The Role Of Sexuality In Tennessee Williams A Streetcar Named Desire
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The Role Of Sexuality in Tennessee Williams ́ "A Streetcar Named Desire" by Kira Wieler Pdf
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Wuppertal, course: American Literature, language: English, abstract: 1. In the play "A Streetcar Named Desire", written by Tennessee Williams, the protagonist Blanche DuBois comes to New Orleans to visit her sister Stella, who is married to the Pole Stanley Kowalski. Blanche ́s life has collapsed after the suicide of her husband Allan and the loss of the family estate Belle Reve. Blanche is not able to have a sexual relationship anymore and cannot understand the sexual connection between Stella and Stanley. She begins a romance with Mitch, one of Stanley ́s friends, but only with the aim of marrying him. But when he gets to know that she had affairs with strangers and with one of her students in the past, he is not willing to marry her anymore. At the end of the play, Blanche is raped by Stanley which leads to Blanche ́s final psychic collapse.
The Role of Sexuality in the Major Plays of Tennessee Williams by Senata Karolina Bauer-Briski Pdf
Tennessee Williams, one of the leading American playwrights of the 20th century, has often been called the 'national poet of the perverse'. Being a highly sexually active man all his life, he enjoyed writing sex into his plays and considered it beautiful. It is therefore perhaps surprising that the role sexuality plays in his dramatic work has never been researched in detail. This thesis is the first profound study of how sexuality -- either overt or covert -- affects and dominates Tennessee Williams' dramatic work.Analyzing eight major plays in detail, this study explores how the characters' lived or suppressed (deviating) sexual inclinations and preferences affect their psychological state, their behavior and their relationships with the other characters in the plays. It further demonstrates how sexuality motivates each play in the first place, dominates its plot and finally how the characters' ability to deal with their sexuality leads to either a conciliatory or a fatal, sometimes even a lethal ending. The book points out parallels and differences between the plays as well as Williams' development of sexuality in his drama.
Gender Conflicts in the Dramas of Tennessee Williams by Kerstin Müller Pdf
Bachelor Thesis from the year 2003 in the subject American Studies - Literature, grade: 1,7 (A-), University of Bayreuth (Faculty for Language and Literature Sciences), language: English, abstract: Tennessee Williams has often been called the American national poet of the perverse and a dirty writer because a recurrent theme in his work is sexual deviation, such as nymphomania, promiscuity, rape, impotence, homosexuality, profligacy, frigidity, cannibalism, and castration (Bauer-Briski 11). This statement clearly suggests the controversy with which Tennessee Williams’ dramas were perceived by the public and the critics. It is well known that conflicts on these issues can be found in many of his plays. This raises the question as to what extent these conflicts are related to specific gender roles and their subordinate themes. Williams once said that he has never written about anything he has not experienced first hand, thus most of the conflict issues can be considered to be autobiographical to a certain extent. As Williams’ childhood was restricted to a rather reclusive life due to diphtheria, which forced him to spend almost his entire childhood at home with his family, the experiences with his mother, father and sister shaped not only his character, but also the themes in his plays. His upbringing was characterised by Puritanism which was of vital importance in his family. His mother later became the model for his antiquated Southern Belles and overprotective mothers in the plays. His boisterous father was perceived as a frightening and alien male presence by him, his sister and his mother. He later became the model for the same type of harsh, brutal characters in his plays, such as Big Daddy and Stanley Kowalski (Falk 155 f). Yet, not only his Puritan upbringing shaped his life, but also the fact that he grew up in the South of the United States, in the Mississippi Delta, and the region’s heat, its storms, floods, the division into social classes, the colourful imagery and rhythms of the language were to shape his setting and dialogue (Tischler 2).The uniqueness of the South along with its cultural and social characteristics is embodied in many of his plays, and the social roles appointed to the people living there offers an extensive basis of analysis for not only gender roles, but also the related conflicts. In addition to this, Williams was known as being homosexual and leading a very promiscuous life, especially with men much younger than him (Bauer-Briski 11).
