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The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.
In this groundbreaking study, the author examines the gradual opening of literary academe to Jewish faculty and analyzes the critical work Jewish scholars undertook to achieve their integration into an exclusive WASP domain. Beginning her story at Harvard University, Klingenstein describes the unique intellectual paths taken by scholars such as Harry Levin, Daniel Aaron, M. H. Abrams, Leo Marx, and Sacvan Bercovitch. At Columbia University, Klingenstein argues that the singular Jewish presence of Lionel Trilling shaped the minds and inspired the careers of Jewish intellectuals as different as Cynthia Ozick, Norman Podhoretz, Steven Marcus, and Carolyn Heilbrun. Once Jewish scholars had attained a strong foothold in literary academe, pioneering spirits such as Robert Alter and Ruth R. Wisse turned their attention from English and American to Jewish literature in Hebrew and Yiddish. Written as an interconnected series of twelve lucid and compelling portraits of major figures in the history of American literary criticism, this book illuminates the element of serendipity in culture-formation and exposes the social and intellectual forces at work in cultural change.
Stanley Fish opens the collection with a persuasive argument for the role of intention and biography. Michael McKeon, Gordon Turnbull, and Jerome Christensen are concerned with the late eighteenth--and early nineteenth-century English cultural discourse that gave rise to the nearly simultaneous emergence of literary biography, Romantic sensibility, and reflexive human consciousness. The essays by Alison Booth, Cheryl Walker, and Sharon O'Brien reveal that the recognition or lack thereof the biographical subject has received and remains both a problem and an opportunity for women writers and readers. The essays by Valerie Ross, Rob Wilson, Steven Weiland, and William Epstein pursue the question of difference and cultural reification in the theory and practice of a specifically American biography and biographical criticism.
In Ruthless Democracy, Timothy Powell reimagines the canonical origins of "American" identity by juxtaposing authors such as Hawthorne, Melville, and Thoreau with Native American, African American, and women authors. Taking his title from Melville, Powell identifies an unresolvable conflict between America's multicultural history and its violent will to monoculturalism. Powell challenges existing perceptions of the American Renaissance--the period at the heart of the American canon and its evolutions--by expanding the parameters of American identity. Drawing on the critical traditions of cultural studies and new historicism, Powell invents a new critical paradigm called "historical multiculturalism." Moving beyond the polarizing rhetoric of the culture wars, Powell grounds his multicultural conception of American identity in careful historical analysis. Ruthless Democracy extends the cultural and geographical boundaries of the American Renaissance beyond the northeast to Indian Territory, Alta California, and the transnational sphere that Powell calls the American Diaspora. Arguing for the inclusion of new works, Powell envisions the canon of the American Renaissance as a fluid dialogue of disparate cultural voices.
Two novellas by the late Egyptian writer. The first, Al-Mahdi, is on the forcible conversion of a Christian to Islam, while Good News from Afterlife is on a man who meets angels after his death.
John Carlos Rowe,Professor of English John Carlos Rowe
Author : John Carlos Rowe,Professor of English John Carlos Rowe Publisher : Columbia University Press Page : 320 pages File Size : 40,9 Mb Release : 1997 Category : American literature ISBN : 9780231058957
At Emerson's Tomb by John Carlos Rowe,Professor of English John Carlos Rowe Pdf
Representative works are interpreted in light of the two great political movements of the nineteenth century: the abolition of slavery and the women's rights movement. By reexamining Emerson, Poe, Melville, Douglass, Walt Whitman, Chopin, and Faulkner and others, Rowe assesses the degree to which major writers' attitudes toward race, class, and gender contribute to specific political reforms in nineteenth and twentieth-century American culture.
This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. It features a wide range of contributors who showcase new methodological and theoretical movements such as feminist materialisms, intersectionality, postidentitarian 'nomadic' politics, gender archaeology, and lived religion, and theories of the human and the posthuman. The Bible and Feminism: Remapping the Field engages a range of social and political issues, including migration and xenophobia, divorce and family law, abortion, 'pinkwashing', the neoliberal university, the second amendment, AIDS and sexual trafficking, and the politics of 'the veil'. Foundational figures in feminist biblical studies work alongside new voices and contributors from a multitude of disciplines in conversations with the Bible that go well beyond the expected canon-within-the-canon assumed to be of interest to feminist biblical scholars. Moving beyond the limits of a text-orientated model of reading, this collection looks at how biblical texts were actualized in the lives of religious revolutionaries, such as Joanna Southcott or Sor Juana Inés de la Cruz. It charts the politics of the Pauline veil in the self-understanding of Europe and reads the 'genealogical halls' in the book of Chronicles alongside acts of commemoration and forgetting in 9/11 and Tiananmen Square.
Exposits John Howard Yoder's account of peoplehood and develops an appreciative revision of it that considers carefully and exegetically the politics of Jesus in relation to the people of Israel.
Celebrating the Rites of Initiation by James F. Turrell Pdf
Celebrating the Rites of Initiation continues the standard of scholarship set by Patrick Malloy’s Celebrating the Eucharist, and offers similar aids around issues of baptism and confirmation. It is an ideal book for students and practicing clergy who seek to strengthen their knowledge—and parochial practice—of baptismal theology.
Author : Christopher Douglas Publisher : University of Illinois Press Page : 224 pages File Size : 51,6 Mb Release : 2001 Category : America ISBN : 0252026039
He explores how these novels and other texts confront national discourse and strive, though with inconclusive results, to open America up to new subject positions by offering alternatives to the dominant ideology." "Douglas finds contemporary intellectual and political life, against the backdrop of a mythology enshrined in proclamations, pledges, and public documents, to be impoverished by the pervasive use of cliches, which he identifies as figures of speech that stimulate emotion or action while shortcircuiting reflection. In its extreme cliched form, the American Dream consists of nothing more than advertising slogans and popular culture images; yet these pronouncements retain a powerful hold on the will and imagination of U.S. citizens."
The Turn Around Religion in America by Michael P. Kramer Pdf
Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a model of religion that moves in a reciprocal relationship between these two poles. In particular, this volume dedicates itself to a reading of religion and of religious meaning that cannot be reduced to history or ideology on the one hand or to truth or spirit on the other, but is rather the product of the constant play between the historical particulars that manifest beliefs and the beliefs that take shape through them. Taking as their point of departure the foundational scholarship of Sacvan Bercovitch, the contributors locate the universal in the ongoing and particularized attempts of American authors from the seventeenth century forward to get it - whatever that 'it' might be - right. Examining authors as diverse as Pietro di Donato, Herman Melville, Miguel Algarin, Edward Taylor, Mark Twain, Robert Keayne, Nathaniel Hawthorne, Paule Marshall, Stephen Crane, Ralph Waldo Emerson, and Joseph B. Soloveitchik, among many others-and a host of genres, from novels and poetry to sermons, philosophy, history, journalism, photography, theater, and cinema-the essays call for a discussion of religion's powers that does not seek to explain them as much as put them into conversation with each other. Central to this project is Bercovitch's emphasis on the rhetoric, ritual, typology, and symbology of religion and his recognition that with each aesthetic enactment of religion's power, we learn something new.
