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The Roman Years of a South Carolina Artist by Caroline Carson Pdf
In both locales she created for herself the life of an artist and southern expatriate." "From Italy, Carson wrote hundreds of discursive letters to her younger son in America. Gathered in this collection, these narratives offer intimate insights into the emotional life of a mature woman, the accomplishments of an artist determined both to perfect her craft and sell her work, and the intellectual and social pursuits of a well-educated, vivacious American living abroad."
Sojourns in Charleston, South Carolina, 1865–1947 by Jennie Holton Fant Pdf
Travelers' accounts of the people, culture, and politics of the Southern coastal region after the Civil War Charleston is one of the most intriguing of American cities, a unique combination of quaint streets, historic architecture, picturesque gardens, and age-old tradition, embroidered with a vivid cultural, literary, and social history. It is a city of contrasts and controversy as well. To trace a documentary history of Charleston from the postbellum era into the twentieth century is to encounter an ever-shifting but consistently alluring landscape. In this collection, ranging from 1865 to 1947, correspondents, travelers, tourists, and other visitors describe all aspects of the city as they encounter it. Sojourns in Charleston begins after the Civil War, when northern journalists flocked south to report on the "city of desolation" and ruin, continues through Reconstruction, and then moves into the era when national magazine writers began to promote the region as a paradise. From there twentieth-century accounts document a wide range of topics, from the living conditions of African Americans to the creation of cultural institutions that supported preservation and tourism. The most recognizable of the writers include author Owen Wister, novelist William Dean Howells, artist Norman Rockwell, Boston poet Amy Lowell, novelist and Zionist leader Ludwig Lewisohn, poet May Sarton, novelist Glenway Wescott on British author Somerset Maugham in the lowcountry, and French philosopher and writer Simone de Beauvoir. Their varied viewpoints help weave a beautiful tapestry of narratives that reveal the fascinating and evocative history that made this great city what it is today.
Dealing Art on Both Sides of the Atlantic, 1860-1940 by Lynn Catterson Pdf
Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus by examining the functionaries who participate in the art market–agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts.
Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks by Anonim Pdf
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.
An American Painter in Venice by Rosella Mamoli Zorzi Pdf
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
Music and the Southern Belle by Candace Bailey Pdf
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.
Maud Howe Elliott (1854Ð1948), the daughter of Julia Ward Howe, was a Pulitzer PrizeÐwinning writer and a tireless supporter of the arts, particularly in her adopted city of Newport, Rhode Island. An art historian and the author of over twenty works of fiction and nonfiction, including countless articles and short stories, Elliott is perhaps best known for co-writing a biography of her motherÑa major figure in the political and cultural world of New England, a womanÕs suffrage leader, and a leading progressive political voice. Elliott sought to enhance community and regional life by founding the Art Association of Newport in 1912 (now the Newport Art Museum), which she saw as the culmination of her life's work.
The Memory of the Civil War in American Culture by Alice Fahs,Joan Waugh Pdf
The Civil War retains a powerful hold on the American imagination, with each generation since 1865 reassessing its meaning and importance in American life. This volume collects twelve essays by leading Civil War scholars who demonstrate how the meanings o
Author : Jack E. Deibert,Brent H. Breithaupt Publisher : Geological Society of America Page : 92 pages File Size : 54,8 Mb Release : 2016-04 Category : Dinosaur tracks ISBN : 9780813725215
Tracks, Trails, and Thieves by Jack E. Deibert,Brent H. Breithaupt Pdf
Ride the trails and rails across the Wild West with Ferdinand Hayden through this first-ever detailed recounting of the first government-sponsored geological survey of the Wyoming and adjacent territories in 1868. The discovery of new archival material has helped bring the day-to-day adventures of this unique survey to life. Events of the survey are intertwined with one of the most noteworthy events in U.S. history—the building of the transcontinental railroad. Activities of the railroad led Hayden to have serendipitous and influential encounters with famous Civil War generals, railroad executives, politicians, photographers, prominent geologists, and thieves. The results of Hayden's survey provided the earliest descriptive stratigraphic-structural profile across the Rocky Mountains and the initial discovery of dinosaur tracks in western North America. Featuring more than 50 vintage photographs, this volume will appeal to a general audience as well as those interested in the history of geology.
The Complete Letters of Henry James, 1876–1878 by Henry James Pdf
Volume 2. This volume contains letters written from December 21, 1877, to September 29, 1878, when, having settled comfortably into London life, James finished preparing the foundation for the career that would define his reputation as a critic and fiction writer. During this time James published "Daisy Miller" and "The Europeans" as well as other fiction, reviews, and cultural criticism.
