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Author : David Fredrick
Publisher : JHU Press
Page : 370 pages
File Size : 47,7 Mb
Release : 2002-11-18
Category : History
ISBN : 0801869617
Sharrock.--William C. Fitzgerald, University of California, Berkeley "American Historical Review"
Author : J. D. Reed
Publisher : Princeton University Press
Page : 238 pages
File Size : 46,8 Mb
Release : 2016-07-26
Category : Literary Criticism
ISBN : 9780691170916
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Author : Alexandros Kampakoglou,Anna Novokhatko
Publisher : Walter de Gruyter GmbH & Co KG
Page : 535 pages
File Size : 49,5 Mb
Release : 2018-03-05
Category : Literary Criticism
ISBN : 9783110569063
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Author : Helen Lovatt
Publisher : Cambridge University Press
Page : 425 pages
File Size : 45,9 Mb
Release : 2013-06-27
Category : Literary Collections
ISBN : 9781107276536
The epic genre has at its heart a fascination with the horror of viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating, ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus' gaze), revealing epic as massive assertion of authority and fractured representation. Helen Lovatt demonstrates the complexity of epic constructions of gender: from Apollonius' Medea toppling Talos with her eyes to Parthenopaeus as object of desire. She discusses mortals appropriating the divine gaze, prophets as both penetrative viewers and rape victims, explores the divine authority of epic ecphrasis, and exposes the way that heroic bodies are fragmented and fetishised.
Author : Shadi Bartsch
Publisher : University of Chicago Press
Page : 334 pages
File Size : 40,7 Mb
Release : 2006-07-03
Category : History
ISBN : 9780226038353
People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception. Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
Author : Anonim
Publisher : Unknown
Page : 1238 pages
File Size : 42,9 Mb
Release : 1895
Category : Electronic
ISBN : NYPL:33433000470702
Author : Helen Lovatt
Publisher : Cambridge University Press
Page : 425 pages
File Size : 54,9 Mb
Release : 2013-06-27
Category : History
ISBN : 9781107016118
Re-envisions epic from Homer to Nonnus through theories of the gaze.
Author : Mira Balberg,Haim Weiss
Publisher : Oxford University Press
Page : 239 pages
File Size : 52,8 Mb
Release : 2021-03-09
Category : Religion
ISBN : 9780197501504
When Near Becomes Far explores the representations and depictions of old age in the rabbinic Jewish literature of late antiquity (150-600 CE). Through close literary readings and cultural analysis, the book reveals the gaps and tensions between idealized images of old age on the one hand, and the psychologically, physiologically, and socially complicated realities of aging on the other hand. The authors argue that while rabbinic literature presents a number of prescriptions related to qualities and activities that make for good old age, the respect and reverence that the elderly should be awarded, and harmonious intergenerational relationship, it also includes multiple anecdotes and narratives that portray aging in much more nuanced and poignant ways. These anecdotes and narratives relate, alongside fantasies about blissful or unnoticeable aging, a host of fears associated with old age: from the loss of physical capability and beauty to the loss of memory and mental acuity, and from marginalization in the community to being experienced as a burden by one's children. Each chapter of the book focuses on a different aspect of aging in the rabbinic world: bodily appearance and sexuality, family relations, intellectual and cognitive prowess, honor and shame, and social roles and identity. As the book shows, in their powerful and sensitive treatments of aging, rabbinic texts offer some of the richest and most audacious observations on aging in ancient world literature, many of which still resonate today.
Author : Edmund Thomas
Publisher : OUP Oxford
Page : 406 pages
File Size : 46,5 Mb
Release : 2007-11-16
Category : Architecture
ISBN : 9780191558436
The quality of 'monumentality' is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum, 'a monument' - attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.
Author : Joseph D Reed
Publisher : Princeton University Press
Page : 239 pages
File Size : 44,8 Mb
Release : 2009-02-09
Category : Literary Criticism
ISBN : 9781400827688
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Author : Brittany E. Wilson
Publisher : Oxford University Press, USA
Page : 360 pages
File Size : 44,6 Mb
Release : 2015
Category : Religion
ISBN : 9780199325009
This book examines key male characters in Luke-Acts with respect to constructions of gender and masculinity in the Greco-Roman world. Of all Luke's male characters, four in particular problematise elite masculine norms: Zechariah (the father of John the Baptist), the Ethiopian eunuch, Paul, and, above all, Jesus. These men do not conform to the strictures of elite masculinity, for they do not protect their bodily boundaries nor do they embody corporeal control.
Author : Elina Pyy
Publisher : BRILL
Page : 340 pages
File Size : 50,6 Mb
Release : 2020-11-04
Category : Literary Criticism
ISBN : 9789004443457
In Women and War in Roman Epic, Elina Pyy discusses the narrative and ideological functions of gender in the works of Virgil, Lucan, Statius, Silius Italicus and Valerius Flaccus. By examining the themes of violence, death, guilt, grief, and anger in their epics, she offers an account of the intertextual tradition of the genre and its socio-political background. Through a combination of classical narratology and Julia Kristeva’s subjectivity theory, Pyy scrutinises how gendered marginality is constructed in the genre and how it contributes to the fashioning of Roman imperial identity. Focusing on the ambiguous elements of epic, the study looks beyond the binary oppositions between the Self and the Other, male and female, and Roman and barbarian.
Author : Andrew Paterson
Publisher : Taylor & Francis
Page : 258 pages
File Size : 54,7 Mb
Release : 2022-06-30
Category : Art
ISBN : 9781000600223
This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.
Author : Mairéad McAuley
Publisher : Oxford University Press
Page : 462 pages
File Size : 55,7 Mb
Release : 2016
Category : History
ISBN : 9780199659364
Year of publication in resource is 2016, year publication received is 2015.
Author : Tamara L. Hunt,Micheline R. Lessard
Publisher : NYU Press
Page : 271 pages
File Size : 44,5 Mb
Release : 2002-06
Category : History
ISBN : 9780814736470
"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."—Itinerario "The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."—Journal of Colonialism and Colonial History Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples. In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland. Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.