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Author : Lulu Rumsey Wiley
Publisher : Unknown
Page : 408 pages
File Size : 54,5 Mb
Release : 1950
Category : Electronic
ISBN : UOM:39015046833151
Author : Alan Axelrod
Publisher : University of Texas Press
Page : 224 pages
File Size : 52,5 Mb
Release : 2013-09-06
Category : Biography & Autobiography
ISBN : 9780292758902
Charles Brockden Brown: An American Tale is the first comprehensive literary, biographical, and cultural study of the novelist whom critic Leslie Fiedler has dubbed "the inventor of the American writer." The author of Wieland, Arthur Mervyn, Ormond, and Edgar Huntly, Charles Brockden Brown (1771-1810) is considered the first American professional author. He introduced Indian characters into American fiction. His keen interest in character delineation and abnormal psychology anticipates the stories of Poe, Hawthorne, and later masters of the psychological novel. Brown was eager to establish for himself an American identity as a writer, to become what Crèvecoeur called "the new man in the New World." It is especially this intimate identification of writer with country that makes Brown a telling precursor of our most characteristic authors from Poe, Hawthorne, and Cooper to Fitzgerald, Hemingway, and Faulkner. To understand its significance, Brown's work must be examined as both art and artifact. Accordingly, Charles Brockden Brown: An American Tale is literary history as well as criticism, embued with insights into a writer's sources and influences and the psychology of literary composition. It is also a fascinating examination of a nation's emotional and intellectual impact on a young man in search of his identity as creative artist.
Author : Jeffrey Andrew Weinstock
Publisher : University of Wales Press
Page : 216 pages
File Size : 43,5 Mb
Release : 2011-07-15
Category : Literary Criticism
ISBN : 9780708324226
This study of the works of late eighteenth-century American Gothic author Charles Brockden Brown argues that Brown was a seminal figure in the development of four forms of Gothic fiction: the Frontier Gothic, the Urban Gothic, the Psychological Gothic, and the Female Gothic.
Author : Professor Bridget M Marshall
Publisher : Ashgate Publishing, Ltd.
Page : 208 pages
File Size : 53,7 Mb
Release : 2013-04-28
Category : Literary Criticism
ISBN : 9781409476320
Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures and their use of found documents and legal forms as key plot devices. As gothic villains, from Walpole's Manfred to Godwin's Tyrrell to Stoker's Dracula, manipulate the law and legal system to expand their power, readers are confronted with a legal system that is not merely ineffective at stopping villains but actually enables them to inflict ever greater harm on their victims. By invoking actual laws like the Black Act in England or the Fugitive Slave Act in America, gothic novels connect the fantastic horrors that constitute their primary appeal with much more shocking examples of terror and injustice. Finally, the gothic novel's preoccupation with injustice is just one element of many that connects the genre to slave narratives and to the horrors of American slavery.
Author : Abby H. P. Werlock
Publisher : Infobase Learning
Page : 3854 pages
File Size : 50,5 Mb
Release : 2015-04-22
Category : American fiction
ISBN : 9781438140698
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Author : Bridget M. Marshall
Publisher : Routledge
Page : 199 pages
File Size : 45,7 Mb
Release : 2016-02-17
Category : Literary Criticism
ISBN : 9781317013723
Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures and their use of found documents and legal forms as key plot devices. As gothic villains, from Walpole's Manfred to Godwin's Tyrrell to Stoker's Dracula, manipulate the law and legal system to expand their power, readers are confronted with a legal system that is not merely ineffective at stopping villains but actually enables them to inflict ever greater harm on their victims. By invoking actual laws like the Black Act in England or the Fugitive Slave Act in America, gothic novels connect the fantastic horrors that constitute their primary appeal with much more shocking examples of terror and injustice. Finally, the gothic novel's preoccupation with injustice is just one element of many that connects the genre to slave narratives and to the horrors of American slavery.
Author : C. Harvey Gardiner
Publisher : University of Texas Press
Page : 389 pages
File Size : 48,8 Mb
Release : 2013-12-06
Category : Biography & Autobiography
ISBN : 9780292735156
This biography of a distinguished historian and man of letters is the first study of William Hickling Prescott (1796–1859) to be written by a historian who has worked with the very themes explored by Prescott. And it is the first to treat him not only as creative historian but also as family man, as traveler and clubman, as investor and humanitarian, and as private citizen with strong political preferences. Prescott the socialite and Prescott the introvert writer emerge in the round as the magnificent amateur who helped establish canons that have enriched American historical scholarship ever since. Blending history and literature, his multivolume works won Prescott the first significant international reputation to be accorded to an American historian. Working despite persistent obstacles of health and against a penchant for society and leisure that was always part of his personality, Prescott came to be considered the finest interpreter of the Hispanic world produced by the Anglo-Saxon world. His Conquest of Mexico and Conquest of Peru were pronounced classics. C. Harvey Gardiner takes the reader back to the nineteenth century in style and in subject to present William Hickling Prescott, gentleman and scholar, firmly fixed in relationship to his community and his times. But Gardiner's Victorian stance and respect for nineteenth-century historiography do not prevent his presenting Prescott as a whole man, viewed in retrospect, stripped of myth, and evaluated for moderns.
Author : Scott Slawinski
Publisher : Routledge
Page : 135 pages
File Size : 49,8 Mb
Release : 2005-01-07
Category : History
ISBN : 9781135467517
This book explores images of single and married men in C.B. Brown's Monthly Magazine and concludes that Brown used his periodical as a vehicle for validating bachelorhood as a viable alternative form of masculinity.
