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This book argues for the inseparability of classical Hellenism from the Greek patristic tradition from a distinctly Eastern Orthodox perspective. Postulating a common striving for truth in both domains, it places emphasis on the contributions of theancients and Greek paideia to Christian learning and culture. In the spirit of the late Werner Jaeger, the essays contained in the volume provide a fruitful strategy for looking anew at the Greek classical world and Christianity through the eyes of the Greek Fathers, the direct inheritors of the ancient Greek worldview. Collectively, the author and contributors excellently demonstrate that, conflated with the visionary insights of the Jewish prophets and of Jewish messianism, the wisdom of the ancients served to pave the way for the unfolding of the fullness of Christian teaching and its spiritually enlightening revelation.
Art teachers, students, and ambitious amateurs all will value this copiously illustrated volume. It presents both a general overview of sculpture and a practical guide to working in stone. All important stone-working equipment and tools are shown, from compass and calipers to chisels, mallets, saws, sanders, and drills. Examples of finished pieces are shown from all over the world, and cover many historical eras, including statues and relief carvings from ancient Egypt and the Orient, marble masterpieces from the Italian Renaissance, and abstract figures from the modern era. Different types of stone are shown and described, including alabaster, most often used in small-scale pieces, as well as sandstone, granite, and marble. Practical instruction includes methods of measuring and copying in stone from a clay model. Step-by-step photo essays show several different contemporary works in progress, starting with a rough stone slab and progressing to completion and installation of a finished sculpture. Examples range in scale from small figurines to public monuments. Hundreds of full-color photos show the artist's studio, the processes of stone working, and magnificent examples of world famous artworks in stone. Other informative features include a six-page glossary of stone-working terms and a brief bibliography. Here is a fine reference volume for artists and craftsmen--but also a book for the personal library of every general reader who has an interest in sculpture and the fine arts.
Throughout the twentieth century, Isamu Noguchi was a vital figure in modern art. From interlocking wooden sculptures to massive steel monuments to the elegant Akari lamps, Noguchi became a master of what he called the "sculpturing of space." But his constant struggle—as both an artist and a man—was to embrace his conflicted identity as the son of a single American woman and a famous yet reclusive Japanese father. "It's only in art," he insisted, "that it was ever possible for me to find any identity at all." In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. As a boy in Japan, Noguchi would collect wild azaleas and blue mountain flowers for a little garden in front of his home. As Herrera writes, he also included a rock, "to give a feeling of weight and permanence." It was a sensual appreciation he never abandoned. When looking for stones in remote Japanese quarries for his zen-like Paris garden forty years later, he would spend hours actually listening to the stones, scrambling from one to another until he found one that "spoke to him." Constantly striving to "take the essence of nature and distill it," Noguchi moved from sculpture to furniture, and from playgrounds to sets for his friend the choreographer Martha Graham, and back again working in wood, iron, clay, steel, aluminum, and, of course, stone. Throughout his career, Noguchi traveled constantly, from New York to Paris to India to Japan, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Wherever he went, his needy disposition and boyish charm drew women to him, yet he tended to push them away when things began to feel too settled. Only through his art—now seen as a powerful aesthetic link between the East and the West—did Noguchi ever seem to feel that he belonged. Combining the personal correspondence of and interviews with Noguchi and those closest to him—from artists, patrons, assistants, and lovers—Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark. With the attention to detail and scholarship that made her biography of Gorky a finalist for the Pulitzer Prize, Herrera has written a rich meditation on art in a globalized milieu. Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."
"'Stone carving is a slow, meditative experience. The process can be transformative. Each of my projects has taken life's rough moments and opens them up to the discovery of our shared humanity. The finished work may be the sculpture, but the creative process is never ending.' Sculpting Towards the Light is an intimate and insightful story of a sculptor and his work. It follows the paths of imagination and activity which gave birth to a unique work of art. The paths are diverse and unexpected, twisting into personal history, racing forward into the future, and then resting in the euphoric moments when the mind and its thoughts no longer exist and the carving occurs as if of its own accord. Here is a unique story about play and work, imagination, and action. Costanzo looks at the past that has shaped him and his future as an artist working in an ancient medium, while the world races toward digital Armageddon."--
Rogier Van Der Weyden and Stone Sculpture in Brussels by Bart Fransen Pdf
Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience.
