The Sense Of Community In French Caribbean Fiction
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The Sense of Community in French Caribbean Fiction by Celia Britton Pdf
This groundbreaking book analyzes the theme of community in seven French Caribbean novels in relation to the work of the French philosopher Jean-Luc Nancy. The complex history of the islands means that community is often a central and problematic issue in their literature, underlying a range of other questions such as political agency, individual and collective subjectivity, attitudes towards the past and the future, and even the literary form itself. Celia Britton here studies a range of key books from the region, including Édouard Glissant’s Le Quatrième Siècle, Patrick Chamoiseau’s Texaco, Daniel Maximin’s L’Ile et une nuit, and Vincent Placoly’s L’eau-de-mort guildive, among others.
Language and Literary Form in French Caribbean Writing by Celia Britton Pdf
This book links postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of French Caribbean writers.
American Creoles by Martin Munro,Celia Britton Pdf
In American Creoles, leading authorities examine the cultural, social, and historical affinities between the Francophone Caribbean and the American South. The essays focus on issues of history, language, politics, and culture in various forms and consider figures as diverse as Barack Obama, Frantz Fanon, Miles Davis, James Brown, Edouard Glissant, William Faulkner, and Lafcadio Hearn. Exploring the ideas of Creole culture and creolization—terms rooted in the history of contact between European and African people and cultures in the Americas—the essays provide productive ways to conceive of the larger Caribbean as a single cultural and historical entity.
Communities in Contemporary Anglophone Caribbean Short Stories by Lucy Evans Pdf
This book examines the representation of community in contemporary Anglophone Caribbean short stories, focusing on the most recent wave of Anglophone Caribbean short story writers following the genre's revival in the mid-1980s. The first extended study of Caribbean short stories, it presents the phenomenon of interconnected stories as a significant feature of late twentieth- and early twenty-first-century Anglophone Caribbean literary cultures. Lucy Evans contends that the short story collection and cycle, literary forms regarded by genre theorists as necessarily concerned with representations of community, are particularly appropriate and enabling as a vehicle through which to conceptualise Caribbean communities. The book covers short story collections and cycles by Olive Senior, Earl Lovelace, Kwame Dawes, Alecia Mckenzie, Lawrence Scott, Mark McWatt, Robert Antoni and Dionne Brand, and argues that the form of interconnected stories is a crucial part of these writers' imagining of communities, which may be fractured, plural and fraught with tensions, but which nevertheless hold together. The book takes an interdisciplinary approach to the study of community, bringing literary representations of community into dialogue with models of community developed in the field of Caribbean anthropology. The works analysed are set in Trinidad, Jamaica and Guyana, and in several cases the setting extends to the Caribbean diaspora in Europe and North America. Looking in turn at rural, urban, national and global communities, the book draws attention to changing conceptions of community around the turn of the millennium.
Re-Imagining Community and Civil Society in Latin America and the Caribbean by Roberta Rice,Gordana Yovanovich Pdf
Latin American and Caribbean communities and civil societies are undergoing a rapid process of transformation. Instead of pervasive social atomization, political apathy, and hollowed-out democracies, which have become the norm in some parts of the world, this region is witnessing an emerging collaboration between community, civil society, and government that is revitalizing democracy. This book argues that a key explanation lies in the powerful and positive relationship between community and civil society that exists in the region. The ideas of community and civil society tend to be studied separately, as analytically distinct concepts however, this volume seeks to explore their potential to work together. A unique contribution of the work is the space for dialogue it creates between the social sciences and the humanities. Many of the studies included in the volume are based on primary fieldwork and place-based case studies. Others relate literature, music and film to important theoretical works, providing a new direction in interdisciplinary studies, and highlighting the role that the arts play in community revival and broader processes of social change. A truly multi-disciplinary book bridging established notions of civil society and community through an authentically interdisciplinary approach to the topic.
Performance and Personhood in Caribbean Literature by Jeannine Murray-Román Pdf
Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circumstances that led to the development of performance traditions supersede the geopolitical and linguistic divisions of colonialism, the literary uses of these traditions resonate across the linguistic boundaries of the region. The author thus identifies the aesthetic that emerges from the act of writing about live arts and moving bodies as a practice that is grounded in the historically, geographically, and culturally specific features of the Caribbean itself. Working with twentieth- and twenty-first-century sources ranging from theatrical works and novels to blogs, Murray-Román examines the ways in which writers such as Jacques Stephen Alexis, Zoé Valdés, Rosario Ferré, Patrick Chamoiseau, and Marlon James experiment with textually compensating for the loss of the corporeality of live relationship in performance traditions. Through their exploration of the interaction of literature and performance, she argues, Caribbean writers themselves offer a mode of bridging the disjunction between cultural and philosophical approaches within Caribbean studies.
Childhood, Autobiography and the Francophone Caribbean by Louise Hardwick Pdf
This book explores a major modern turn in Francophone Caribbean literature towards récits d’enfance (narratives of childhood) and asks why this occurred post-1990.
