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This collection of three novellas provides poignant insights into the human condition with all its' moral and ethical dilemmas. Of the three, Escape Route and Eyes were included in the pilot for The Night Gallery, with the latter starring Joan Crawford and directed by new comer, Steven Spielberg. Darkly disturbing, these stories remain relevant today.
In the Night Realm, vampires, shifters, weirns, and other night things passing for human prowl the streets... but they still have to go to school! Ailis and Na'ya are pretty average students (NOT losers), but when a shadow starts looming and a classmate gets all weird, they are the first to notice. It gets personal, though, when Na'ya's little brother D'esh disappears-It's time to confront the secrets of the forbidden mansion in the Silent Woods! Join the acclaimed author of Awkward, Svetlana Chmakova, for an outing into her favorite fantastical world full of magic and adventure!
"A haunting and beautifully written memoir about the creator of The Twilight Zone." --Robert Redford "Beautifully written. . .I laughed and I cried. I plan to read it again once I catch my breath." --Carol Burnett In this intimate, lyrical memoir about her iconic father, Anne Serling reveals the fun-loving dad and family man behind the imposing figure the public saw hosting The Twilight Zone each week. After his unexpected, early death, Anne, just 20, was left stunned. But through talking to his friends, poring over old correspondence, and recording her childhood memories, Anne not only found solace, but gained a deeper understanding of this remarkable man. Now she shares her discoveries, along with personal photos, revealing letters, and scenes of his childhood, war years, and their family's time together. A tribute to Rod Serling's legacy as a visionary, storyteller, and humanist, As I Knew Him is also a moving testament to the love between fathers and daughters. "A tender, thoughtful and very personal portrait of American genius Rod Serling." --Alice Hoffman "Richly told. . .a haunting memoir about grief, creativity, and a father-daughter bond as memorable and magical as any Twilight Zone episode." --Caroline Leavitt "Filled with anecdotes and self-reflection. . .Serling still casts an outsized shadow." --Variety "Lush memories of a remarkable father and adept analysis of his work." --Kirkus Reviews
If ever a book had an unusual genesis. It belongs to that hybrid category 'faction', but the choice wasn't a literary contrivance, it was dictated by life-threatening circumstances. In the author's own words: 'I know what will happen to me if I fall into the hands of the Nazis with these records. I didn't write at all this week. I came to close to burning everything. The difficulties just seemed too great. I have been trying to find another place to live where I can write, but it would have to be with comrades, and they are just as involved in underground work as I am. There could be a sudden a house search at their homes too. The place where I keep the written page is not absolutely safe either. But during this last week when I didn't write I couldn't find inner peace either. I was weighed down by a spiritual urgency that has compelled me to go on writing now. I must write all this down! We must manage to get this manuscript abroad. It must help to shake people's consciences awake.' Our Street is an account of left-wing resistance to Nazism in the Charlottenburg district of Berlin between January 1933 and June 1934, in other words, from just before Hitler became Chancellor to the early days of Nazi government. The street in question is Wallstrasse. It suffered particular brutality in revenge for the killing of a Stormtrooper. At the beginning of the book the names of eighteen victims are printed, 'The Charlottenburg Death List'. These names are real but they don't tell the whole story. As the translator, Betty Rensen, says in her foreword, 'But many more murders and executions have taken place: they could not all be recounted here, because of the possible repercussions on relatives and friends. The author had, therefore, to be content with the names in the death-list. These names are all well known in Berlin-Charlottenburg, and in some cases the families have emigrated beyond the reach of Nazi ''justice''.' The story of how the manuscript was smuggled out of the country is almost one of tragi-comedy. The author dressed as if going for a ski-ing holiday. The customs examination was thorough until, that is, it came to checking the rucksack. It appeared to contain two enormous cakes. Feigning embarrassment, Jan Petersen, explained, 'Well, you know what women are, don't you? I told my wife I was only going away for three days, but she would go and bake me two whopping big cakes. It'll take me a week to eat one. Just look at the size of them.' The official was all smiling complaisance, his wife being just the same, he said. Inside the cakes the manuscript had been baked! The English translation of Our Street was published in 1938 in Gollancz's Left Book Club. Victor Gollancz himself called it 'vivid and exciting'. It still is.
'My own interest started in seeking out what was old. When the guide told me that this was the bed in which Queen Elizabeth slept, I believed him. When owners of country cottages in Suffolk told me their cottage was a thousand years old, I believed them too. I thought that this or that church was the smallest in England, and that secret passages ran under ruined monasteries, so that monks could get to the nearest convent without being seen. The older anything was the lovelier I thought it.' Most famous for his poetry, John Betjeman was also passionate about architecture, 'preferring all centuries to my own'. In his first prose work, Ghastly Good Taste (1933), he vigorously defends his love of Victorian and Edwardian architecture, considered deeply unfashionable at the time. With the savage humour of his famous satire 'Slough', he attacks notions of Modernism and (at the other extreme) unthinking antiquarianism.
