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The Story of the Irish Harp by Nora Joan Clark Pdf
Since early times in Ireland and nearby Celtic lands, the Irish harp and its music have captivated musicians and audiences alike. Numerous historical aspects, such as the function of the harper at Tara, the seat of ancient Irish kings, is explored in this comprehensive history of the harp of Ireland. Through the ages, the harp has been a symbol of the lyrical nature of Ireland and the Irish people. This book explores the reawakening of this beautiful instrument in Ireland and around the world in the mid-twentieth century and beyond, touching on the quite recent development of the popular Folk and Celtic harps of today.
In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.
This is the story of the Irish resistance, from its beginnings through Robert Emmet's abortive rising. The book describes, in unique format, the path the resitance took to reach its modern republican character, including songs to establish the intricacies of Irish National Tradition.
The Jews-Harp in Britain and Ireland by Michael Wright Pdf
The jews-harp is a distinctive musical instrument of international importance, yet it remains one of those musical instruments, like the ocarina, kazoo or even the art of whistling, that travels beneath the established musical radar. The story of the jews-harp is also part of our musical culture, though it has attracted relatively little academic study. Britain and Ireland played a significant role in the instrument?s manufacture and world distribution, particularly during the nineteenth and first half of the twentieth centuries. Drawing upon previously unknown written sources and piecing together thousands of fragments of information spanning hundreds of years, Michael Wright tells the story of the jews-harp?s long history in the Britain and Ireland. Beginning with an introductory chapter describing the instrument, Part One looks at the various theories of its ancient origin, how it came to be in Europe, terminology, and its English name. Part Two explores its commercial exploitation and the importance of the export market in the development of manufacturing. Part Three looks the instrument?s appearance and use in art, literature and the media, finally considering the many players who have used the instrument throughout its long history.
Teach Yourself to Play the Folk Harp by Sylvia Woods Pdf
This book teaches the student step by step how to play the harp. Each of the 12 lessons includes instructions, exercises, and folk and classical pieces using the new skills and techniques taught in the lesson. --from publisher description.
'Harp studies' presents new research on the Irish harp with perspectives from the disciplines of ethnomusicology, musicology, history, arts practice, folklore and cultural studies. Themes explored in this volume include iconography, reception history, diaspora, identity, spirituality and politics. Taking an expansive view of the harp through history and music, these essays individually engage with the variety of ways in which the harp has been interpreted and implicated in Irish culture, politics and music from the 9th century to the present day. Contents: Ann Heymann (ind.), Three iconic Gaelic harp pieces; Paul Dooley (UL), The harp in the time of Giraldus; Colette Moloney (Waterford IT), Edward Bunting (1773-1843), a collector of Irish music and song; Sandra Joyce (UL), Inventing and mythologizing Carolan in texts from the 18th to 20th centuries; Harry White (UCD), The lyre of Orpheus: Moore's ambiguous harp; Mary Louise O'Donnell, The Bengal subscription: patriotism, patronage and the perpetuation of the Irish harp tradition in the early 19th century; Ruan O'Donnell (UL), The Irish harp and Irish republican iconography; Adrian Scahill (MU), The harp in the early traditional group; Helen Lawlor (DkIT), Interpretations of Irishness and spirituality: the music of Mary O'Hara; Therese Smith (UCD), The harp as icon for Irish identity; Eibhlis Farrell (DkIT), The Magic Harp; Michelle Mulcahy (UL), Aistear: performing traditional music; Anne-Marie O'Farrell (DIT, QUB), Lever design and transcription for lever harp. [Subject: Irish Harp, Musical History, Traditional Music, Folklore, Ethnomusicology, Cultural Studies, Ireland]
In 1863, twelve-year-old Danny and his older sister Kathleen arrive in New York City to start a new life, but they soon find themselves navigating through the same prejudices and struggles they experienced in Ireland.
The Irish Harp Book by Sheila Larchet Cuthbert Pdf
This is largely a facsimile of the 1993 edition published by Mercier Press. There is a new preface by Sheila Larchet Cuthbert, and the biographical material has been updated. It is a collection of studies and exercises for the use of teachers and pupils of the Irish harp. For decades, Sheila Larchet Cuthbert has been known world-wide as a highly accomplished harp player
Shamrocks, Harps, and Shillelaghs by Edna Barth Pdf
Shamrocks, shillelaghs, reed pipes, and leprechauns--these are some of the many symbols that remind us of St. Patrick's Day. Who was St. Patrick? And what is this early spring holiday all about? With warmth and vitality, Edna Barth tells the colorful stories, legends, and historical facts behind St. Patrick's Day and shows how the spirit of this ancient Irish holiday is still alive in many countries. Illustrated with black and white drawings by Ursula Arndt, this is a book to be discovered and read with pleasure by young readers. All of Edna Barth's classic holiday books are now being reissued with fresh, new jacket designs and fun activities inside the paperback covers.
The harp became the emblem on Irish coinage in the 16th century. Since then it has been symbolic of Irish culture, music, and politics - finally evolving into a significant marker of national identity in the 18th and 19th centuries. The most important period in this evolution was between 1770 and 1880, when the harp became central to many utopian visions of an autonomous Irish nation, and its metaphoric significance eclipsed its musical one. Mary Louise O'Donnell uses these fascinating years of major social, political, and cultural change as the focus of her study on the Irish harp.