Author : Etta M. Madden Publisher : State University of New York Press Page : 425 pages File Size : 44,6 Mb Release : 2022-04-01 Category : Literary Criticism ISBN : 9781438488448
Engaging Italy charts the intertwined lives and writings of three American women in Italy in the 1860s and '70s—journalist Anne Hampton Brewster (1818–92), orphanage and industrial school founder Emily Bliss Gould (1825–75), and translator Caroline Crane Marsh (1816–1901). Brewster, Gould, and Marsh did not follow their callings abroad so much as they found them there. The political and religious unrest they encountered during Italian Unification put their utopian visions of expatriate life to the test. It also prompted these women to engage these changes and take up their pens both privately and publicly. Though little-known today, their diaries, letters, poetry, and news accounts help to rewrite the story of American women abroad inherited from figures such as Nathaniel Hawthorne, Mark Twain, and Henry James. Both feminist recovery project and collective biography, Engaging Italy contributes to the growing body of scholarship on transatlantic nineteenth-century women writers while focusing particular attention on the shared texts and ties linking Brewster, Gould, and Marsh. Etta M. Madden demonstrates the generative power of literary and social networks during moments of upheaval.
A history of American women challenging domesticity by touring Europe in the 19th and early 20th centuries. The nineteenth-century ideal of domesticity identified home as women’s proper sphere, but the ideal was frequently challenged, profoundly so when woman left home and country to travel in foreign lands. This book explores the reasons for and ramifications of women making a Grand Tour, a trip to Europe, between 1814 and 1914; this century between major European wars witnessed the golden age of American Grand Tours. Men and women alike were inspired by a Euro-centric education that valued the Old World as the fountainhead of their civilization. Reaching Europe necessitated an Ocean crossing, a disorienting time taking women far from domestic comfort. Once abroad, American women had to juggle accustomed norms of behavior with the demands of travel and customs of foreign lands. Wearing proper attire, even when hiking in the Alps, coping with unfamiliar languages, grappling with ever-changing rules about customs and passports, traveling alone—these were just some of the challenges women faced when traveling. Some traveled with their husband, others with female relatives and friends and a few entirely alone. Traveling companions had to agree on where to stay, when and where to dine, how to travel, and where to go. The sinking of the Titanic in 1912 made clear that even in the twentieth century, a Grand Tour involved risk. Because more women survived then men, some insisted that the Titanic’s example should curb female independence. However, a growing number of women continued making a Grand Tour for the next two year. It was the outbreak of war in Europe in 1914 that temporarily brought an end to a century of female Grand Tours. “Beatty’s ability to weave the experiences of hundreds of American women on the Grand Tour in Europe into a consistent narrative is per se a remarkable feat. But the author does much more than that. She uses the “journey” as trope to represent the long and difficult process of women’s emancipation, in its several cultural, psychological, social, and political dimensions.” —Susanna Delfino, Professor of American History, retired. University of Genoa, Italy
Author : Jill P. May,Robert E. May Publisher : University of Illinois Press Page : 290 pages File Size : 50,6 Mb Release : 2011 Category : Art ISBN : 9780252036262
Best remembered as an influential illustrator and teacher, Howard Pyle (1853-1911) produced magnificent artwork and engrossing books and magazine stories about King Arthur, Robin Hood, swashbuckling pirates, and the American Revolution. He also completed public murals and trained many famous artists and illustrators at the turn of the twentieth century, including N. C. Wyeth and Jessie Willcox Smith. This engaging portrait of the influential American artist, teacher, author, and muralist is the first fully documented treatment of Pyle's life and career. Drawing on numerous archival sources including Pyle's own letters to provide new perspectives on his life, Jill P. May and Robert E. May reveal Pyle to be a passionate believer that art should be understood and appreciated by the general public. His genteel values and artistic tastes shaped not only his own creative output but his influential work as a teacher, first at the Drexel Institute of Art, Science and Industry in Philadelphia and later at his own school in Delaware's Brandywine River Valley. May and May also show him to be far more supportive of women artists than is generally believed, explaining how he deployed club memberships and relationships with publishers and politicians to advance the prospects of his students. Duly measuring his influence on later artists, May and May detail his quest to lead a distinctively American school of art freed from European models. Amply illustrated with evocative photographs and color reproductions of his own and his students' work, this exceptional volume presents Howard Pyle's creative career and legacy for American popular culture as it has never been seen before.