Tennessee Williams’s Female Characters: Problems of Gender and Sexuality by Bünyamin Yuvarlak Pdf
Bachelor Thesis from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,0, RWTH Aachen University (Institut für Anglistik, Amerikanistik und Romanistik der RWTH Aachen), language: English, abstract: The goal of the paper is to identify features relating to homosexual identity, based on a characterization of Williams’s female characters. Among other studies, Tennessee Williams’s work has commonly been researched from a gay study perspective by literary scholars and queer theorists. The motive for that was mostly Williams’s own homosexuality and the stigma that surrounded the issue around the time he published his most famous pieces. He has written plays which explicitly involve the topic of homosexuality, as the eminent Cat on a Hot Tin Roof, but most of his work does not embrace homosexuality precisely. Nevertheless, on the grounds that literary studies is fairly limitless, for literature provides many different fields for analyses, it is possible to involve literary pieces into the field of gay studies, even though it initially does not specify the matter. The arguably most interesting element in Tennessee Williams’s drama are his characters, many of whom seem to share similar characteristics as struggling individuals. Analyzing the fictional characters with regard to gay writing could help find a possible pattern, draw conclusions about the influence of Williams’s personality, and thus, support the assumption that homosexuality is integrated in his plays. Gender is also fundamental for an approach based on sexuality. Taking that into consideration, below, the focus will be on Williams’s female characters, especially on the protagonists Laura Wingfield from The Glass Menagerie and Blanche DuBois from A Streetcar Named Desire. These women are not necessarily gay themselves; in the plays, there is no clear evidence about them being sexually or romantically attracted to the same sex. Instead, sexuality is a broad concept with more meanings attached to it, which will further be discussed in the third chapter.
Law and Sexuality in Tennessee Williams’s America by Jacqueline O’Connor Pdf
This book explores the diverse representation of sexualities in Tennessee Williams’s texts and argues for his creative response to the increase, prior to and following World War II, in criminal prosecution of transgressive sexual activity. It expands longstanding scholarly assessments of Williams’s work, using the law as a framework to assess this writer’s role as a cultural, political, and legal force participating in the normalization of diverse sexualities, during his lifetime and beyond.
Rather than attempting to psychoanalyze the characters, the author uses the social situations within the dramas themselves to define the terms of her argument. Her analysis of the plays is organized according to the recurring themes of confinement, women, language, and artists, and draws upon a variety of psychological, literary, and biographical sources to examine Williams's preoccupation with the mentally ill and society's treatment of them. Annotation copyrighted by Book News, Inc., Portland, OR
Tennessee Williams - A Streetcar Named Desire/Cat on a Hot Tin Roof by Thomas Adler Pdf
A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) are major plays by Tennessee Williams, one of America's most significant dramatists. They both received landmark productions and are widely-studied and performed around the world. The plays have also inspired popular screen adaptations and have generated a body of important and lasting scholarship. In this indispensable Reader's Guide, Thomas P. Adler: - Charts the development of the criticism surrounding both works, from the mid-twentieth century through to the present day - Provides a readable assessment of the key debates and issues - Examines a range of theoretical approaches from biographical and New Criticism to feminist and queer theory In so doing, Adler helps us to appreciate why these plays continue to fascinate readers, theatregoers and directors alike.
Author : Michael S. D. Hooper Publisher : Cambridge University Press Page : 261 pages File Size : 46,7 Mb Release : 2012-04-12 Category : Drama ISBN : 9781107015364
Tennessee Williams' plays are performed around the world, and are staples of the standard American repertory. His famous portrayals of women engage feminist critics, and as America's leading gay playwright from the repressive postwar period, through Stonewall, to the growth of gay liberation, he represents an important and controversial figure for queer theorists. Gross and his contributors have included all of his plays, a chronology, introduction and bibliography.
A beautifully written account of a life lived on the edge - of the law, of love, of sobriety and of madness William is a dissolute book-forger. A talented writer in his own right he would rather scribble poems anonymously for an asian friend (who is becoming increasingly successful as a result), and create forgeries of Jane Austen first editions to sell to gullible collectors. He's not all bad. The money from the forgeries goes straight to homeless hostel and William's crimes don't really hurt anyone. And there are reasons William hasn't amounted to more. He did something he was ashamed of when he was a student, he drinks far too much and he can't commit to any relationships. Oh and he sees demons. Shadowy figures at the shoulder of everyone around him (except the woman who runs the hostel, she remains untouched), waiting for a moment's weakness. Or is just that William can see the suffering of the world? And then an extraordinary woman, who may just be able to save him from the world's suffering, walks into his life. This is William's own story. But who can believe a master forger?
Tennessee Williams‘ "A Streetcar Named Desire". A Comparison of Blanche DuBois and Stella Kowalski by Anonim Pdf
Seminar paper from the year 2019 in the subject American Studies - Literature, grade: 2,3, University of Tubingen (Englisches Seminar), course: Literary Studies, language: English, abstract: I will argue that "A Streetcar Named Desire" illustrates different aspects of femininity in the context of post-war America through the two main female characters Blanche DuBois and Stella Kowalski by demonstrating their dependence on men. In the analysis of how Williams illustrates these different aspects, I will examine their characterizations as well as their individual relationships with men in order to demonstrate Williams’ intention to portray them as women who are dependent on men.
