Download Full eBooks in PDF
The Role Of Orchestration In Contemporary American Symphonic Music Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Role Of Orchestration In Contemporary American Symphonic Music book. This book definitely worth reading, it is an incredibly well-written.
Author : Edgar J. Lewis
Publisher : Unknown
Page : 254 pages
File Size : 47,8 Mb
Release : 1947
Category : Electronic
ISBN : WISC:89090089368
Author : Louis Adolphe Coerne
Publisher : E-Kitap Projesi & Cheapest Books
Page : 575 pages
File Size : 54,7 Mb
Release : 2024-01-28
Category : Music
ISBN : 9786059285421
It is not the purpose of this work to write a treatise on instrumentation or to prepare a pedagogical analysis of orchestration only, but rather to trace the evolu-tion of the orchestra and of orchestration in connection with the history of music proper. Special emphasis will be laid upon what may be termed the IMPELLING FORCES to which the development of orchestration is due. This necessitates a considerable repetition of familiar facts that do not lend themselves to further original treatment. The restatement of such facts, however, would seem to form an indispensable background for the main theme, which is thereby exposed with all its attending phases of logical evolution. In addition to extended studies of orchestral scores themselves, the standard works of Berlioz, Gevaërt, Riemann, Parry, and others have, as a matter of course, been referred to. The subject under discussion has already been admirably handled by Lavoix in his voluminous work entitled "Histoire de L'Instrumentation," but it was unquestionably done through French glasses, and the scores of not one German romanticist are submitted to careful analysis beyond those of Weber and Wagner. "Parsifal" had not been produced at the time when Lavoix's book went to press, nor had such representative composers as Brahms, Saint-Saëns, Tschaikowsky, Dvorak then won their full meed of recognition. It is obvious, therefore, that the orchestration especially of the nineteenth century offers a fertile field for further profitable research. Again, the present writer is not aware of the existence of any comprehensive work in the English language upon the history of the orchestra and of orchestration. Throughout these pages the achievements of the more prominent composers are set forth in such manner as to indicate not only the distinctive features of their orchestration but of their general creative ability as well. In each case, the general style of composition and its significance as a contribution to musical literature are first enlarged upon. This is followed by an examination of the differentiated treatment of the strings, the wood, the brass, presented in logical sequence. A final analysis is then made of the individual method of orchestration as a whole, together with its relative value in the evolution of orchestration. In the Appendix to this book will be found a few musical illustrations selected from representative orchestral scores. LOUIS ADOLPHE COERNE. Cambridge, Massachusetts, U.S.A. April 30, 1905.
Author : Neil Butterworth
Publisher : Routledge
Page : 338 pages
File Size : 54,8 Mb
Release : 2019-05-23
Category : Music
ISBN : 9780429789441
First published in 1998, this volume is the first book to focus on the American symphony. Neil Butterworth surveys the development of the symphony in the United States from early European influences in the last century to the present day, and asks why American composers have shown such allegiance to a musical form which their European contemporaries appear to have discarded. An overview of the growth of musical societies in America during the eighteenth century and the establishment of the first professional orchestras during the early part of the nineteenth century is followed by chronological analyses of the works of those composers who have played important parts in the progress of symphony in the United States, from Charles Ives, Aaron Copland and Leonard Bernstein, to contemporary figures such as William Bolcom and John Harbison. Complete with a comprehensive catalogue of symphonies and an extensive discography, this book is an indispensable reference work.
Author : Anthony J. Cirone
Publisher : Hal Leonard Corporation
Page : 217 pages
File Size : 47,5 Mb
Release : 2011-09-01
Category : Music
ISBN : 9781574631951
(Meredith Music Resource). This book is a must-read for anyone interested in acquiring a "back-stage" tour of symphony life, not included in the price of a box-office ticket! Gain a behind-the-scenes look at the orchestra as a family; its discipline, artistry, and devotion, the overwhelming audition process, and the good and bad about the orchestra musicians' profession. Learn about the love-hate relationship between musicians and conductors as the author shares his experiences performing under conductors Josef Krips, Seiji Ozawa, Edo DeWaart, Herbert Blomsted, Michael Tilson Thomas, Eugene Ormandy, Igor Stravinsky, Arron Copland, and Arthur Fiedler. Discover conductors' dictatorial control, interpretative powers, and technical skills, as revealed through quotes from James Levine, John Barbariolli, Gustav Mahler, Daniel Barenboim, and Herbert von Karajan. Examine comments from Leonard Bernstein, Arturo Toscanini, Carl Nielsen, and Lou Harrison that bring a unique awareness to avante-garde music in the chapter titled Cruel and Unmusical. Understand the difference between conducting talent and composing talent and how rare it is to possess both.
