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Author : Tracy Pintchman Publisher : State University of New York Press Page : 302 pages File Size : 52,6 Mb Release : 2015-04-15 Category : Religion ISBN : 9781438416182
The Rise of the Goddess in the Hindu Tradition by Tracy Pintchman Pdf
This book explores the rise of the Great Goddess by focusing on the development of saakti (creative energy), maya (objective illusion), and prakr(materiality) from Vedic times to the late Puranic period, clarifying how these principles became central to her theology.
Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
Coburn provides a fresh and careful translation from the Sanskrit of this fifteen-hundred-year-old text. Drawing on field work and literary evidence, he illuminates the process by which the Devī-Māhātmya has attracted a vast number of commentaries and has become the best known Goddess-text in modern India, deeply embedded in the ritual of Goddess worship (especially in Tantra). Coburn answers the following questions among others: Is this document "scripture?" How is it that this text mediates the presence of the Goddess? What can we make of contemporary emphasis on oral recitation of the text rather than study of its written form? One comes away from Coburn's work with a sense of the historical integrity or wholeness of an extremely important religious development centered on a "text." The interaction between the text and later philosophical and religious developments such as those found in Advaita Vedanta and Tantra is quite illuminating. Relevant here are the issues of the writtenness and orality/aurality of 'scripture,' and the various ways by which a deposit of holy words such as the Devī-Māhātmya becomes effective, powerful, and inspirational in the lives of those who hold it sacred.
Renowned Goddess of Desire by Loriliai Biernacki Pdf
Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices. Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths. Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.
Reciting the Goddess by Jessica Vantine Birkenholtz Pdf
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
Drawing on archaeological, artistic, sculptural and inscriptional sources and participant/observer insights, Sree Padma reconstructs a history of goddess worship in India from ancient times (before the rise of Buddhism and bhakti) to contemporary cults of deified women.
Author : Constantina Rhodes Publisher : State University of New York Press Page : 299 pages File Size : 47,9 Mb Release : 2010-09-29 Category : Religion ISBN : 9781438433226
The Devi-Mahatmya is well-known to both devotees and scholars of the Indian Great Goddess. It is the first comprehensive account of the Goddess in Sanskrit, and it has maintained its centrality in the Goddess (Sakta) tradition to the present day. Like so much in that tradition, however, the text has until now resisted careful study from an historical perspective. It is this study that the present volume accomplishes.The central task here is to explore how an anonymous Sanskrit text articulates a view of ultimate reality as feminine when there is virtually no precedent in the Sanskrit tradition for such a view. To accomplish this task, an appropriate method of scriptural analysis is developed. This involves an examination of Hindu understanding of the Puranas in general, and of the Devi-Mahatmya in particular, along with consideration of several recent scholarly discussions, in India and elsewhere. Subsequently, a comprehensive inquiry into the Goddess's epithets in this text is undertaken, followed by examination of the earlier history of the myths that the Devi-Mahatmya associates with her. The study culminates in translations of the text's hymns, which are annotated so as to indicate the synthesis that is here being accomplished. The resulting illumination of Sanskritized form of Goddess worship is what Daniel H.H. Ingalls calls in his Foreword a notable scholarly achievement.
Academic study of the tantric traditions has blossomed in recent decades, in no small measure thanks to the magisterial contributions of Alexis G. J. S. Sanderson, until 2015 Spalding Professor of Eastern Religions and Ethics at Oxford University. This collection of essays honours him and touches several fields of Indology that he has helped to shape (or, in the case of the Śaiva religions, revolutionised): the history, ritual, and philosophies of tantric Buddhism, Śaivism and Vaiṣṇavism; religious art and architecture; and Sanskrit belles lettres. Grateful former students, joined by other experts influenced by his scholarship, here offer papers that make significant contributions to our understanding of the cultural, religious, political, and intellectual histories of premodern South and Southeast Asia. Contributors are: Peter Bisschop, Judit Törzsök, Alex Watson, Isabelle Ratié, Christopher Wallis, Péter-Dániel Szántó, Srilata Raman, Csaba Dezső, Gergely Hidas, Nina Mirnig, John Nemec, Bihani Sarkar, Jürgen Hanneder, Diwakar Acharya, James Mallinson, Csaba Kiss, Jason Birch, Elizabeth Mills, Ryugen Tanemura, Anthony Tribe, and Parul Dave-Mukherji.
Goddesses and Women in the Indic Religious Tradition by Arvind Sharma Pdf
Following the lead of a “hermeneutics of surprise” the book identifies, indeed, surprising new material, and offers unexpected new insights essential to the debate on the position of goddesses and women in ancient India.
Women in the Hindu Tradition by Mandakranta Bose Pdf
This book accounts for the origin and evolution of the nature and roles of women within the Hindu belief system. It explains how the idea of the goddess has been derived from Hindu philosophical ideas and texts of codes of conduct and how particular models of conduct for mortal women have been created. Hindu religious culture correlates philosophical speculation and social imperatives to situate femininity on a continuum from divine to mortal existence. This creates in the Hindu consciousness multiple - often contradictory - images of women, both as wielders and subjects of authority. The conception and evolution of the major Hindu goddesses, placed against the judgments passed by texts of Hindu sacred law on women’s nature and duties, illuminate the Hindu discourse on gender, the complexity of which is compounded by the distinctive spirituality of female ascetic poets. Drawing on a wide range of Sanskrit texts, the author explains how the idea of the goddess has been derived from Hindu philosophical ideas and also from the social roles of women as reflected in, and prescribed by, texts of codes of conduct. She examines the idea of female divinity which gave rise to models of conduct for mortal women. Instead of a one-way order of ideological derivation, the author argues that there is constant traffic between both ways the notional and the actual feminine. This book brings together for the first time a wide range of material and offers fresh stimulating interpretations of women in the Hindu Tradition.
