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Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.
The publication in 1988 of Salman Rushdie's novel The Satanic Verses triggered a furor that pitted much of the Islamic world against the West over issues of blasphemy and freedom of expression. The controversy soon took on the aspect of a confrontation of civilizations, provoking powerful emotions on a global level. It involved censorship, protests, riots, a break in diplomatic relations, culminating in the notorious Iranian edict calling for the death of the novelist. In The Rushdie Affair, Daniel Pipes explains why the publication of The Satanic Verses became a cataclysmic event with far-reaching political and social consequences.Pipes looks at the Rushdie affair in both its political and cultural aspects and shows in considerable detail what the fundamentalists perceived as so offensive in The Satanic Verses as against what Rushdie's novel actually said. Pipes explains how the book created a new crisis between Iran and the West at the time--disrupting international diplomacy, billions of dollars in trade, and prospects for the release of Western hostages in Lebanon.Pipes maps out the long-term implications of the crisis. If the Ayatollah so easily intimidated the West, can others do the same? Can millions of fundamentalist Muslims now living in the United States and Europe possibly be assimilated into a culture so alien to them? Insightful and brilliantly written, this volume provides a full understanding of one of the most significant events in recent years. Koenraad Elst's postscript reviews the enduring impact of the Rushdie affair.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe
Upside-down lightning, a group of uncouth skydivers, resurrections, a mother's body overtaken by a garden, aquatic telepathy, a peeling snake-priest, and more. Sea Above, Sun Below is influenced by Western myths, some Greek, some with Biblical overtones, resulting in a fusion of fantastic dreams, bizarre yet beautiful nightmares, and multiple narrative threads that form a tapestry which depicts the fragility of characters teetering on the brink of madness.
The Unknown Satanic Verses Controversy on Race and Religion by Üner Daglier Pdf
The worldwide controversy surrounding its first publication in 1988 and concurrent death threat against its author, Salman Rushdie, paradoxically led to a narrow understanding of The Satanic Verses, which focused on whether it is insulting to Islam and whether it should be banned. And despite piecemeal attention to its epistemic intricacies by students of postcolonial literature in the aftermath, The Satanic Verses’ essential opacity has never been sufficiently met. The Unknown Satanic Verses Controversy on Race and Religion now responds to this gap through painstakingly detailed attention to the totality of Rushdie’s text. Indeed it uniquely approaches The Satanic Verses’ attempt to mythicize race and migration, on the one hand, and secularize religion and Islam, on the other, from a perspective informed by the perennial debate on religion and politics, esoteric or coded writing in the history of political thought, especially in times of persecution, and Islamic criticism in contemporary world literature. Üner Daglier’s findings accord with another layer of interpretation that emphasizes Rushdie’s across-the-board critique of racial prejudice, penchant for cultural eclecticism, and bitterly skeptical treatment of the foundations of Submission and proposal for feminist Islamic reform, as the antidote for entrenched misogyny, in a world where philosophy is for the rare and religion for the many. They further convey Rushdie’s constant preoccupation with the nature of miracles and postmodern case for intersubjectivity as a criterion for openness to their validity.
The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.
The books in this series are designed for students of literature who want to explore the ever-increasing body of literary criticism relating to the authors and texts studied most frequently on university courses.
An unforgettable portrait of London and one of the most talked about debuts of all time! 'The almost preposterous talent was clear from the first pages' Guardian On New Years Day 1975, the day of his almost-suicide, life said yes to Archie Jones. Not OK or 'You-might-as-well-carry-on-since-you've-started'. A resounding affirmative. Promptly seizing his second life by the horns, Archie meets and marries Clara Bowden, a Caribbean girl twenty-eight years his junior. Thus begins a tale of friendship, of love and war, of three culture and three families over three generations . . . ***** 'Street-smart and learned, sassy and philosophical all at the same time' New York Times 'Outstanding' Sunday Telegraph 'An astonishingly assured début, funny and serious . . . I was delighted' Salman Rushdie
By the author of M̀idnight's children.' Two men miraculously survive an explosion in a hijacked jumbo jet, only to discover they have been chosen as protagonists in the eternal battle between God and the Devil.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Shaykh Yasir Qadhi gives a detailed analysis of the life of Prophet Muhammad (peace be upon him) from the original sources.Study the Biography of the single greatest human being that ever walked the surface of this earth, whom Allah sent as a Mercy to Mankind.
Pauline Christianity Versus Christian Faith by Jon-Aruld Johannessen, Ph.D.,Ph D Jon Johannessen Pdf
The Bible's Satanic verses are the third of the four pillars of religion that have contributed to the development of the concepts of obedience and evil in Western culture. The first pillar is the story of the expulsion of Adam and Eve from Paradise due to their disobedience to God. The second is the story of Abraham's obedience to God. Abraham was willing to obey God and sacrifice his son Isaac. In view of Abraham's obedience, God ultimately did not require him to sacrifice Isaac. These first two stories, which form the basis of the Western culture of obedience, are about obedience to God. The Satanic verses introduce the concept of obedience to civil authorities. The two stories about obedience to God, together with Paul's call for obedience to civil authorities, comprise three of the foundation pillars of the Western culture of obedience. The fourth pillar is the military system. The Church has established a hierarchical regime that has its basis in these foundations. As a result, obedience has become an integral part of Western culture. Today, we know from, among other things, the research of Milgram and Zimbardo, together with Hanna Arendt's studies of evil during World War II, that obedience and evil are closely related concepts. The Satanic verses have persuaded many Christians, including priests, bishops and other representatives of the Church, to obey Hitler, Mussolini, Franco, and other tyrants and despots. Today, the Satanic verses are used as an argument in support of the death penalty. In this way, Jesus's message of love has become, by means of seven simple verses in Paul's epistles, an argument that is used to support killing people. The purpose of this book is to get to grips with the Pauline impulse. This is an historic impulse that has oppressed and excluded people, and created an intolerant version of Christianity. It has also established obedience as a fundamental principle in Western culture. As a consequence, Jesus's message of love has become a tool for evil. This Pauline impulse has been instrumental in the destruction of the lives of millions of people throughout history. Pauline Christianity versus Christian faith is expressed in, among other places, the Satanic verses. The theologian Myers, one of the leading authorities on the Epistle to the Romans, says that the Satanic verses "[have] caused much needless suffering and much misery even in the 20th century". To emphasize how Christians have interpreted the Satanic verses in practice up until our own times, the following quotation from Myers is illustrative: "In fact, many Christians in Hitler's Germany appealed to this text [the Satanic verses] as the decisive biblical warrant for obedience to the Nazi regime". The point cannot be made more clearly. Right up until the present day, the Satanic verses have been used to argue that evil should be allowed to develop. The underlying hypothesis of this book may be expressed as follows: If too much emphasis is given to obedience, then this may provide the fundament for evil because obedience and evil are two sides of the same coin. However, an important point to remember when understanding this hypothesis is to make a distinction between obedience and discipline. Obedience is related to following orders. Discipline is related to following a knowledgeable authority.