Author : Stephen Shapiro
Publisher : Penn State Press
Page : 382 pages
File Size : 53,5 Mb
Release : 2010-11
Category : Literary Criticism
ISBN : 9780271046730
Taking his cue from Philadelphia-born novelist Charles Brockden Brown's Annals of Europe and America, which contends that America is shaped most noticeably by the international struggle between Great Britain and France for control of the world trade market, Stephen Shapiro charts the advent, decline, and reinvigoration of the early American novel. That the American novel "sprang so unexpectedly into published existence during the 1790s" may be a symptom of the beginning of the end of Franco-British supremacy and a reflection of the power of a middle class riding the crest of a new world economic system. Shapiro's world-systems approach is a relatively new methodology for literary studies, but it brings two particularly useful features to the table. First, it refines the conceptual frameworks for analyzing cultural and social history, such as the rise in sentimentalism, in relation to a long-wave economic history of global commerce; second, it fosters a new model for a comparative American Studies across time. Rather than relying on contiguous time, a world-systems approach might compare the cultural production of one region to another at the same location within the recurring cycle in an economic reconfiguration. Shapiro offers a new way of thinking about the causes for the emergence of the American novel that suggests a fresh way of rethinking the overall paradigms shaping American Studies.
Author : Emory Elliott
Publisher : Oxford University Press
Page : 337 pages
File Size : 50,5 Mb
Release : 1986-02-27
Category : Literary Criticism
ISBN : 9780195364972
Elliott demonstrates how America's first men of letters--Timothy Dwight, Joel Barlow, Philip Freneau, Hugh Henry Brackenridge, and Charles Brockden Brown--sought to make individual genius in literature express the collective genius of the American people. Without literary precedent to aid them, Elliott argues, these writers attempted to convey a vision of what America ought to be; and when the moral imperatives implicit in their writings were rejected by the vast number of their countrymen they became pioneers of another sort--the first to experience the alienation from mainstream American culture that would become the fate of nearly all serious writers who would follow.
Author : Robert A. Ferguson
Publisher : Harvard University Press
Page : 456 pages
File Size : 51,5 Mb
Release : 1984
Category : Law
ISBN : 0674514653
The role of religion in early American literature has been endlessly studied; the role of the law has been virtually ignored. Robert A. Ferguson's book seeks to correct this imbalance. With the Revolution, Ferguson demonstrates, the lawyer replaced the clergyman as the dominant intellectual force in the new nation. Lawyers wrote the first important plays, novels, and poems; as gentlemen of letters they controlled many of the journals and literary societies; and their education in the law led to a controlling aesthetic that shaped both the civic and the imaginative literature of the early republic. An awareness of this aesthetic enables us to see works as diverse as Jefferson's Notes on the State of Virginia and Irving's burlesque History of New York as unified texts, products of the legal mind of the time. The Declaration of Independence, the Constitution, and the great political orations were written by lawyers, and so too were the literary works of Trumbull, Tyler, Brackenridge, Charles Brockden Brown, William Cullen Bryant, Richard Henry Dana, Jr., and a dozen other important writers. To recover the original meaning and context of these writings is to gain new understanding of a whole era of American culture. The nexus of law and letters persisted for more than a half-century. Ferguson explores a range of factors that contributed to its gradual dissolution: the yielding of neoclassicism to romanticism; the changing role of the writer; the shift in the lawyer's stance from generalist to specialist and from ideological spokesman to tactician of compromise; the onslaught of Jacksonian democracy and the problems of a country torn by sectional strife. At the same time, he demonstrates continuities with the American Renaissance. And in Abraham Lincoln he sees a memorable late flowering of the earlier tradition.
Author : Valeria Tinkler-Villani,Peter Davidson,Jane Stevenson
Publisher : Rodopi
Page : 338 pages
File Size : 54,6 Mb
Release : 1995
Category : Literary Criticism
ISBN : 9051838328
Exhibited by Candlelight: Sources and Developments in the Gothic Tradition focuses on a number of strands in the Gothic. The first is Gothic as a way of looking. Paintings used as reference points, tableaux, or the Hammer Studios' visualizations of Dracula present ways of seeing which are suggestive and allow the interplay of primarily sexual passions. Continuity with the past is a further strand which enables us to explore how the sources of the Gothic are connected with the origin of existence and of history, both individual and general. Here, the Gothic offers a voice for writers whose perceptions do not fit into those of the dominant group, which makes them sensitive both to psychological and social gaps. This leads to an exploration of the very idea of sources and an attempt to bridge the gaps, as can be observed in the variety of epithets used to clarify the ways that Gothic works, ranging from heroic gothic to porno-gothic. This takes the reader to the main core of Gothic: a genre which is always ready to admit new forms of the unreal to enter and change whatever has become mainstream literature, and a way of reading and a mode profoundly affecting the reading experience. The Gothic mode cultivates its wicked ways in literature, working through it as a leavening yeast.
Author : Edwin Fuller Torrey,Judy Miller
Publisher : Rutgers University Press
Page : 442 pages
File Size : 43,8 Mb
Release : 2001
Category : Mental Illness
ISBN : 0813530032
Examines the records on insanity in England, Ireland, Canada, and the United States over a 250-year period, concluding, through quantitative and qualitative evidence, that insanity is an unrecognized, modern-day plague.
Author : Charles Brockden Brown
Publisher : Unknown
Page : 264 pages
File Size : 40,8 Mb
Release : 1859
Category : Electronic
ISBN : UIUC:30112079454689
Author : David Brion Davis
Publisher : Cornell University Press
Page : 365 pages
File Size : 50,8 Mb
Release : 2018-03-15
Category : History
ISBN : 9781501726217
Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime. A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798–1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.