The Condition of England was first published in 1909. Faber Finds are reissuing it to celebrate its one hundredth anniversary. Although copies are now hard to come by, it was a success on first publication running quickly into six editions. It has often been likened to Matthew Arnold's Culture and Anarchy though it is more sombre. Charles Masterman, who was in the Liberal Government when he wrote this, provides a penetrating, sceptical and unsettling anatomy of Edwardian England, seeing beneath the imperial splendour a society 'fissured into unnatural plenitude on the one hand and ... an unnatural privation on the other'. This remains a work of acute social analysis.
Published in 1954, John Cowper Powys called this novel, a 'long romance about Odysseus in his extreme old age, hoisting sail once more from Ithaca'. As usual there is a large cast of human characters but Powys also gives life and speech to inanimates such as a stone pillar, a wooden club,and an olive shoot. The descent to the drowned world of Atlantis towards the end of the novel is memorably described, indeed, Powys himself called it 'the best part of the book'. Many of Powys's themes, such as the benefits of matriarchy, the wickedness of priests and the evils of modern science which condones vivisection are given full rein in this odd but compelling work.
'Donne is perhaps the most intellectual of English poets, and John Carey is perhaps the most intelligent of contemporary English literary critics. The encounter, as one might expect, is fierce and enthralling... This book is sensitive, searching, powerful, exciting, provocative and witty. It is a superb achievement.' Christopher Hill, TLS John Donne: Life, Mind and Art is a unique attempt to see Donne whole. Beginning with an account of his life, it takes as its domain not only the whole range of the poetry, but also the sermons, the letters, the spiritual and controversial works, and such highly personal documents as the treatise on suicide. The result is a clearer picture than has hitherto emerged of one of the most intricate and compelling of literary personalities. 'The one book we have needed all along... A magnificent exercise in reappraisal. I have never read a critical work which reaches as deeply inside the mind of its subject.' Jonathan Raban, Sunday Times 'Carey's book is itself alive with the kind of energy it attributes to Donne.' Christopher Ricks, London Review of Books
'Tis the season to be wary... Christmas is coming and all is far from calm in Pointe Judah, Louisiana. Newcomer Christian DeAngelo--Angel to his friends--is at his wit's end trying to manage Sonny, the hotheaded nineteen-year-old everyone believes is his nephew. In fact, Sonny is the orphaned son of a notorious mob boss, a protected witness...and Angel's responsibility. Angel has been commiserating with Eileen Moggeridge, whose lonely son Aaron has latched on to Sonny and gotten into deeper trouble than ever. But nothing could prepare Angel and Eileen for the boys' latest crisis: as they are horsing around in the swamp one afternoon, a shot rings out. Aaron is hit, but was the bullet meant for Sonny? Suddenly, goodwill toward men is in short supply and Angel doesn't know who's more dangerous: the hoodoo mystic with an eerie hold over the boys, the hit man roaming the bayou or Eileen's volatile ex-husband, Chuck.
The best-selling story of Jason, Pro, and Rachel continues where "End of Summer" left off. 'The Suck' - the virus that claimed 97% percent of humanity - is gone. The arrival of other survivors with a different take on the future may be as dangerous as the virus itself. In the middle, with their hands on the scales, is a group of former soldiers and civilians who survived the virus in Antarctica. They've arrived to find a dead world, with no rules. "Reap What You Sow" is the second novel in the Seasons of Man series from the author of "A Bright Shore". The author is a former CIA Operations Officer who has decided his life-long love of writing is more fun than real work.
From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be. At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself. From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.
The long-awaited memoir by Canada’s most celebrated Olympian and advocate for mental health. From one of Canada’s most decorated Olympians comes a raw but life-affirming story of one woman’s struggle with depression. In 2006, when Clara Hughes stepped onto the Olympic podium in Torino, Italy, she became the first and only athlete ever to win multiple medals in both Summer and Winter Games. Four years later, she was proud to carry the Canadian flag at the head of the Canadian team as they participated in the opening ceremony of the Vancouver Olympic Winter Games. But there’s another story behind her celebrated career as an athlete, behind her signature billboard smile. While most professional athletes devote their entire lives to training, Clara spent her teenage years using drugs and drinking to escape the stifling home life her alcoholic father had created in Elmwood, Winnipeg. She was headed nowhere fast when, at sixteen, she watched transfixed in her living room as gold medal speed skater Gaétan Boucher effortlessly raced in the 1988 Calgary Olympics. Dreaming of one day competing herself, Clara channeled her anger, frustration, and raw ambition into the endurance sports of speed skating and cycling. By 2010, she had become a six-time Olympic medalist. But after more than a decade in the gruelling world of professional sports that stripped away her confidence and bruised her body, Clara began to realize that her physical extremes, her emotional setbacks, and her partying habits were masking a severe depression. After winning bronze in the last speed skating race of her career, she decided to retire from that sport, determined to repair herself. She has emerged as one of our most committed humanitarians, advocating for a variety of social causes both in Canada and around the world. In 2010, she became national spokesperson for Bell Canada’s Let’s Talk campaign in support of mental health awareness, using her Olympic standing to share the positive message of the power of forgiveness. Told with honesty and passion, Open Heart, Open Mind is Clara’s personal journey through physical and mental pain to a life where love and understanding can thrive. This revelatory and inspiring story will touch the hearts of all Canadians.
A series of articles contributed by a varied selection of authors. It covers experiences of the respective authors in the field along with their companions.
