The Sacred Harp

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The Sacred Harp

Author : Buell E. Cobb, Jr.
Publisher : University of Georgia Press
Page : 273 pages
File Size : 49,7 Mb
Release : 2004-12-01
Category : Music
ISBN : 9780820323718

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The Sacred Harp by Buell E. Cobb, Jr. Pdf

On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.

The Sacred Harp

Author : Hugh McGraw
Publisher : Unknown
Page : 606 pages
File Size : 51,9 Mb
Release : 1991
Category : Music
ISBN : UOM:39015048260296

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The Sacred Harp by Hugh McGraw Pdf

A standard collection of traditional shape-note hymns.

The Makers of the Sacred Harp

Author : David Warren Steel
Publisher : University of Illinois Press
Page : 354 pages
File Size : 46,8 Mb
Release : 2024-03-31
Category : Music
ISBN : 9780252053955

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The Makers of the Sacred Harp by David Warren Steel Pdf

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.

Legacy of the Sacred Harp

Author : Chloe Webb
Publisher : Texas A&M University Press
Page : 406 pages
File Size : 49,8 Mb
Release : 2010-11-01
Category : History
ISBN : 9780875654454

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Legacy of the Sacred Harp by Chloe Webb Pdf

Sacred Harp music or shape-note singing is as old as America itself. The term sacred harp refers to the human voice. Brought to this continent by the settlers of Jamestown, this style of singing is also known as “fasola.” In Legacy of the Sacred Harp, author Chloe Webb follows the history of this musical form back four hundred years, and in the process uncovers the harrowing legacy of her Dumas family line. The journey begins in contemporary Texas with an overlooked but historically rich family heirloom, a tattered 1869 edition of The Sacred Harp songbook. Traveling across the South and sifting through undiscovered family history, Webb sets out on a personal quest to reconnect with her ancestors who composed, sang, and lived by the words of Sacred Harp music. Her research irreversibly transforms her rose-colored view of her heritage and brings endearing characters to life as the reality of the effects of slavery on Southern plantation life, the thriving tobacco industry, and the Civil War are revisited through the lens of the Dumas family. Most notably, Webb’s original research unearths the person of Ralph Freeman, freed slave and pastor of a pre-Civil War white Southern church. Wringing history from boxes of keepsakes, lively interviews, dusty archival libraries, and church records, Webb keeps Sacred Harp lyrics ringing in readers’ ears, allowing the poetry to illuminate the lessons and trials of the past. The choral shape-note music of the Sacred Harp whispers to us of the past, of the religious persecution that brought this music to our shores, and how the voices of contemporary Sacred Harp singers still ring out the unchanged lyrics across the South, the music pulling the past into our present.

Public Worship, Private Faith

Author : John Bealle
Publisher : University of Georgia Press
Page : 332 pages
File Size : 40,6 Mb
Release : 1997
Category : Music
ISBN : 082031921X

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Public Worship, Private Faith by John Bealle Pdf

The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.

I Belong to This Band, Hallelujah!

Author : Laura Clawson
Publisher : University of Chicago Press
Page : 224 pages
File Size : 53,8 Mb
Release : 2011-06-01
Category : Music
ISBN : 9780226109633

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I Belong to This Band, Hallelujah! by Laura Clawson Pdf

The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences. Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.

A Sacred Feast

Author : Kathryn Eastburn
Publisher : U of Nebraska Press
Page : 189 pages
File Size : 43,9 Mb
Release : 2020-04-01
Category : Cooking
ISBN : 9781496211385

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A Sacred Feast by Kathryn Eastburn Pdf

Some have called Sacred Harp singing America's earliest music. This powerful nondenominational religious singing, part of a deeply held Southern culture, has spread throughout the nation over the past two centuries. In A Sacred Feast, Kathryn Eastburn journeys into the community of Sacred Harp singers across the country and introduces readers to the curious glories of a tradition that is practiced today just as it was two hundred years ago. Each of the book's chapters visits a different region and features recipes from the accompanying culinary tradition--dinner on the ground, a hearty noontime feast. From oven-cooked pulled pork barbeque to Dollar Store cornbread dressing to red velvet cake, these recipes tell a story of nourishing the body, the soul, and the voice. The Sacred Harp's deeply moving sound and spirit resonate through these pages, captured at conventions in Alabama, Kentucky, Texas, Colorado, and Washington, conveyed in portraits of singers, and celebrated in the sights, sounds, smells, and tastes of all-day singing and dinner on the ground echoing through generations and centuries.

Traveling Home

Author : Kiri Miller
Publisher : University of Illinois Press
Page : 274 pages
File Size : 54,9 Mb
Release : 2008
Category : Pluralism
ISBN : 9780252032141

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Traveling Home by Kiri Miller Pdf

A compelling account of the vibrant musical tradition of Sacred Harp singing, Traveling Home describes how song brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks - which employed an innovative notation system to teach singers to read music - Sacred Harp singing has been part of rural Southern life for over 150 years. In the wake of the folk revival of the 1950s and 60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of this important music movement.

The Makers of the Sacred Harp

Author : David Warren Steel,Richard H. Hulan
Publisher : University of Illinois Press
Page : 354 pages
File Size : 44,6 Mb
Release : 2010
Category : Music
ISBN : 9780252035678

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The Makers of the Sacred Harp by David Warren Steel,Richard H. Hulan Pdf

This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.

