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What if some of the greatest Martyrs could come back and say something to us? What would Gandhi say, or perhaps Rasputin? This book gives them that voice, along with a host of other martyrs from antiquity, all the way up to the new millennium. Written in sonnet form, The Songs Of Martyrs takes those that paid the ultimate price, and breathes new life into them.
A Companion to Anabaptism and Spiritualism, 1521-1700 by John Roth,James Stayer Pdf
This handbook of Anabaptism and Spiritualism provides an informative survey of recent scholarship on the Radical Reformation, from the 1520s to the end of the eighteenth century. Each chapter offers a narrative summary that engages current research and suggests directions for future study.
The first scholarly history of the iconic Anabaptist text. Approximately 2,500 Anabaptists were martyred in sixteenth- and early seventeenth-century Europe. Their surviving brethren compiled stories of those who suffered and died for the faith into martyr books. The most historically and culturally significant of these, The Bloody Theater—more commonly known as Martyrs Mirror—was assembled by the Dutch Mennonite minister Thieleman van Braght and published in 1660. Today, next to the Bible, it is the single most important text to Anabaptists—Amish, Mennonites, and Hutterites. In some Anabaptist communities, it is passed to new generations as a wedding or graduation gift. David L. Weaver-Zercher combines the fascinating history of Martyrs Mirror with a detailed analysis of Anabaptist life, religion, and martyrdom. He traces the publication, use, and dissemination of this key martyrology across nearly four centuries and explains why it holds sacred status in contemporary Amish and Mennonite households. Even today, the words and deeds of these martyred Christians are referenced in sermons, Sunday school lessons, and history books. Weaver-Zercher argues that Martyrs Mirror was designed to teach believers how to live a proper Christian life. In van Braght’s view, accounts of the martyrs helped to remind readers of the things that mattered, thus inspiring them to greater faithfulness. Martyrs Mirror remains a tool of revival, offering new life to the communities and people who read it by revitalizing Anabaptist ideals and values. Meticulously researched and illustrated with sketches from early publications of Martyrs Mirror, Weaver-Zercher’s ambitious history weaves together the existing scholarship on this iconic text in an accessible and engaging way.
Winner of the Global Humanities Translation Prize Hallaj is the first authoritative translation of the Arabic poetry of Husayn ibn Mansur al-Hallaj, an early Sufi mystic. Despite his execution in Baghdad in 922 and the subsequent suppression of his work, Hallaj left an enduring literary and spiritual legacy that continues to inspire readers around the world. In Hallaj, Carl W. Ernst offers a definitive collection of 117 of Hallaj’s poems expertly translated for contemporary readers interested in Middle Eastern and Sufi poetry and spirituality. Ernst’s fresh and direct translations reveal Hallaj’s wide range of themes and genres, from courtly love poems to metaphysical reflections on union with God. In a fascinating introduction, Ernst traces Hallaj’s dramatic story within classical Islamic civilization and early Arabic Sufi poetry. Setting himself apart by revealing Sufi secrets to the world, Hallaj was both celebrated and condemned for declaring: “I am the Truth.” Expressing lyrics and ideas still heard in popular songs, the works of Hallaj remain vital and fresh even a thousand years after their composition. They reveal him as a master of spiritual poetry centuries before Rumi, who regarded Hallaj as a model. This unique collection makes it possible to appreciate the poems on their own, as part of the tragic legend of Hallaj, and as a formidable legacy of Middle Eastern culture. The Global Humanities Translation Prize is awarded annually to a previously unpublished translation that strikes the delicate balance between scholarly rigor, aesthetic grace, and general readability, as judged by a rotating committee of Northwestern faculty, distinguished international scholars, writers, and public intellectuals. The Prize is organized by the Global Humanities Initiative, which is jointly supported by Northwestern University’s Buffett Institute for Global Studies and Kaplan Institute for the Humanities.
Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of heroes primarily because of their victimhood.
