The Screen Combat Handbook Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Screen Combat Handbook book. This book definitely worth reading, it is an incredibly well-written.
The Screen Combat Handbook is an essential guide to navigating the unique challenges of putting combat on screen. Explore the process from the early stages of preproduction planning all the way through to editing and sound design, and everything in-between. This book uses practical instruction, examples, interviews, and illustrations to show how to plan, shoot, and assemble safe and effective fight sequences. It includes sections on thoughtful and practical design choices in set, wardrobe, props, and effects, preproduction planning, on-set protocol, fight choreography and coordination, shot planning and technical tricks, acting choices, effective cinematography, and impactful editing and sound design. It provides an invaluable resource for all those involved including directors, fight coordinators, actors and stunt players, and any filmmaker attempting to shoot an exciting action scene safely. Whether working on a no-budget indie production or on a professional set, this is your ultimate guide to screen combat and fight choreography.
This is a practical manual covering all elements of stage combat - armed and unarmed - which lead up to Stage Fight Performance certification. The perfect supplement to all courses, workshops and classes, The Stage Combat Handbook is also the perfect aide memoire for anyone who has ever taken a class in stage combat. Starting with a detailed warm-up section and working through the most fundamental techniques, such as Reversal of Energy and Footwork the Handbook guides you to head-butts and counter-parries. Whatever level you are at you will find something new and informative in its pages.
The Art of Broadsword Fighting for Stage and Screen by Erick Vaughn Wolfe Pdf
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting. This book starts with a brief breakdown of the history of broadswords, the time periods associated with their use, and the influences of historical masters and their manuscripts. After the brief history section, this book presents the basic techniques of broadsword fighting, starting with grip and body postures. Readers will then move fluidly into the basic actions of cuts, parries, blocks, and disarms. During this process, actors explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given throughout the text on techniques which need to be approached in a physically and/or mentally safe way by directors, choreographers, performers, teachers, and students. The final chapter focuses on choreographing a fight and utilizing all the material previously covered in this book, with special notes for actors, directors, and teachers about what makes a good fight, how to keep it safe, and how to create the "wow factor" in choreography. The Art of Broadsword Fighting for Stage and Screen is intended for directors, choreographers, actors, students of acting, martial artists, and enthusiasts of stage combat and historical martial arts.
Manuals Combined: U.S. Navy SEABEE COMBAT HANDBOOK Volumes 1 & 2, SEABEE OPERATIONS IN THE MAGTF And Seabee Quarry Blasting Operations and Safety Manual by Anonim Pdf
PREFACE By enrolling in this self-study course, you have demonstrated a desire to improve yourself and the Navy. Remember, however, this self-study course is only one part of the total Navy training program. Practical experience, schools, selected reading, and your desire to succeed are also necessary to successfully round out a fully meaningful training program. COURSE OVERVIEW: In completing this nonresident training course, you will demonstrate a knowledge of the subject matter by correctly answering questions on the following: History and Organization of the Seabees and Laws of War; Special Clothing and Equipment; Service Rifle and Pistol Marksmanship; Combat Maneuvers, Formations, Patrols, and Ambushes; Land Navigation; Evasion, Survival, and Escape; Individual Protective Measures; Entanglements; Chemical, Biological, and Radiological (CBR) Defense; First Aid and Field Sanitation; Grenades, Land Mines, and Booby Traps; Organic Support Weapons: M203 and Machine Guns; and Organic Support Weapons: 60-mm Mortar and AT4. THE COURSE: This self-study course is organized into subject matter areas, each containing learning objectives to help you determine what you should learn along with text and illustrations to help you understand the information. The subject matter reflects day-to-day requirements and experiences of personnel in the rating or skill area. It also reflects guidance provided by Enlisted Community Managers (ECMs) and other senior personnel, technical references, instructions, etc., and either the occupational or naval standards, which are listed in the Manual of Navy Enlisted Manpower Personnel Classifications and Occupational Standards, NAVPERS 18068. THE QUESTIONS: The questions that appear in this course are designed to help you understand the material in the text. VALUE: In completing this course, you will improve your military and professional knowledge. Importantly, it can also help you study for the Navy-wide advancement in rate examination. If you are studying and discover a reference in the text to another publication for further information, look it up. CONTENTS – Volume 1: CHAPTER PAGE 1. History and Organization of the Seabees and Laws of War 1-1 2. Special Clothing and Equipment 2-1 3. Service Rifle and Pistol and Marksmanship 3-1 4. Combat Maneuvers, Formations, Patrols, and Ambushes 4-1 5. Land Navigation 5-1 6. Evasion, Survival, Escape 6-1 7. Individual Protective Measures 7-1 8. Entanglements 8-1 9. Chemical, Biological, and Radiological (CBR) Defense 9-1 10. First Aid and Field Sanitation 10-1 11. Organic Communications Equipment 11-1 12. Hand Grenades, Land Mines, and Booby Traps 12-1 13. Organic Support Weapons: M203 and Machine Guns 13-1 14. Organic Support Weapons: 60-mm Mortar and AT4 14-1 APPENDIX I. Glossary of Common Military Terms AI-1 II. References used to develop the TRAMAN AII-l INDEX INDEX-l CONTENTS – Volume 2: CHAPTER PAGE 1. Organization and Operation of the Combat Operations Center 1-1 2. Organization and Operation of the Company Command Post 2-1 3. Setup and Control of Medical Evacuation (MEDEVAC) 3-1 4. Planning and Development of Defense Tactics 4-1 5. Counter Ambush Techniques 5-1 6. CBR Decontamination 6-1 APPENDIX I. Glossary of Common Military Terms AI-1 II. Overlay Techniques AII-1 III. Characteristics of TOA Weapons for an NMCB AIII-1 IV. Decontaminants AIV-1 V. Decontamination of Specific Items AV-1 VI. Work/Rest Table AVI-1 VII. Acronyms AVII-1 VIII. References Used to Develop This TRAMAN AVIII-1 INDEX INDEX-1
The Art of Unarmed Stage Combat by Robert Najarian Pdf
The Art of Unarmed Stage Combat is your guide to the principles and techniques of theatrical violence, combining detailed discussions of the mechanics of stage fighting with the nuances of acting decisions to make fighting styles reflect character and story. Expert Fight Director Robert Najarian offers never-before-published games and exercises that will allow you to develop the skills and concepts for performing violence for stage and screen. This title utilizes a unique system of training techniques that result in stage violence that is both physically engaging for you as a performer, while remaining viscerally engaging for the audience.
