The Science Of Violin Playing Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Science Of Violin Playing book. This book definitely worth reading, it is an incredibly well-written.
This book uses scientific knowledge of human body such as "Anatomy", "Physiology", "Psychology" to supplement and improve violin technical movement training, so that it can scientifically design movement methods in practice, rationally arrange exercise procedures, eliminate movement obstacles, improve the quality of movements, effectively reduce the decline of technology with age, and effectively prevent occupational diseases caused by unscientific movements, such as tenosynovitis.
The Science of Violin Playing by Raphael Bronstein Pdf
A treasure for serious students of the violin, The Science of Violin Playing contains page after page of instructive and inspiring wisdom. Best read slowly and carefully, Bronstein teaches violin playing as both an art and science, turning his exacting eye and ear to every aspect of the instrument.
Originally published in 1921, this book was written in an attempt to, 'give the serious teacher and student the practical benefit of the knowledge acquired during a lifetime's playing the violin, including mechanical means and technical procedure as well as the ideas and ideals of art'. With a wealth of information on the subject that the modern reader will still find of practical use today, this book is highly recommended for inclusion on the bookshelf of anyone with an interest in the subject. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
From the time of Stradivari, the mysterious craft of violinmaking has been a closely guarded, lucrative, and entirely masculine preserve. In the 1950s Carleen Maley Hutchins was a grade school science teacher, amateur trumpet player, and New Jersey housewife. When musical friends asked her to trade a trumpet for a $75 viola, she decided to try making one, thus setting in motion a surprising career. A self-taught genius who went head to head with a closed and ancient guild, Hutchins carved nearly 500 stringed instruments over the course of half a century and collaborated on more than 100 experiments in violin acoustics. In answer to a challenge from a composer, she built the first violin octet - a family of eight violins ranging in size from an eleven-inch treble to a seven-foot contrabass, and in register across the gamut of the piano keyboard. She wrote more than 100 technical papers - including two benchmark Scientific American cover articles - founded an international society devoted to violin acoustics, and became the only American and the only woman to be honored in Cremona, Italy, the birthplace of Stradivari. Hutchins died in 2009 at the age of ninety-eight. The most innovative violinmaker of the modern age, she set out to explore two worlds she knew virtually nothing about - violins and acoustical physics. American Luthier chronicles the life of this unsung woman who altered everything in a world that had changed little in three centuries.
Principles of Violin Playing and Teaching by Ivan Galamian Pdf
Celebrated instructor presents his philosophy of teaching and practice methods, including appropriate combination of technique and interpretation. Incorporates aspects of both the Russian and French schools in an ingenious and logical system.
This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.
How Muscles Learn: Teaching the Violin with the Body in Mind by Susan Kempter Pdf
How Muscles Learn provides information useful in helping teachers find productive techniques in teaching based on how muscles learn movement patterns. Muscles and bodies can and should be thoroughly trained before concentrating exclusively on musical outcomes. Contents include: the importance of good posture, range of motion and movement, muscles have memory: how movement patterns are acquired, proactive interference: its issues and effects. Each chapter includes helpful photographs illustrating techniques, helpful hints, exercises to practice the principles in each section, and musical examples.
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Violin Playing is an unchanged, high-quality reprint of the original edition of 1898. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
A Treatise on the Fundamental Principles of Violin Playing by Leopold Mozart Pdf
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English andremains scholarly and eminently readable.
Chock-full of peculiar puzzles, mind-bending mythbusters, and quirky questions, the fifth pop science book in the bestselling Science of Why series is perfect for anyone curious about the weird and wondrous world we live in. Have you ever wondered if octopuses are from outer space? What Mexican jumping beans are? Or if banana peels are really slippery? If questions like these are keeping you up at night, you can rest easy. Bestselling author Jay Ingram is here to answer all the whimsical and whacky wonderings that have baffled people since the dawn of time. From our bodies to our pets (and other beasts) to the natural world around us, Jay tackles science topics big and small, such as: Did dinosaurs sit on their eggs? What is our funny bone? Is there a specific muscle that makes dogs cute? Because who hasn’t pondered whether plants have feelings? Or if Robin Hood was a real person? Or what humans will look like in the future? Teeming with amusing answers to bemusing questions—and handy and hilarious illustrations—this latest volume separates fact from fiction, lesson from legend, and myth from marvel. Endlessly illuminating and entertaining, The Science of Why, Volume 5 is five times the fun for new and old readers of the series.
This major work covers almost all that has been learned about the acoustics of stringed instruments from Helmholtz's 19th-century theoretical elaborations to recent electroacoustic and holographic measurements. Many of the results presented here were uncovered by the author himself (and by his associates and students) over a 20-year period of research on the physics of instruments in the violin family. Lothar Cremer is one of the world's most respected authorities on architectural acoustics and, not incidentally, an avid avocational violinist and violist. The book—which was published in German in 1981—first of all meets the rigorous technical standards of specialists in musical acoustics. But it also serves the needs and interests of two broader groups: makers and players of stringed instruments are expressly addressed, since the implications of the mathematical formulations are fully outlined and explained; and acousticians in general will find that the work represents a textbook illustration of the application of fundamental principles and up-to-date techniques to a specific problem. The first—and longest—of the book's three parts investigates the oscillatory responses of bowed (and plucked) strings. The natural nonlinearities that derive from considerations of string torsion and bending stiffness are deftly handled and concisely modeled. The second part deals with the body of the instrument. Special attention is given to the bridge, which transmits the oscillations of the strings to the wooden body and its air cavity. In this case, linear modeling proves serviceable for the most part—a simplification that would not be possible with lute—like instruments such as the guitar. The radiation of sound from the body into the listener's space, which is treated as an extension of the instrument itself, is the subject of the book's final part.
