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The Russian Image of Goethe, Volume 1 by Andre von Gronicka,André von Gronicka Pdf
The University of Pennsylvania Press is pleased to reissue in two volumes von Gronicka's study. The first volume discusses the early Russian reaction to Goethe and his work and his effect on Zhukovski (Goethe's translator and interpreter), Pushkin, Lermontov, the Pushkin Pleiade and the Decembrists, the Russian Romanticists, and the Westerners (Stankevich, Belinksi, and Herzen).
The Russian Image of Goethe, Volume 2 by Andre von Gronicka,André von Gronicka Pdf
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
The Russian Image of Goethe: Goethe in Russian literature of the second half of the nineteenth century by André Von Gronicka Pdf
The two volumes of The Russian Image of Goethe constitute the only study in a Western language on Goethe's reception in Russia. Volume II is a seamless continuation of the earlier book, covering the second half of the nineteenth century and the first two decades of the twentieth. Von Gronicka examines the attitudes toward Goethe and his work of, among others, Turgenev, Dostoevski, Tolstoi, and the Russian symbolists. He draws on the Russian writers' diaries, letters, and essays, quoting from them extensively in faithful translation or felicitous paraphrase. In developing The Russian image of Goethe, von Gronicka traces the course of Russian literature in the nineteenth and early twentieth centuries and provides not only a clear idea of how Russian writers viewed Goethe, but an excellent introduction to that literature. Both volumes of The Russian Image of Goethe are of interest to scholars of Russian, German, and comparative literature.
Author : Alfred J. Rieber Publisher : University of Toronto Press Page : 524 pages File Size : 50,5 Mb Release : 2018-01-18 Category : History ISBN : 9781487511210
The Imperial Russian Project by Alfred J. Rieber Pdf
A pioneer in the field of Russian and Soviet studies in the West, Alfred J. Rieber’s five decade career has focused on increasing our understanding of the Russian Empire from Peter the Great to the coming of the First World War. The Imperial Russian Project is a collection of Rieber’s lifetime of work, focusing on three interconnected themes of this time period: the role of reform in the process of state building, the interaction of state and social movements, and alternative visions of economic development. This volume contains Rieber’s previously published, classic essays, edited and updated, as well as newly written works that together provide a well-integrated framework for reflection on this topic. Rieber argues that Russia’s style of autocratic governance not only reflected the personalities of the rulers but also the challenges of overcoming economic backwardness in a society lacking common citizenship and a cohesive ruling class. The Imperial Russian Project reveals how during the nineteenth century the tsar was obliged to operate within a changing and more complex world, reducing his options and restricting his freedom of action.
The Russian Image of Goethe: Goethe in Russian literature of the first half of the nineteenth century by André Von Gronicka Pdf
Gronicka gives an admirably concise, learned, and well-documented factual account of Russian literary relations to Goethe. . . . He makes use of unpublished materials and offers rich notes and an admirably complete bibliography.--Comparative Literature Studies
Odoyevsky (1804-1869) was a leading writer, musicologist, popular educator and public servant in Russia, close to the major historical events of his period and acquainted with many of the leading personalities, from Pushkin to Glinka, to Turgenev, Tolstoy and Tchaikovsky, as well as Berlioz and Wagner. Based upon published and unpublished sources in Russia and the West, Cornwell paints a portrait of one of Russia's central figures, though little known in the West.
Just over a century has passed since the sexologist Richard von Krafft-Ebing coined the term “masochism” in a revised edition of his Psychopathia Sexualis (1890). Put into circulation as part of the fin-de-siècle process through which sexuality and sexual practices considered deviant became medicalized, this suspicious concept grew in significance and explanatory power in the expanding new context of psychoanalytic discourse. Today the study of masochism shows signs of becoming a discipline in its own right, the political, social, and cultural ramifications of which exceed and, indeed, render problematic, traditional psychoanalytic perspectives on the phenomenon. The essays in this volume demonstrate, however, that the concept of masochism still offers a point of entry into psychoanalytic theory that, while revealing a number of its most vexing insufficiencies and problematic constructions, evokes also a sometimes surprising illuminative potential and capacity to adapt to changing social realities. And as the volume's title is meant to suggest, the authors represented here tend to agree that the continued rich viability of psychoanalytic theory in cultural analysis is best appreciated and ensured through engaging the theory's own social-historical and cultural contexts. The volume includes clinical perspectives on masochism, and articles on medieval romance, Goethe, Sacher-Masoch, Krafft-Ebing's Psychopathia Sexualis, Turgenev, Tolstoy, Multatuli, Fassbinder, and masochism and postmodernism.
The Legacy of Ancient Rome in the Russian Silver Age by Anna Frajlich Pdf
For poets throughout the world Rome was the world. This is particularly true for Russian poets, owing to the anagrammatical relation of the words Rome and mir (Rome and world). The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. The revitalization of classical scholarship in nineteenth-century Russia and new approaches to antiquity prompted many of the Russian Symbolists to seek their inspiration in ancient Rome. Vladimir Solovyov, Dmitry Merezhkovsky, Valery Bryusov, Vyacheslav Ivanov, Maksimilian Voloshin, Vasily Komarovsky, and Mikhail Kuzmin all made significant contributions to what is often referred to as the “Roman text.”The Legacy of Ancient Rome in the Russian Silver Age analyzes the forms involved in creating the Roman image and explores its functionality within the given poetic system. In addition to the formal analysis, the background and the stimulus leading up to the composition of a particular poem are explored, as well as allusions to legends, myths and Rome’s geography and architecture. Moreover, this study considers the function of the Roman text in Russian Symbolist poetics and the works of the individual poets. Finally, the relation between the Roman and Petersburg texts of Russian literature is explored, since many of the Russian Symbolist poets found in Rome a perfect metaphor for their studies of the city and “urban” poetry.
