The Rise Of Gospel Blues

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The Rise of Gospel Blues

Michael W. Harris
The Rise of Gospel Blues Book PDF

Author : Michael W. Harris
Publisher : Oxford University Press
Page : 353 pages
File Size : 53,6 Mb
Release : 1994-06-23
Category : Social Science
ISBN : 9780195358117

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The Rise of Gospel Blues by Michael W. Harris Pdf

Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.

The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church

Michael W. Harris Associate Professor of History and African-American World Studies Wesleyan University
The Rise of Gospel Blues The Music of Thomas Andrew Dorsey in the Urban Church Book PDF

Author : Michael W. Harris Associate Professor of History and African-American World Studies Wesleyan University
Publisher : Oxford University Press, USA
Page : 360 pages
File Size : 53,5 Mb
Release : 1992-04-30
Category : Electronic
ISBN : 9780198022855

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The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church by Michael W. Harris Associate Professor of History and African-American World Studies Wesleyan University Pdf

In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the "respectable" Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I.

The Rise of Gospel Blues

Michael W. Harris
The Rise of Gospel Blues Book PDF

Author : Michael W. Harris
Publisher : Oxford University Press
Page : 352 pages
File Size : 45,7 Mb
Release : 1994-06-23
Category : Social Science
ISBN : 9780199879885

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The Rise of Gospel Blues by Michael W. Harris Pdf

Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.

The Cambridge Companion to Blues and Gospel Music

Allan Moore
The Cambridge Companion to Blues and Gospel Music Book PDF

Author : Allan Moore
Publisher : Cambridge University Press
Page : 238 pages
File Size : 47,5 Mb
Release : 2002
Category : Music
ISBN : 0521001072

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The Cambridge Companion to Blues and Gospel Music by Allan Moore Pdf

From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.

King of the Blues

Daniel de Vise
King of the Blues Book PDF

Author : Daniel de Vise
Publisher : Grove Press
Page : 321 pages
File Size : 43,6 Mb
Release : 2021-10-05
Category : Biography & Autobiography
ISBN : 9780802158079

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King of the Blues by Daniel de Vise Pdf

The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”

Amazing Grace

James Walvin
Amazing Grace Book PDF

Author : James Walvin
Publisher : Univ of California Press
Page : 211 pages
File Size : 46,9 Mb
Release : 2023
Category : History
ISBN : 9780520391826

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Amazing Grace by James Walvin Pdf

"A fascinating journey through the history of "Amazing Grace," one of the transatlantic world's most popular hymns and a powerful anthem for humanity. Sung in moments of personal isolation or on state occasions watched by millions, "Amazing Grace" has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway over millions in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation. The greatest paradox is that the author of "Amazing Grace," John Newton, was a former Liverpool slave captain. Walvin follows the song across the Atlantic to track how it became part of the cause for abolition and galvanized decades of movements, tragedies, and trends in American history and popular culture. By the end of the twentieth century, "Amazing Grace" was performed in Soweto and Vanuatu, by political dissidents in China, and by Kikuyu women in Kenya. No other song has acquired such global resonance as "Amazing Grace," and its fascinating history is well worth knowing"--

Homer Rodeheaver and the Rise of the Gospel Music Industry

Kevin Mungons,Douglas Yeo
Homer Rodeheaver and the Rise of the Gospel Music Industry Book PDF

Author : Kevin Mungons,Douglas Yeo
Publisher : University of Illinois Press
Page : 524 pages
File Size : 51,8 Mb
Release : 2021-06-15
Category : Music
ISBN : 9780252052743

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Homer Rodeheaver and the Rise of the Gospel Music Industry by Kevin Mungons,Douglas Yeo Pdf

From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.

Voices of Black Folk

Terri Brinegar
Voices of Black Folk Book PDF

Author : Terri Brinegar
Publisher : Univ. Press of Mississippi
Page : 338 pages
File Size : 55,6 Mb
Release : 2022-04-19
Category : Biography & Autobiography
ISBN : 9781496839282

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Voices of Black Folk by Terri Brinegar Pdf

In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.

Chicago's New Negroes

Davarian L. Baldwin
Chicago s New Negroes Book PDF

Author : Davarian L. Baldwin
Publisher : Univ of North Carolina Press
Page : 384 pages
File Size : 40,5 Mb
Release : 2009-11-30
Category : Social Science
ISBN : 0807887609

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Chicago's New Negroes by Davarian L. Baldwin Pdf

As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life." Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.

Singing in My Soul

Jerma A. Jackson
Singing in My Soul Book PDF

Author : Jerma A. Jackson
Publisher : Univ of North Carolina Press
Page : 208 pages
File Size : 41,5 Mb
Release : 2005-12-15
Category : Music
ISBN : 9780807863619

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Singing in My Soul by Jerma A. Jackson Pdf

Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers--particularly Sister Rosetta Tharpe--and demonstrating the important role women played in popularizing gospel. Female gospel singers initially developed their musical abilities in churches where gospel prevailed as a mode of worship. Few, however, stayed exclusively in the religious realm. As recordings and sheet music pushed gospel into the commercial arena, gospel began to develop a life beyond the church, spreading first among a broad spectrum of African Americans and then to white middle-class audiences. Retail outlets, recording companies, and booking agencies turned gospel into big business, and local church singers emerged as national and international celebrities. Amid these changes, the music acquired increasing significance as a source of black identity. These successes, however, generated fierce controversy. As gospel gained public visibility and broad commercial appeal, debates broke out over the meaning of the music and its message, raising questions about the virtues of commercialism and material values, the contours of racial identity, and the nature of the sacred. Jackson engages these debates to explore how race, faith, and identity became central questions in twentieth-century African American life.