A Streetcar Named Desire by Tennessee Williams Pdf
This revised Student Edition includes an introduction by Bess Rowen, Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire. A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright's life and work · An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · A succinct overview of the creation processes followed and subsequent performance history of the piece · An analysis of, and commentary on, some of the major themes and specific issues addressed by the text · A bibliography of suggested primary and secondary materials for further study
The Male and the Female in Tennessee Williams's Plays by Frederik Kugler Pdf
Thesis (M.A.) from the year 2006 in the subject American Studies - Literature, grade: 1,0, University of Cologne (Amerikanisches Institut), language: English, abstract: In this paper, I will attempt a psychoanalytic reading of the male and the female in a selection of Tennessee Williams’s plays. In my opinion, a psychoanalytic approach is the best way to do justice to Williams’s disturbed characters and to explain the concepts of sex, gender, and culture that are inherent in each of his plays. The interrelation of these concepts will be of the utmost importance in the analysis ofThe Glass Menagerie(1945),A Streetcar Named Desire(1947),Cat on a Hot Tin Roof(1955),Orpheus Descending(1957),Suddenly Last Summer(1957), andSweet Bird of Youth(1959). However, before turning to the analysis of Tennessee Williams’s plays, I will first delineate the concept of psychoanalysis as such. Since Sigmund Freud, who is conceived of as the father of psychoanalysis, psychoanalysis has come a long way, and even though it is today regarded as a somewhat conservative discipline, it still retains a disruptive attitude towards the conventional discourse of gender and sexuality. It furthermore has the capacity to undermine notions of fixed identity, including sexual identity, and although psychoanalysis may not be used as a method of treatment in clinical psychiatry anymore, it still proves successful when it comes to analysing the notion of sex, gender, and culture in literary texts, for instance. I will begin the paper with an outline of Sigmund Freud’s essays on the three stages of psychosexual development of the child and give a brief account on the general workings of human sexuality. Via Freud’s essays, I will show that sexuality is inextricably linked with modern Western society, and that sexual drives are repressed in order to guarantee the individual’s entrance into society and culture. “Seit Freud wird die [...] Entstehung und Funktion moralischer Motive im Individuum und in der Gesellschaft unter Berücksichtigung psychosexueller Entwicklungsphasen aus der Dialektik zwischen der Triebnatur des Menschen und seiner Gebundenheit an kulturelle und soziale Wert und Normsetzungen abgeleitet.”1Human sexuality then turns out to be a cultural product that is based on heterosexual behavior and procreation. Via these aspects, I will forge a link to Williams’s disturbed characters, who fail to associate with normative sexuality. In order to further explore the connection of sex, gender, and culture, I will also take Jacques Lacan’s contribution to psychoanalysis into consideration.
Tennessee Williams's Female Characters: Problems of Gender and Sexuality by Bünyamin Yuvarlak Pdf
Bachelor Thesis from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 2,0, RWTH Aachen University (Institut für Anglistik, Amerikanistik und Romanistik der RWTH Aachen), language: English, abstract: The goal of the paper is to identify features relating to homosexual identity, based on a characterization of Williams's female characters. Among other studies, Tennessee Williams's work has commonly been researched from a gay study perspective by literary scholars and queer theorists. The motive for that was mostly Williams's own homosexuality and the stigma that surrounded the issue around the time he published his most famous pieces. He has written plays which explicitly involve the topic of homosexuality, as the eminent Cat on a Hot Tin Roof, but most of his work does not embrace homosexuality precisely. Nevertheless, on the grounds that literary studies is fairly limitless, for literature provides many different fields for analyses, it is possible to involve literary pieces into the field of gay studies, even though it initially does not specify the matter. The arguably most interesting element in Tennessee Williams's drama are his characters, many of whom seem to share similar characteristics as struggling individuals. Analyzing the fictional characters with regard to gay writing could help find a possible pattern, draw conclusions about the influence of Williams's personality, and thus, support the assumption that homosexuality is integrated in his plays. Gender is also fundamental for an approach based on sexuality. Taking that into consideration, below, the focus will be on Williams's female characters, especially on the protagonists Laura Wingfield from The Glass Menagerie and Blanche DuBois from A Streetcar Named Desire. These women are not necessarily gay themselves; in the plays, there is no clear evidence about them being sexually or romantically attracted to the same sex. Instead, sexuality is a broad concept