The ancient and wonderful art of direct stone sculpture is brought to life in this comprehensive new book by the noted sculptor, Milt Liebson. After a brief, informative historical overview of stone sculpture, he leads the reader through the hands-on experience of sculpting in stone. This is the book that artists, and would-be artists in stone have been seeking for many years.The types of stone used in sculpture are covered, as well as the basic tools for hand sculpting and the techniques for their use. For the advanced sculptor there is detailed information on power tools and their use, the methods of lamination and repair, the business side of stone sculpture, and other helpful information gleaned from years of experience.Detailed photographs take the readers from the rough stone to the polished and mounted piece.Direct Stone Sculpture promises to be the standard reference work in the field for years to come.
History of Restoration of Ancient Stone Sculptures by Janet Burnett Grossman,Jerry Podany,Marion True Pdf
The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.
Looking at Greek and Roman Sculpture in Stone by Janet Burnett Grossman Pdf
What is a an anthemion? What is giallo antico marble? Who was Praxiteles? This richly illustrated book -- in the popular Looking At series -- presents definitions and descriptions of these and many other terms relating to Greek and Roman sculpture encountered in museum exhibitions and publications on ancient stone sculpture. This is an indispensable guide to anyone looking for greater understanding of ancient sculpture and heightened enjoyment of the objects. Book jacket.
The Gates of Hell: Rodin’s Passion in Stone is not just another biography of Rodin. There are many excellent ones already. Rather, it is an attempt to understand the sculptor, after immersion in his works, by listening to his own words and those spoken about him. For Rodin was more than a sculptor of genius. He had the imagination and the courage to search for the truth, not only with his artist’s hands, but with the penetrating gaze and mastery of the word that define the writer. His book Les Cathedrals de France and his hundreds of letters offer a new close-up of the artist, both visual and verbal. His musings on art and on life, and his contemporaries’ views of him, form a biographer’s trove. This rich assemblage of words, like a hoard of tiny fragments of stone and glass, when pieced together, form a mosaic likeness of an artist who was himself a story teller in stone.
Carving the Way of Stone -A Sculptor's Art by Barry Baldwin Pdf
“Carving The Way Of Stone – A Sculptor’s Art” provides a definitive and clear insight into the world of stone sculpture. Barry Baldwin, one of the most respected European sculptors, expounds in detail the knowledge gained over almost half a century from his ‘hands on’ experience in working stone. The wealth of information the book contains constitutes a valuable, must-read guide to sculptors at all levels, as well as those in the field of education and research who wish to be wisely informed. Not least, the book will also serve to enlighten and provide a clearer understanding to people who readily express a fascination for the subject of stone sculpture but all too often in the past have been left mystified by it. The book, comprising of 13 chapters, contains 150 photographs and illustrations, with written content amounting to 34,000 words.
Contemporary Stone Sculpture by Dona Z. Meilach Pdf
Explore and create modern stone sculpture, with 357 photos of examples by today's top sculptors and step-by-step instructions for creating your own. Descriptions of stone types, how to select and transport it, how to carve with hand tools and electric or pneumatic power tools, and the methods of finishing the work.
This spectacular book brings together work made by Andy Goldsworthy in Britain, France, the United States, Australia and Japan between 1990 and 1993. It includes works that involve not only stone of various kinds slate, limestone, sandstone, river boulders but also leaves, flowers, sand, clay and scrap steel. A riverside slab of rock in St Louis, Missouri, glows with the colours of autumn leaves, becomes part of a wall, acquires an overall covering of green leaves, and is cradled in a nest of branches. In a forest in the Lake District, a wall snakes its way through the trees. Sandstone arches progress across the floor of a Dumfriesshire quarry. A dead tree in the Australian outback is miraculously clothed in rust-red sand Stone: Andy Goldsworthy offers an unparalleled opportunity to appreciate the extraordinary breadth of the artists output and to understand more about this exceptionally talented sculptor whose work is accorded worldwide recognition.
Author : Robert Arthur King Publisher : W. W. Norton Page : 0 pages File Size : 44,6 Mb Release : 2008 Category : Decoration and ornament, Architectural ISBN : 0393732347
An architectural impulse book, gift-sized and -priced, for those who love finding unknown corners of New York City. This collection of one hundred architectural details features brief introductions and contextual photographs to show the buildings on which the ornaments appear, the addresses, and transportation information.