Author : David B. Edwards Publisher : Univ of California Press Page : 290 pages File Size : 52,6 Mb Release : 2017-05-09 Category : Political Science ISBN : 9780520294790
Cover -- Contents -- List of Illustrations -- Preface -- 1 Sacrifice -- 2 Honor -- 3 Martyrdom -- 4 Virtue and Vice -- 5 Fedayeen -- 6 Suicide Bombing -- 7 Selfies -- 8 The Widening Gyre -- Afghan Chronology (1964-2015) -- Notes -- Glossary -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- Q -- R -- S -- T -- U -- W -- Z -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
Singing the Resurrection brings music to the foreground of Reformation studies, as author Erin Lambert explores song as a primary mode for the expression of belief among ordinary Europeans in the sixteenth century, for the embodiment of individual piety, and the creation of new communities of belief. Together, resurrection and song reveal how sixteenth-century Christians--from learned theologians to ordinary artisans, and Anabaptist martyrs to Reformed Christians facing exile--defined belief not merely as an assertion or affirmation but as a continuous, living practice. Thus these voices, raised in song, tell a story of the Reformation that reaches far beyond the transformation from one community of faith to many. With case studies drawn from each of the major confessions of the Reformation--Lutheran, Anabaptist, Reformed, and Catholic--Singing the Resurrection reveals sixteenth-century belief in its full complexity.
Martyrdom: A Guide for the Perplexed by Paul Middleton Pdf
It can be said, almost without exaggeration, that martyrdom has become one of the most pressing theological issues facing the contemporary world. Since the attack on the World Trade Center in 2001, the world has had to face up to an Islamic manifestation of martyrdom. Martyrdom has a long history; as long as individuals have been dying for their faith or cause, others have been telling and more importantly, interpreting their stories. These martyrologies are essentially conflict stories. Whether a Christian confessing her faith before a bemused Roman governor, or a suicide bomber blowing himself up in a crowed cafe in Jerusalem, the way these stories are recounted - positively or negatively - reflect a wider conflict in which the narrator and his community find themselves. Martyr narratives, whether textual, oral, or even a CNN news report, do more than simply report a death; they also contain the interpretative framework by which that death is understood - again positively or negatively. When the death of a martyr is reported, the way in which that story is told places that death within a larger narrative of conflict, which may be regional, global, or even cosmic. The martyr becomes a symbol of the community's desires and hopes, or for that matter, their terrors and fears, but in either case, the martyr is representative of a larger struggle, and often martyrology contains the vision of how the community envisages final victory over their enemy. This book aims to illuminate the way these conflict stories have been told and function (principally, though not exclusively) within Christian, Jewish, and Islamic communities. Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.
The Oxford Handbook of the New Cultural History of Music by Jane F. Fulcher Pdf
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
Author : Harry O. Maier,Katharina Waldner Publisher : Walter de Gruyter GmbH & Co KG Page : 276 pages File Size : 42,9 Mb Release : 2020-12-16 Category : History ISBN : 9783110682717
Desiring Martyrs by Harry O. Maier,Katharina Waldner Pdf
Martyrs create space and time through the actions they take, the fate they suffer, the stories they prompt, the cultural narratives against which they take place and the retelling of their tales in different places and contexts. The title "Desiring Martyrs" is meant in two senses. First, it refers to protagonists and antagonists of the martyrdom narratives who as literary characters seek martyrs and the way they inscribe certain kinds of cultural and social desire. Second, it describes the later celebration of martyrs via narrative, martyrdom acts, monuments, inscriptions, martyria, liturgical commemoration, pilgrimage, etc. Here there is a cultural desire to tell or remember a particular kind of story about the past that serves particular communal interests and goals. By applying the spatial turn to these ancient texts the volume seeks to advance a still nascent social geographical understanding of emergent Christian and Jewish martyrdom. It explores how martyr narratives engage pre-existing time-space configurations to result in new appropriations of earlier traditions.
The book investigates the problem of how narrative, normally conceived of temporally, encodes its relation to space, especially the territorial space that is the subject of colonial possession and dispossession. The book approaches this problem by, first, providing a theoretical framework derived from the work of Martin Heidegger and Emmanuel Levinas on the ethical and political implications of human dwelling, and, second, by using this framework to examine cultural forms in two historical periods, colonial America and postcolonial South Africa--the primary interest being the works of Charles Brockden Brown and J. M. Coetzee. This book is unique in its elaboration of a spatial-or more exactly, territorial--conception of narrative form.