The Roman Vergil And The Origins Of Medieval Book Design
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Author : David Herndon Wright,British Library Publisher : University of Toronto Press Page : 84 pages File Size : 55,5 Mb Release : 2001-01-01 Category : Language Arts & Disciplines ISBN : 9780802048196
The Roman Vergil and the Origins of Medieval Book Design by David Herndon Wright,British Library Pdf
The 5th century AD Roman Vergil is one of the most precious manuscripts in the Vatican Library. Wright presents a wide-ranging discussion of the influence of the manuscript on the history and development of medieval manuscript art and of book design.
Taking Virgil's poetry as a case study, 'The Protean Virgil' argues that when we try to understand different readers' varying responses to the same text over time, we should take into account the physical form in which they read the text (e.g. manuscripts, books, or computerized files) as well as the text itself.
Alastair Fowler presents a fascinating study of title pages printed in England from the early modern era to the nineteenth century, exploring their place in the History of the Book for the first time. He illuminates key features of title-page design and presents 16 illustrations of significant title-pages with commentaries, from Chaucer to Dickens.
In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.
The Meaning of the Library by Edith Hall,Richard Gameson,Andrew Pettegree,Robert Darnton,David Allan,John Sutherland,Marina Warner,Robert Crawford,Laura Marcus,Stephen Enniss,William John Price-Wilkin,James H. Billington Pdf
"Tracing what the library has meant since its beginning, examining how its significance has shifted, and pondering its importance in the twenty-first century, significant contributors--including the librarian of the Congress and the former executive director of the HathiTrust--present a cultural history of the library"--Dust jacket flap.
The Illustrated Afterlife of Terence’s Comedies (800–1200) by Beatrice Radden Keefe Pdf
This is a book about Roman comedy, ancient theatre imagery, and seven medieval illustrated manuscripts of Terence’s six Latin comedies. These manuscript illustrations, made between 800 and 1200, enabled their medieval readers to view these comedies as “mirrors of life”.
In a detailed analysis of the visual and textual evidence, this book disputes the widely held view that the late fourth century saw a vigorous and determined "pagan reaction" to the take-over of the Roman world by Christianity, at both the political and cultural level.
The History of the Book in the West: 400AD–1455 by Pamela Robinson Pdf
This selection of papers by major scholars introduces students to the history of the book in the West from late Antiquity to the publication of the Gutenberg Bible and the beginning of the print revolution. The collection opens with wide-ranging papers on handwriting and the physical make-up of the book. In the second group of papers the emphasis is on the ’look’ of the book, complemented by a third group dealing with scribes, readers and the availability of books. The editors’ introduction provides an overview of the medieval book.
The essays in this collection approach the reception of the Roman poet Virgil in early modern Europe from the perspective of two areas at the center of current scholarly work in the humanities: book history and the history of reading. The first group of essays uses Virgil's place in post-classical culture to raise questions of broad scholarly interest: How, exactly, does modern reception theory challenge traditional notions of literary practice and value? How do the marginal comments of early readers provide insight into their character and mind? How does rhetoric help shape literary criticism? The second group of essays begins from the premise that the material form in which early modern readers encountered this most important of Latin poets played a key role in how they understood what they read. Thus title pages and illustrations help shape interpretation, with the results of that interpretation in turn becoming the comments that early modern readers regularly entered into the margins of their books. The volume concludes with four more specialized studies that show how these larger issues play out in specific neo-Latin works of the early modern period.
Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today. Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of Bramante, Michelangelo, and Maderno.
A Companion to Latin Literature by Stephen Harrison Pdf
A Companion to Latin Literature gives an authoritativeaccount of Latin literature from its beginnings in the thirdcentury BC through to the end of the second century AD. Provides expert overview of the main periods of Latin literaryhistory, major genres, and key themes Covers all the major Latin works of prose and poetry, fromEnnius to Augustine, including Lucretius, Cicero, Catullus, Livy,Vergil, Seneca, and Apuleius Includes invaluable reference material – dictionaryentries on authors, chronological chart of political and literaryhistory, and an annotated bibliography Serves as both a discursive literary history and a generalreference book
Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages. This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press. With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.
Author : Lawrence Nees Publisher : Cambridge University Press Page : 589 pages File Size : 49,7 Mb Release : 2023-09-30 Category : Language Arts & Disciplines ISBN : 9781009193863
Texts and Culture in Late Antiquity by J. H. D. Scourfield Pdf
Late Antiquity has increasingly been viewed as a period of transformation and dynamic change in its literature as in society and politics. In this volume, thirteen scholars focus on the intellectual and literary culture of the time, investigating complex relationships between late-Antique authors and the texts which they had inherited through the classical ('pagan') and Christian traditions. Particular emphasis is placed on works that carried special authority: Homer, Virgil, Plato, and the Bible. The volume thus contributes to the history of the reception of classical texts, and through its inclusiveness (classical and classicizing, philosophical, and patristic writing are all represented) seeks to offer a view of the textual world of late Antiquity as a unified whole. It affords a scholarly introduction to a sweep of late-Antique literature in Greek and Latin. Authors and genres discussed include Juvencus and Claudian, Plotinus and Proclus, Jerome and John Cassian, geographical and grammatical writing, and Christian cento.