The Art of Knife Fighting for Stage and Screen by Erick Vaughn Wolfe Pdf
The Art of Knife Fighting for Stage and Screen: An Actor’s and Director’s Guide to Staged Violence provides detailed information for the safe use of knives and daggers in a theatrical setting and an in-depth understanding of safe theatrical weapons. The book starts with an extensive safety review, then moves on to the basic techniques of dagger fighting, starting with grip and body postures. Readers will then learn about the basic actions of cuts, parries, blocks, and disarms. During this process, they will explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given to suicides, threats, and murder and how directors, choreographers, performers, teachers, and students can approach these techniques in a way that is physically and mentally safe. The book also covers the use of throwing knives, knife flips, and other tricks to help add a little flair to your fight. The Art of Knife Fighting for Stage and Screen teaches the safe theatrical use of the knife for directors, performers, educators, and students of stage combat.
In Lessons from The Maestro: Crafting a Successful Fight/Stunt Career in Theatre and Film, famed Hollywood and theatre stuntman, trainer, and fight director David L. Boushey writes about his life, the history of stage and screen combat and stunt work, and how to enter the entertainment industry. Charting his illustrious career that spanned over 45 years, 400 theatre credits, and 45 films, Boushey narrates the events and decisions that lead him to enter the entertainment industry and documents for the first time his founding of multiple national and international associations for fight directors and stuntmen. He provides a roadmap for individuals aspiring to work in the theatre and film industry, providing information on training, auditioning, networking, unions, different paths one might take, and tips on how to be a successful stunt performer in a competitive industry. Part autobiography, part how-to guide to the entertainment business from the foremost authority in stage combat and stunt work, this is an invaluable resource for professional and aspiring fight and intimacy directors and stunt performers in theatre and film.
This book is an introduction to the basics of stage combat in the area of unarmed combat. It holds enough information to give students an understanding of the subject, as well as how to perform some of the more simple "tricks of the trade." The importance of the safety involved in performing stage combat is also discussed.
The Theatrical Firearms Handbook by Kevin Inouye Pdf
The Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen. This book establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade. Within these pages are practical instruction couched in the language of theatre and film, making firearms technology and concepts approachable to dramatic artists without any dumbing-down of the subject material. It contains over 100 illustrations This handbook is equally at home within the worlds of academic training, professional performance, and independent or community theatre and video productions, and is an invaluable resource for fight choreographers, props designers, backstage crew, directors, actors, stage managers, and more, at all levels of experience.
A unique look into a side of MMA that only a few know and only Genia can give. —Chris Palmquist, partner, MixedMartialArts.com Out Freakin' Cold Forget pay-per-view. Forget championship belts or sanctioning bodies. This is Mixed Martial Arts combat in its purest, rawest form. Follow Jim Genia into the illicit world of vale tudo (anything goes). Locations are always changing and known only to a few, from run-down, shuttered gyms to speakeasy combat cages. The ruthless damage exacted on the human body leaves a trail of hard-won scars. The fighters battle for everything but a payday, risking it all for honor and pride. In a world of conformity, these are men of action who struggle against rules, selling out, and their own demons. Jim Genia offers on-the-mat access to a brutal arena and the men who spill their blood there. "Captures the good, the bad, and the ugly." —Matthew Polly, author of American Shaolin "It's a raw, wild scene and Genia takes you in his pocket for the ride." —Sam Sheridan, author of A Fighter's Heart 16 Pages of No-Holds-Barred Photos
The single sword is the most-used weapon on both stage and screen. The techniques used in single sword stage combat are derived from real combative methods used historically, and modified for acting. Basics of Stage Combat: Single Sword instructs the reader about the foundations of safe, skillful single sword use in theater, film, and television. Actors both wishing to refresh their old skills and those new to stage combat will learn how to parry with a sword, move with a sword, and perfect the various movements required of them to perform a safe and realistic stage combat scene. Basics of Stage Combat: Single Sword will also help drama students who are taking stage combat classes or stage combat exams gain the confidence to embrace the complexities of working with a sword. Among the swords discussed are the single rapier, sabre, and the eighteenth-century small sword; this book does not discuss broadsword techniques. Chapters provide illustration and instruction about thrusts, lunges, hand positions, advancing and retreating, passing steps, binds, beats, and cutting with the sword, as well as basic fighting positions. A brief fight choreography sequence is included at the conclusion of the book.