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The Second Person from Porlock by Dennis Hamley Pdf
Highgate, London, 1824. Samuel Taylor Coleridge is a washed-up opium addict, estranged from his friends and from his neglected wife. His grip on reality is starting to slip; his past and present mingle in laudanum-induced dreams. In a Cambridge college library, Scrivener, a bullied undergraduate, finds a strange annotation in a book of Coleridge's poems. Intrigued by this mystery marginalia and captivated by Romantic poetry, he resolves to become a poet himself, with Coleridge as his guiding light. Across the sea, Samuele, a young Sicilian, discovers that his mother once had a liaison with Coleridge. He sets out for England to learn all he can about the man who may be his father. It isn't long before Samuele and Scrivener cross paths--but will their journeys take them to the real Samuel Taylor Coleridge?
The Even More Complete Book Of Australian Verse: Text Classics by John Clarke Pdf
Possibly the most important anthology ever published. The definitive collection featuring key works by such famous Australian poets as Gavin Milton, Arnold Wordsworth, Sylvia Blath, Very Manly Hopkins, R.A.C.V. Milne and Dylan Thompson.
The Second Person from Porlock by Dennis Hamley Pdf
Highgate, London, 1824. Samuel Taylor Coleridge is a washed-up opium addict, estranged from his friends and from his neglected wife. His grip on reality is starting to slip; his past and present mingle in laudanum-induced dreams. In a Cambridge college library, Scrivener, a bullied undergraduate, finds a strange annotation in a book of Coleridge’s poems. Intrigued by this mystery marginalia and captivated by Romantic poetry, he resolves to become a poet himself, with Coleridge as his guiding light. Across the sea, Samuele, a young Sicilian, discovers that his mother once had a liaison with Coleridge. He sets out for England to learn all he can about the man who may be his father. It isn’t long before Samuele and Scrivener cross paths – but will their journeys take them to the real Samuel Taylor Coleridge?
In Loaded Words the inimitable literary and cultural critic Marjorie Garber invites readers to join her in a rigorous and exuberant exploration of language. What links the pieces included in this vibrant new collection is the author’s contention that all words are inescapably loaded—that is, highly charged, explosive, substantial, intoxicating, fruitful, and overbrimming—and that such loading is what makes language matter. Garber casts her keen eye on terms from knowledge, belief, madness, interruption, genius, and celebrity to humanities, general education, and academia. Included here are an array of stirring essays, from the title piece, with its demonstration of the importance of language to our thinking about the world; to the superb “Mad Lib,” on the concept of madness from Mad magazine to debates between Foucault and Derrida; to pieces on Shakespeare, “the most culturally loaded name of our time,” and the Renaissance. With its wide range of cultural references and engaging style coupled with fresh intellectual inquiry, Loaded Words will draw in and enchant scholars, students, and general readers alike.
Writing about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives. In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.
We all know what it is to dream, but we also know how difficult it is to describe or interpret dreams, or explain what they actually are. To attempt to articulate a dream is to realize how inadequate our words are to describe the experience. Dreams are beyond words, consisting of much more than what we can say about them. In Dreamtelling, Pierre Sorlin does not deal with our nocturnal visions per se, but rather with what we say regarding them. He explores the influence of dreams on our imaginations, and the various – sometimes inconsistent, always imperfect – theories people have contrived to elucidate them. Sorlin shows how our accounts are built on recurrent patterns, but are also totally and entirely individual. He examines the urge to analyze night visions and why it is that some people have become experts in dream interpretation. Many books have been published on the nature of dreams, on their psychological or biological origins and on their significance, but this book takes as its premise that all we can allege about nocturnal visions is based on dreamtelling. Sorlin shows how dreams arouse our creativity and how, in turn, our creativity influences our dream accounts. Dreamtelling is aimed at all those who not only dream, but are curious about the experience, and wonder why they feel compelled to analyze and recount their night visions.
The Book of Interruptions by David Hillman,Adam Phillips Pdf
We are living in the Age of Interruption; modern technology is changing our forms of attention, everyday life is subject to more disruption than ever before. As the pattern of our lives changes so dramatically so too does our sense of continuity and tradition. In a series of essays by distinguished writers from diverse fields this book explores how the idea of Interruption constitutes our sense of ourselves, often without our noticing. Interruption has become part of the new order of our lives, both a threat and a promise. These eloquent and searching accounts give interruption its place as a powerful figure and force.
Deaths of the Poets by Michael Symmons Roberts,Paul Farley Pdf
From Dylan Thomas’s eighteen straight whiskies to Sylvia Plath’s desperate suicide in the gas oven of her Primrose Hill kitchen; from Chatterton’s Pre-Raphaelite demise to Keats’ death warrant in a smudge of arterial blood, the deaths of poets have often cast a backward shadow on their work. The post-Romantic lore of the dissolute drunken poet has fatally skewed the image of poets in our culture. Novelists can be stable, savvy, politically adept and in control, but poets should be melancholic, doomed and self-destructive. Is this just an illusion , or is there some essential truth behind it? What is the price of poetry? In this book, two contemporary poets embark on a series of journeys to the death places of poets of the past, in part as pilgrims, but also as investigators, interrogating the myth.
Genius and breakthroughs appear to involve something magical. Andrew Robinson looks at what science does, and does not, know about exceptional creativity, and applies it to the stories of ten breakthroughs in the arts and sciences, including Curie's discovery of radium and Mozart's composing of The Marriage of Figaro.
A History of Romantic Literature by Frederick Burwick Pdf
Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
Oxford Dictionary of Modern Quotations by Elizabeth Knowles Pdf
This new collection offers a vivid picture of the world in the 21st century, against a backdrop of the landmark events leading up to it. From Catherine Tate and the Simpsons to Mother Teresa and Winston Churchill, Modern Quotations charts the ebbs and flows of popular culture as well as marking the key voices and watersheds for our time. An authoritative look-up reference, and an enjoyable source for browsing: the perfect gift. New quotations include: 'You tried your best, and you failed miserably. The lesson is, never try.' [Homer Simpson] Matt Groening 'I ain't a communist necessarily, but I been in the red all my life.' Woody Guthrie 'I don't eat anything with a face.' Linda McCartney 'Never stop because you are afraid — you are never so likely to be wrong.' Fridtjof Nansen 'I watch where the cosmetics industry is going and then walk in the opposite direction.' Anita Roddick 'I wish I had invented blue jeans.' Yves Saint Laurent 'Fame vaporizes, money goes with the wind, and all that's left is character.' O. J. Simpson
Encyclopedia of British Writers, 1800 to the Present by George Stade,Karen Karbiener Pdf
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
