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Paul Bowles began travelling the moment he could - leaving America as a teenager to visit Gertrude Stein in Paris. He settled in Morocco after the war, and for thirty years travelled in North Africa, Central America, Southeast Asia, Indian and Sri Lanka (where he bought an island). He wrote articles, essays and journals along the way - writing which ranks with his novels in its astute observation, dry wit and impeccable prose. Travels brings together for the first time Paul Bowles's travel writing and journals. It includes the full text of his book Their Heads Are Green along with thirty other pieces, previously unpublished in book form. They are accompanied by fifty photos from the Bowles archive.
Paul Bowles’s classic collection of short stories, now available in a a deluxe paperback edition—part of Ecco’s Art of the Story series “All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the charcters’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality. Bowles captures the duality of human frailty and cruelty in these seventeen taut and atmospheric tales, written between 1939 and 1949. Brutal and gorgeous, visceral yet profound, this timeless collection is “one of the most profound, beautifully wrought, and haunting collections in our literature. . . at once austere, witty, violent, and sensuous. . . . His language has a purity of line, a poise and authority entirely its own, capable of instantly modulating from farce to horror without a ruffle” (Tobias Wolff).
Set in Fez, Morocco, during that country's 1954 nationalist uprising, The Spider's House is perhaps Paul Bowles's most beautifully subtle novel, richly descriptive of its setting and uncompromising in its characterizations. Exploring once again the dilemma of the outsider in an alien society, and the gap in understanding between cultures—recurrent themes of Paul Bowles's writings—The Spider's House is dramatic, brutally honest, and shockingly relevant to today's political situation in the Middle East and elsewhere.
A linguistic professor arrives in Ain Tadouirt seeking to study the local dialects. Confident, condescending and culturally aloof, he is led that night to a quarry and left there. He begins to descend. Met with horror upon horror as his journey continues, he is stripped of dignity, humanity and worth. In this dark short story, language takes a central role as Paul Bowles vividly consigns the Professor to his fate amidst evocative smells, haunting sights and lurking sensations. Incisive and commanding, it is an exploration of the definition of identities, cultural differences and the shifting natures of cultural supremacy.
Fiction. In these seven new stories Paul Bowles ranges widely in time, in form, and in geographic area-from Massachusetts to Morocco, from 1932 to the 1970s. Portraits and contemporary scenes mix conventional narration with experimental monologues, and the volume concludes with a tale presented as six letters written to a bitter, dying man. The formal versatility is as arresting as the content. The whole is proof (if it were needed) that, as Gore Vidal remarks, Bowle's art is as disturbing as ever.
"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover
A striking collection of stories, poems, letters, travel essays, journal entries, excerpts from three novels, and more—including the complete text of The Sheltering Sky—from one of the most revered authors of the twentieth century
In Let It Come Down, Paul Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism.
'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman. Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.
Paul Bowles, the acclalmed author of The Shelterlng Sky, offers movlng, powerful, subtle, and fasclnatlng lnslghts lnto hls llfe, hls wrltlng, and hls world.
In this intense and brilliant book Bowles focuses on Morocco, condensing expreience, emotion, and the whole history of a people into a series of short, insightful vignettes. He distills for us the very essence of Moroccan culture. With extraordinary immediacy, he takes the reader on a journey through the Moroccan centuries, pausing at points along the way to create resonant images of the country, it's landscapes, and the beliefs and characteristics of its inhabitants.
"Nelson Dyar, an average bank clerk, was bored with the monotony of his life. So he quit his job, gambled his savings on a steamship ticket, and sailed for Tangier. There, overwhelmed by the sights, sounds and smells of exotic North Africa, he flirted with danger, drugs and sensual abandonment, fell in love with an Arab girl, and plunged headlong to his terrifying doom."--Back cover.