The Scott Exhibition Mdccclxxi Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Scott Exhibition Mdccclxxi book. This book definitely worth reading, it is an incredibly well-written.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Catalogue of the Exhibition Held at Edinburgh, in July and August 1871, on Occasion of the Commemoration of the Centenary of the Birth of Sir Walter Scott by Edinburgh. Scott Exhibition, 1871 Pdf
Sir Walter Scott (1771-1832), once an immensely popular writer, is now largely forgotten. This book explores how works like Waverley, Ivanhoe, and Rob Roy percolated into all aspects of cultural and social life in the nineteenth century, and how his work continues to resonate into the present day even if Scott is no longer widely read.
Commemorating Writers in Nineteenth-Century Europe by J. Leerssen,A. Rigney Pdf
This volume offers detailed accounts of the cults of individual writers and a comparative perspective on the spread of centenary fever across Europe. It offers a fascinating insight into the interaction between literature and cultural memory, and the entanglement between local, national and European identities at the highpoint of nation-building.
British Literature and Print Culture by Sandro Jung Pdf
The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.
James Hogg and the Literary Marketplace by Holly Faith Nelson Pdf
Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Sharon Alker and Holly Faith Nelson offer the first edited collection devoted to an examination of the critical implications of his writings and their position in the Edinburgh and London literary marketplaces. Writing during a particularly complex time in Scottish literary history, Hogg, a working shepherd for much of his life, is seen to challenge many of the aesthetic conventions adopted by his contemporaries and to anticipate many of the concerns voiced in discussions of literature in recent years. While the essays privilege Hogg's primary texts and read them closely in their immediate cultural context, the volume's contributors also introduce relevant research on oral culture, nationalism, transnationalism, intertextuality, class, colonialism, empire, psychology, and aesthetics where they serve to illuminate Hogg's literary ingenuity as a working-class writer in Romantic Scotland.
The mid-nineteenth century brought a revolution in popular and scholarly understandings of old and second-hand books. Manuals introduced new ideas and practices to increasing numbers of collectors, exhibitions offered opportunities previously unheard of, and scholars worked together to transform how the history of printing was understood. These dramatic changes would have profound consequences for bibliographical study and collecting, accompanied as they were by a proliferation in means of access. Many ideas arising during this time would even continue to exert their influence in the digitised arena of today. This book traces this revolution to its roots in commercial and personal ties between key players in England, France and beyond, illuminating how exhibitions, libraries, booksellers, scholars and popular writers all contributed to the modern world of book studies. For students and researchers, it offers an invaluable means of orientation in a field now once again undergoing deep and wide-ranging transformations.
Author : Bill Bell Publisher : Edinburgh University Press Page : 576 pages File Size : 48,7 Mb Release : 2007-11-23 Category : Language Arts & Disciplines ISBN : 9780748628810
Edinburgh History of the Book in Scotland, Volume 3: Ambition and Industry 1800-1880 by Bill Bell Pdf
Throughout the nineteenth century Scotland was transformed from an agricultural nation on the periphery of Europe to become an industrial force with international significance. A landmark in its field, this volume explores the changes in the Scottish book trade as it moved from a small-scale manufacturing process to a mass-production industry. This book brings together the work of over thirty leading experts to explore a broad range of topics that include production technology, bookselling and distribution, the literary market, reading and libraries, and Scotland's international relations.
Author : James A. Secord Publisher : University of Chicago Press Page : 645 pages File Size : 41,8 Mb Release : 2003-09-20 Category : Religion ISBN : 9780226158259
Fiction or philosophy, profound knowledge or shocking heresy? When Vestiges of the Natural History of Creation was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. More than a hundred thousand readers were spellbound by its startling vision—an account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, Vestiges combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began. In a pioneering cultural history, James A. Secord uses the story of Vestiges to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how Vestiges was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print. Beautifully written and based on painstaking research, Victorian Sensation offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted. Winner of the 2002 Pfizer Award from the History of Science Society
Old Books, New Technologies by David McKitterick Pdf
As we rely increasingly on digital resources, and libraries discard large parts of their older collections, what is our responsibility to preserve 'old books' for the future? David McKitterick's lively and wide-ranging study explores how old books have been represented and interpreted from the eighteenth century to the present day. Conservation of these texts has taken many forms, from early methods of counterfeiting, imitation and rebinding to modern practices of microfilming, digitisation and photography. Using a comprehensive range of examples, McKitterick reveals these practices and their effects to address wider questions surrounding the value of printed books, both in terms of their content and their status as historical objects. Creating a link between historical approaches and the emerging technologies of the future, this book furthers our understanding of old books and their significance in a world of emerging digital technology.
State University of New York at Buffalo. University Libraries
Author : State University of New York at Buffalo. University Libraries Publisher : Unknown Page : 70 pages File Size : 41,9 Mb Release : 1971 Category : Rare books ISBN : IND:32000007014071
Find Out What Scott Really WroteGoing back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.The Edinburgh Edition offers you: * A clean, corrected text* Textual histories* Explanatory notes* Verbal changes from the first-edition text* Full glossariesTitle DescriptionChronicles of the Canongate is unique among Scott's works as it is his only collection of shorter fiction. It contains his best-known tales, 'The Highland Widow' and 'The Two Drovers', and a third, less well known but of startling originality, 'The Surgeon's Daughter'. The three are set within the framing narrative of Chrystal Croftangry, an old bankrupt with pretensions to literature, who must inevitably be seen as a portrait of the artist facing up to his own insolvency in 1826.Tales in a framework have a long ancestry in European and Oriental literature, and in Chronicles of the Canongate Scott