The Southern Harmony, and Musical Companion

Author : William Walker
Publisher : Legare Street Press
Page : 348 pages
File Size : 54,8 Mb
Release : 2021-09-09
Category : Electronic
ISBN : 1013622189

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The Southern Harmony, and Musical Companion by William Walker Pdf

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Social Harp

Author : John G. McCurry
Publisher : Unknown
Page : 300 pages
File Size : 44,8 Mb
Release : 2009
Category : Music
ISBN : 0820331511

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The Social Harp by John G. McCurry Pdf

One of the rarest country songbooks, it contains 222 pieces, mostly folktune settings, dating from the time between the Revolution and the Civil War. This facsimile reprinting has appendices useful for the study of its sources and an introduction that throws light on the men who wrote for nineteenth-century American songsters.

Judge Jackson and the Colored Sacred Harp

Author : Joe Dan Boyd
Publisher : University Alabama Press
Page : 272 pages
File Size : 49,6 Mb
Release : 2005-09
Category : Biography & Autobiography
ISBN : 0817315101

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Judge Jackson and the Colored Sacred Harp by Joe Dan Boyd Pdf

Religious songs written by and for African Americans in the style of the venerable shape note book, The Sacred Harp Born in 1883, Jackson took a keen interest in fa-sol-la singing as a teenager. Such singing derives originally from colonial New England singing schools designed to teach musical note-reading in order to improve congregational singing. It took root in the South as its popularity declined elsewhere and was well-established in the Wiregrass region of southeast Alabama in both black and white communities when Jackson discovered it. Around 1930, Jackson determined to compile a book for the benefit of African American singers. A selection of songs from the Colored Sacred Harp appears on a CD enclosed with the book. In addition to 25 recordings made or collected by Boyd, the CD features a recording made at a Sacred Harp singing by folklorist John Work in 1938 and one made by Jackson and family at a coin-operated recording booth in Dothan in 1950.

Sacred Song in America

Author : Stephen A. Marini
Publisher : University of Illinois Press
Page : 418 pages
File Size : 53,6 Mb
Release : 2003
Category : History
ISBN : 0252028007

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Sacred Song in America by Stephen A. Marini Pdf

In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.

The Missouri Harmony

Author : Allen D. Carden
Publisher : Missouri History Museum
Page : 392 pages
File Size : 50,6 Mb
Release : 2005
Category : History
ISBN : 1883982545

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The Missouri Harmony by Allen D. Carden Pdf

With a history dating back to 1820, The Missouri Harmony was the most popular of all frontier shape-note tune books. The 185 songs in the collection were favorites used in Protestant churches and singing schools, and many were already deeply rooted in American culture by the time of its first publication. The story of the book is the story of a burgeoning nation, with its origins in a St. Louis school (where it was introduced by singing master Allen Carden) and its spread along the Mississippi River and its tributaries. It's said that even Abraham Lincoln and his sweetheart Ann Rutledge sang from The Missouri Harmony at her father's tavern in Illinois. Compilations such as The Missouri Harmony not only helped teach midwesterners to read music but also carried a uniquely American heritage of shaped notes, a system of musical notation that grew out of the singing school movement in eighteenth-century New England. Furthermore, this heritage would be, according to composer Virgil Thomson, "the musical basis of almost everything we make, of Negro spirituals, of cowboy songs, of popular ballads, of blues, of hymns, of doggerel ditties, and all our operas and symphonies." Yet, despite its significance, the tune book was until now unavailable to contemporary choral and church music groups, including the thriving community of shape-note folksingers. This updated and expanded version of Allen D. Carden's 1820 volume now contains more than 300 pages of original and traditional music compositions collected by the St. Louis Shape Note Singers. An introductory text explains and illuminates the shape-note tradition and the history of the book. With this compilation, published nearly two hundred years after its inception, the heritage of a very different, yet ever influential, America thrives, and its songs, rich with our country's history, live on.

The Hebrew Orphan Asylum Band of New York City, 1874-1941

Author : Carol Shansky
Publisher : Cambridge Scholars Publishing
Page : 195 pages
File Size : 46,7 Mb
Release : 2016-05-11
Category : Social Science
ISBN : 9781443894173

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The Hebrew Orphan Asylum Band of New York City, 1874-1941 by Carol Shansky Pdf

The Hebrew Orphan Asylum Band of New York City, 1874–1941 is at the same time the story of a boys’ band and a story of New York City. The band was not only an important educational component of one of the largest Jewish charitable organizations of its time, but also a significant source of music-making and performance in New York. What made the band especially noteworthy was the reputation it developed performing outside of New York’s many concert halls and major musical institutions. The band was ever-present, participating in events ranging from conventional parades to building ground-breakings to celebrations of major figures in New York history. The band was always ready to perform and to be part of New York cultural life. In doing so, they typified the Jewish-American experience of the late 19th and early 20th centuries, and illustrated the substantial effort of those that engage in community music-making and the critical role school music played in the lives of its participants and local community. These are the unknown musicians without whom New York’s musical life would have certainly been diminished. As this history explores their numerous performances, successes, and activities, historical events in New York, some lesser known than others, some humorous, some dark, are described in rich detail as well. The legacy of the band – the careers the boys had as they matured and the contributions they and their band directors made during their lives – is also explored in this fascinating history.