This study interrogates how the French empire was imagined in three literary representations of French colonialism: the conquest of Tahiti, and the established colonial systems in Martinique and in India. The study is the first in either English or French to demonstrate that representations of power relations, as well as the broader discourses with which they were linked, were as closely concerned with probing the similarities and differences of rival European colonial systems as they were with reinforcing their imagined superiority over the colonized, and that such power relations should not be conceptualized as a dualistic categorization of ‘colonizer’ versus ‘colonized’. In doing so, it aims to go beyond examining the interaction between colonized and colonizer, or between colonial centre and periphery, and to interrogate instead the circulation of ideas and practices across different sites of European colonialism, drawing attention to a historical complexity which has been neglected in the necessary race to recover voices previously occluded from academic analysis. In exploring how the notion of the French empire overseas was construed and how it was infused with meaning at three different historical moments, 1784, 1835 and 1938, it demonstrates how precarious the French empire was perceived to be, in terms of both European rivalry and resistance from the colonized, and how the rhetoric of a French colonisation douce was pitted against the inscribed excesses of the more powerful British empire. Rather than employing the sorts of recuperative agenda which focus on how the colonized were elided (viz., Subaltern Studies) or on the writings of the formerly colonized (viz., Francophone Studies), the study concerns itself specifically with how French colonialism and imperialism were perceived, and thus offers a further corrective to any generalizations about European colonialism and imperialism. More particularly, by examining how the representational strategy of nostalgia is used in these texts, the study demonstrates how perceived loss, and nostalgia for an imperial past, played a role in dynamically shaping the French colonial enterprise across its various manifestations.
Historical Dictionary of French Literature by John Flower Pdf
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.
The Poetics of Ethnography in Martinican Narratives by Christina Kullberg Pdf
Drawing on narratives from Martinique by Aimé Césaire, Édouard Glissant, Ina Césaire, and Patrick Chamoiseau, among others, Christina Kullberg shows how these writers turn to ethnography—even as they critique it—as an exploration and expression of the self. They acknowledge its tradition as a colonial discourse and a study of others, but they also argue for ethnography’s advantage in connecting subjectivity to the outside world. Further, they find that ethnography offers the possibility of capturing within the hybrid culture of the Caribbean an emergent self that nonetheless remains attached to its collective history and environment. Rather than claiming to be able to represent the culture they also feel alienated from, these writers explore the relationships between themselves, the community, and the environment. Although Kullberg’s focus is on Martinique, her work opens up possibilities for intertextual readings and comparative studies of writers from every linguistic region in the Caribbean—not only francophone but also Hispanic and anglophone. In addition, her interdisciplinary approach extends the reach of her work beyond postcolonial and literary studies to anthropology and ecocriticism.
Author : Mary Gallagher Publisher : University of Toronto Press Page : 281 pages File Size : 47,6 Mb Release : 2008-08-16 Category : Social Science ISBN : 9781442692312
Much has been said about the relationship between globalization and culture and the political implications of that relationship. There has been little effort made, however, to investigate the effect of globalization on poetics or on the ethical moment of literature. World Writing is therefore concerned with studying the intersection of contemporary ethics, poetics, and globalization through historical and critical readings of writing from various parts of the world. Following an introductory chapter by Mary Gallagher, which maps this conceptual terrain, the contributors investigate how globalization inflects the necessary relationship between poetics, culture, ethics, and politics. Among the essays are Celia Britton's reading of Édouard Glissant on languages in the globalized world; Mary Gallagher's comparison of Glissant's poetics of cultural diversity with the ethics of Emmanuel Levinas; David Palumbo-Liu's exploration of the ethics of postcolonial fiction in J.M. Coetzee's work; Mary Louise Pratt's critique, based on recent Latin American writing, of the prematurely celebratory nature of globalization; and Julia Kristeva's argument for the value of poetics and the ethics of hospitality. What emerges is an intricate discussion of the elusive relationship between the realms of ethics, poetics, and politics as they intersect in our changing world.
In Experiments with Empire Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of knowing the colonial and postcolonial world. Focusing on novels, films, and ethnographies that combine fictive elements and anthropological methods and modes of thought, Izzo shows how empire gives ethnographic fictions the raw materials for thinking beyond empire's political and epistemological boundaries. In works by French surrealist writer Michel Leiris and filmmaker Jean Rouch, Malian writer Amadou Hampâté Bâ, Martinican author Patrick Chamoiseau, and others, anthropology no longer functions on behalf of imperialism as a way to understand and administer colonized peoples; its relationship with imperialism gives writers and artists the opportunity for textual experimentation and political provocation. It also, Izzo contends, helps readers to better make sense of the complicated legacy of imperialism and to imagine new democratic futures.
Roland Barthes at the Collège de France by Lucy O'Meara Pdf
Roland Barthes at the Collège de France studies the four lecture courses given by Roland Barthes in Paris between 1977 and 1980, placing Barthes's teaching within institutional, intellectual, and personal contexts. Theoretically wide-ranging, Lucy O'Meara's account focuses on Barthes's pedagogical style and the insights they provide into his written works, including his focus on essayism and fragmentation and the negotiation between singularity and universality. Linking Barthes's strategies to broad intellectual influences, from Kant and Adorno to Zen and Taoist philosophies, O'Meara reassesses Barthes's critical and ethical priorities in the decade before his death, highlighting the vitality of his late thought.