Author : Louis Coerne
Publisher : CreateSpace
Page : 370 pages
File Size : 47,9 Mb
Release : 2015-09-25
Category : Electronic
ISBN : 151752220X
It is not the purpose of this work to write a treatise on instrumentation or to prepare a pedagogical analysis of orchestration only, but rather to trace the evolu-tion of the orchestra and of orchestration in connection with the history of music proper. Special emphasis will be laid upon what may be termed the IMPELLING FORCES to which the development of orchestration is due. This necessitates a considerable repetition of familiar facts that do not lend themselves to further original treatment. The restatement of such facts, however, would seem to form an indispensable background for the main theme, which is thereby exposed with all its attending phases of logical evolution. In addition to extended studies of orchestral scores themselves, the standard works of Berlioz, Gevaert, Riemann, Parry, and others have, as a matter of course, been referred to. The subject under discussion has already been admirably handled by Lavoix in his voluminous work entitled "Histoire de L'Instrumentation," but it was unquestionably done through French glasses, and the scores of not one German romanticist are submitted to careful analysis beyond those of Weber and Wagner. "Parsifal" had not been produced at the time when Lavoix's book went to press, nor had such representative composers as Brahms, Saint-Saens, Tschaikowsky, Dvorak then won their full meed of recognition. It is obvious, therefore, that the orchestration especially of the nineteenth century offers a fertile field for further profitable research. Again, the present writer is not aware of the existence of any comprehensive work in the English language upon the history of the orchestra and of orchestration. Throughout these pages the achievements of the more prominent composers are set forth in such manner as to indicate not only the distinctive features of their orchestration but of their general creative ability as well. In each case, the general style of composition and its significance as a contribution to musical literature are first enlarged upon. This is followed by an examination of the differentiated treatment of the strings, the wood, the brass, presented in logical sequence. A final analysis is then made of the individual method of orchestration as a whole, together with its relative value in the evolution of orchestration. In the Appendix to this book will be found a few musical illustrations selected from representative orchestral scores. LOUIS ADOLPHE COERNE. Cambridge, Massachusetts, U.S.A. April 30, 1905."
Author : John Henry Mueller
Publisher : Greenwood
Page : 472 pages
File Size : 45,7 Mb
Release : 1976
Category : Music
ISBN : UVA:X001537034
Author : Emilio Audissino
Publisher : Unknown
Page : 87 pages
File Size : 50,9 Mb
Release : 2021-12-16
Category : Music
ISBN : 9781009009096
Explores film music's role in the concert repertoire, highlighting how the Boston Pops under John Williams pioneered its inclusion.
Author : Douglas W. Shadle
Publisher : Oxford University Press, USA
Page : 345 pages
File Size : 52,8 Mb
Release : 2016
Category : Music
ISBN : 9780199358649
During the 19th century, nearly 100 symphonies were written by over 50 composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In 'Orchestrating the Nation', author Douglas W. Shadle explores the stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream.
Author : Douglas Shadle
Publisher : Oxford University Press
Page : 344 pages
File Size : 43,7 Mb
Release : 2015-11-06
Category : Music
ISBN : 9780190493783
During the nineteenth century, nearly one hundred symphonies were written by over fifty composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise, author Douglas W. Shadle explores the stunning stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream. Throughout the century, Americans longed for a distinct national musical identity. As the most prestigious of all instrumental genres, the symphony proved to be a potent vehicle in this project as composers found inspiration for their works in a dazzling array of subjects, including Niagara Falls, Hiawatha, and Western pioneers. With a wealth of musical sources at his disposal, including never-before-examined manuscripts, Shadle reveals how each component of the symphonic enterprise-from its composition, to its performance, to its immediate and continued reception by listeners and critics-contributed to competing visions of American identity. Employing an innovative transnational historical framework, Shadle's narrative covers three continents and shows how the music of major European figures such as Beethoven, Schumann, Wagner, Liszt, Brahms, and Dvorák exerted significant influence over dialogues about the future of American musical culture. Shadle demonstrates that the perceived authority of these figures allowed snobby conductors, capricious critics, and even orchestral musicians themselves to thwart the efforts of American symphonists despite widespread public support of their music. Consequently, these works never entered the performing canons of American orchestras. An engagingly written account of a largely unknown repertoire, Orchestrating the Nation shows how artistic and ideological debates from the nineteenth century continue to shape the culture of American orchestral music today.
Author : Joan Peyser
Publisher : Unknown
Page : 664 pages
File Size : 40,5 Mb
Release : 2000
Category : Music
ISBN : UOM:39015048261492
This collection of twenty-three articles traces the development of the orchestra from its antecedents in the late fifteenth century to its current status as the repository of Western symphonic music. The chronologically organized essays discuss not only the physical and financial history of the orchestra (with chapters on the development of stringed, woodwind and bass instruments, and the public reception of them), but the theories behind the music, the purpose and roles of conductors, orchestra's unavoidable nexus with ballet and opera, and, more recently, the effect of modern-day recordings on this traditionally live performance. Originally published by Charles Scribner's Sons in 1986. Annotation copyrighted by Book News Inc., Portland, OR
Author : Leonard Ott
Publisher : Edwin Mellen Press
Page : 336 pages
File Size : 42,5 Mb
Release : 1997
Category : Music
ISBN : STANFORD:36105020138249
Works by Haydn, Mozart, Beethoven, Mendelssohn, Berlioz, Tchaikovsky, Rimsky-Korsakov, Mahler, Strauss, Debussy, Ravel, Stravinsky, Schoenberg and Webern are analyzed symphonically.
Author : Lucille Frances Rochlus
Publisher : Unknown
Page : 254 pages
File Size : 40,8 Mb
Release : 1941
Category : Composers
ISBN : WISC:89086266491
Author : United States. Bureau of Indian Affairs
Publisher : Unknown
Page : 98 pages
File Size : 48,6 Mb
Release : 1942
Category : Electronic
ISBN : STANFORD:36105127335037
Author : University of Wisconsin
Publisher : Unknown
Page : 612 pages
File Size : 45,8 Mb
Release : 1923
Category : Commencement ceremonies
ISBN : UIUC:30112114125930
Author : Nikolay Rimsky-Korsakov
Publisher : e-artnow
Page : 430 pages
File Size : 52,6 Mb
Release : 2020-12-17
Category : Music
ISBN : EAN:4064066396619
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
