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The Spanish Portrait by Javier Portús Pérez,Museo del Prado Pdf
Presents a survey of the development of this genre in Spanish art from the 15th century to the early decades of the 20th, through a selection of 87 works.
The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain by Anonim Pdf
Examines theater and portraiture as interrelated social practices in seventeenth-century Spain. Features visual images and cross-disciplinary readings of selected plays that employ the motif of the painted portrait to key dramatic and symbolic effect.
Spanish Royal Patronage 1412-1804 by Ilenia Colón Mendoza,Margaret Ann Zaho Pdf
Portraits have a long history in royal courts as a way of communicating the monarch's status, rulership, and even piety. This anthology places such art works studied in the context of their commission, production, and display. Artists use different representational strategies to convey important information about the sitter. These aspects combined with patronage, location and use of the work form a departure point from which to address portraits comprehensively. The intersection between artist, the portrayed and audience with the additional layer of formed identity allows the portrait to hold a special place as popular genre of Spanish art. The relationship between the use of the work and its context is key to understanding better the cultural and social norms of Spanish aristocracy and what they reveal about Spanish identity in general. Used to solidify governance, lineage, and marriage, portraits legitimized the negotiation of status, power, and social mobility.
A Portrait of the Young in the New Multilingual Spain by Carmen Pérez Vidal,Maria Juan-Garau Pdf
This book examines the main issues in bilingual and multilingual language acquisition through children and youngsters growing up in todays multicultural Spain, where four official languages and other new languages are used. The studies cover phonetics, g
The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.
Salazar: Portraits of Influence serves as the first critical examination of Louisiana¿s earliest known artist and North America¿s only known Spanish colonial portrait painter. It contributes to the reexamination of artistic production in the colonial and antebellum Gulf South within the context of current discourse on the Atlantic World. Seven essays by Thomas Fiehrer, Gilbert C. Din, Robert W. Patch, Mayela Flores, Cybèle Gontar, Sally Reeves and Katherine Manthorne¿scholars whose fields of expertise include the history of Mérida, Nueva Orleans, Gulf South portraiture, Latin American art, and New Orleans¿ notaries¿offer a broad consideration of Salazar¿s background, career, and legacy.
Jane Block,Ellen Wardwell Lee,ING Cultuurcentrum,Indianapolis Museum of Art
Author : Jane Block,Ellen Wardwell Lee,ING Cultuurcentrum,Indianapolis Museum of Art Publisher : Yale University Press Page : 257 pages File Size : 43,8 Mb Release : 2014-03-25 Category : Art ISBN : 9780300190847
The Neo-Impressionist Portrait, 1886?1904 by Jane Block,Ellen Wardwell Lee,ING Cultuurcentrum,Indianapolis Museum of Art Pdf
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."