W. E. B. Du Bois concerning the contributions of the African American community to life in the United States. Du Bois presents a well written book on the contributions of black people to the creation and establishment of the United States of America. He was a leader of the Niagara Movement, a group of African-American activists that wanted equal rights for blacks. Du Bois insisted on full civil rights and increased political representation, which he believed would be brought about by the African-American intellectual elite.
Author : Adam Gussow Publisher : University of Chicago Press Page : 356 pages File Size : 45,6 Mb Release : 2010-03-15 Category : Social Science ISBN : 9780226311005
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
“We free now, baby,” mama whispers as we bounce and sway with the wagon’s twists and turns over roads of clay through the land that oppressed us to a new world, a brand new day. The dynamic author/illustrator team of Toyomi Igus and Michele Wood has come together again to produce I See the Rhythm of Gospel, a sequel to the Coretta Scott King Award-winning I See the Rhythm. Readers of all ages will be captivated by this informative and inspirational blend of poetry, art, and music that relates the history of gospel music as reflected through the journey of African Americans from their arrival as slaves in America to the election of our first black president, Barack Obama.
Rhythms of Labour by Marek Korczynski,Michael Pickering,Emma Robertson Pdf
Whether for weavers at the handloom, laborers at the plough, or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialization. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialization, until the carefully controlled introduction of Music While You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labor explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.
A collection of essays on television which focuses on the previewers, the TV magazines, quiz shows, commercial breaks, Top of the Pops, One Man and His Dog, personalities, politicians and continuity announcers.
While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.
The topic of sexuality intersects directly with the most contested historical, theological, and ethical questions of our day. In this edgy yet profound volume, noted scholars and theologians assay the Christian tradition's classic and contemporary understandings of sex, sexuality, and sexual identity. The project unfolds in three phases: contemporary assessments of the Christian tradition, new thinking about eros and being human religiously, and new perspectives on classic mysteries in light of eros and embodiment.
Encyclopedia of African American Religions by Larry G. Murphy,J. Gordon Melton,Gary L. Ward Pdf
Preceded by three introductory essays and a chronology of major events in black religious history from 1618 to 1991, this A-Z encyclopedia includes three types of entries: * Biographical sketches of 773 African American religious leaders * 341 entries on African American denominations and religious organizations (including white churches with significant black memberships and educational institutions) * Topical articles on important aspects of African American religious life (e.g., African American Christians during the Colonial Era, Music in the African American Church)