The Original Blues

Lynn Abbott,Doug Seroff
The Original Blues Book PDF

Author : Lynn Abbott,Doug Seroff
Publisher : Univ. Press of Mississippi
Page : 433 pages
File Size : 55,6 Mb
Release : 2017-02-27
Category : Music
ISBN : 9781496810052

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The Original Blues by Lynn Abbott,Doug Seroff Pdf

With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the "blues master piano player of the world." His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more dignified aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before--a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.

Shout, Sister, Shout!

Gayle Wald
Shout Sister Shout Book PDF

Author : Gayle Wald
Publisher : Beacon Press
Page : 264 pages
File Size : 42,7 Mb
Release : 2007-01-15
Category : Biography & Autobiography
ISBN : 9780807009895

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Shout, Sister, Shout! by Gayle Wald Pdf

Long before "women in rock" became a media catchphrase, Rosetta Tharpe proved in spectacular fashion that women could rock. Born in Cotton Plant, Arkansas, in 1915, she was gospel's first superstar and the preeminent crossover figure of its "golden age" (1945-1965). Everyone who saw her perform said she could "make that guitar talk." Shout, Sister, Shout! is the first biography of this trailblazing performer who influenced scores of popular musicians, from Elvis Presley and Little Richard to Eric Clapton and Bonnie Raitt. An African American guitar virtuoso, Tharpe defied categorization. Blues singer, gospel singer, folk artist, and rock-and-roller, she "went electric" in the late 1930s, amazing northern and southern, U.S. and international, and white and black audiences with her charisma and skill. Ambitious and relentlessly public, Tharpe even staged her own wedding as a gospel concert-in a stadium holding 20,000 people! Wald's eye-opening biography, which draws on the memories of over 150 people who knew or worked with Tharpe, introduces us to this intriguing and forgotten musical heavyweight, forever altering our understanding of both women in rock and U.S. popular music.

Can I Get a Witness?

Charles Marsh,Shea Tuttle,Daniel P. Rhodes
Can I Get a Witness Book PDF

Author : Charles Marsh,Shea Tuttle,Daniel P. Rhodes
Publisher : Wm. B. Eerdmans Publishing
Page : 393 pages
File Size : 49,9 Mb
Release : 2019-02-28
Category : Biography & Autobiography
ISBN : 9781467452632

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Can I Get a Witness? by Charles Marsh,Shea Tuttle,Daniel P. Rhodes Pdf

How do we transform American Culture through our religious convictions? Discover here the compelling stories of thirteen pioneers for social justice who engaged in peaceful protest and gave voice to the marginalized, working courageously out of their religious convictions to transform American culture. Their prophetic witness still speaks today. Comprising a variety of voices—Catholic and Protestant, gay and straight, men and women of different racial backgrounds—these activist witnesses represent the best of the church’s peacemakers, community builders, and inside agitators. Written by select authors, Can I Get a Witness? showcases vibrant storytelling and research-enriched narrative to bring these significant “peculiar people” to life. CONTRIBUTORS & SUBJECTS: Daniel P. Rhodes on Cesar Chavez Donyelle McCray on Howard Thurman Grace Y. Kao on Yuri Kochiyama Peter Slade on Howard Kester Nichole M. Flores on Ella Baker Carlene Bauer on Dorothy Day Heather A. Warren on John A. Ryan Becca Stevens on William Stringfellow W. Ralph Eubanks on Mahalia Jackson Susan M. Glisson and Charles H. Tucker on Lucy Randolph Mason Soong-Chan Rah on Richard Twiss David Dark on Daniel Berrigan M. Therese Lysaught on Mary Stella Simpson

The Human Tradition in the New South

James C. Klotter
The Human Tradition in the New South Book PDF

Author : James C. Klotter
Publisher : Rowman & Littlefield Publishers
Page : 234 pages
File Size : 49,6 Mb
Release : 2005-09-21
Category : History
ISBN : 9781461600961

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The Human Tradition in the New South by James C. Klotter Pdf

In The Human Tradition in the New South, historian James C. Klotter brings together twelve biographical essays that explore the region's political, economic, and social development since the Civil War. Like all books in this series, these essays chronicle the lives of ordinary Americans whose lives and contributions help to highlight the great transformations that occurred in the South. With profiles ranging from Winnie Davis to Dizzy Dean, from Ralph David Abernathy to Harland Sanders, The Human Tradition in the New South brings to life this dynamic and vibrant region and is an excellent resource for courses in Southern history, race relations, social history, and the American history survey.

To ÕJoy My Freedom

Tera W. Hunter
To Joy My Freedom Book PDF

Author : Tera W. Hunter
Publisher : Harvard University Press
Page : 336 pages
File Size : 52,5 Mb
Release : 1998-09-15
Category : Social Science
ISBN : 9780674893085

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To ÕJoy My Freedom by Tera W. Hunter Pdf

As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta--the economic hub of the newly emerging urban and industrial south--in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Hunter weaves a rich and diverse tapestry of the culture and experience of black women workers in the post-Civil War south. Through anecdote and data, analysis and interpretation, she manages to penetrate African-American life and labor and to reveal the centrality of women at the inception--and at the heart--of the new south.