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Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Saint's Tragedy; Or the True Story of Elizabeth of Hungary, Landgravine of Thuringia: Saint of the Romish Calendar. With a Preface by Professor Maurice by Charles Kingsley Pdf
The Saint's Tragedy; Or, the True Story of Elizabeth of Hungary by Charles Kingsley Pdf
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The Saint's Tragedy (Esprios Classics) by Charles Kingsley Pdf
Charles Kingsley (12 June 1819 - 23 January 1875) was a broad-church priest of the Church of England, a university professor, social reformer, historian, novelist and poet. He is particularly associated with Christian socialism, the working men's college, and forming labour cooperatives, which failed, but encouraged later working reforms. He was a friend and correspondent of Charles Darwin. Kingsley's interest in history is shown in several of his writings, including The Heroes (1856), a children's book about Greek mythology, and several historical novels, of which the best known are Hypatia (1853), Hereward the Wake (1865) and Westward Ho! (1855).
The Saint's Tragedy - Scholar's Choice Edition by Charles Kingsley Pdf
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The Saint's Tragedy - Charles Kingsley by Charles Kingsley Pdf
A passage from the book... .The writer of this play does not differ with his countrymen generally, as to the nature and requirements of a Drama. He has learnt from our Great Masters that it should exhibit human beings engaged in some earnest struggle, certain outward aspects of which may possibly be a spectacle for the amusement of idlers, but which in itself is for the study and the sympathy of those who are struggling themselves. A Drama, he feels, should not aim at the inculcation of any definite maxim; the moral of it lies in the action and the character. It must be drawn out of them by the heart and experience of the reader, not forced upon him by the author. The men and women whom he presents are not to be his spokesmen; they are to utter themselves freely in such language, grave or mirthful, as best expresses what they feel and what they are. The age to which they belong is not to be contemplated as if it were apart from us; neither is it to be measured by our rules; to be held up as a model; to be condemned for its strangeness. The passions which worked in it must be those which are working in ourselves. To the same eternal laws and principles are we, and it, amenable. By beholding these a poet is to raise himself, and may hope to raise his readers, above antiquarian tastes and modern conventions. The unity of the play cannot be conferred upon it by any artificial arrangements; it must depend upon the relation of the different persons and events to the central subject. No nice adjustments of success and failure to right and wrong must constitute its poetical justice; the conscience of the readers must be satisfied in some deeper way than this, that there is an order in the universe, and that the poet has perceived and asserted it.
