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The Sultan's Reluctant Princess by Clare Connelly Pdf
The all-powerful Sheikh Tamir Al'ani of the desert kingdom Talidar falls head over heels in lust for Olivia Anderson the moment he sees her. She's beautiful, to be sure, but it's more than that. There's a magical quality to her that has him captivated. Unfortunately, she's also the one person on Earth who seems determined to resist his plans. But he'll stop at nothing until he has her. Fate and destiny provide Tamir with the perfect way to change her mind. An honourable man, he's surprised by the lengths he's willing to go to in order to get Olivia into his bed... even marriage! He lies to her and blackmails her, and still Olivia can't resist the powerful attraction that exists between her and Tamir. Worse than that, once Olivia sees another side to her would-be captor, she realises there's so much more to him than just the powerful King of a mystical Kingdom. Now, her worry isn't that he won't let her go, but that one day, he will, and she'll have to learn to live without him. A story of overwhelming passion and intensity, and the dark behaviour it demands.
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
Life as the daughter of the sultan should be one of bliss, joy, and happiness, but Princess Naomi battles with her darker aspects. The sultan, concerned with his daughters deepening depression, seeks for help from every corner of his kingdom. When his apothecary fails to help the girl, the sultan turns to a dervish for guidance. When the dervish fails, the sultan casts his desperate net wider. Finally, from the western provinces comes news of Augustus, a Buddhist master who has helped others battle the same ailments that afflict Naomi. Augustus is initially reluctant but is soon persuaded to tend to the princesswith a few conditions. He explains that the princess will need to work with him over a long period of time, and the sultan agreesbut then Naomi resists. Months pass as Augustus adopts strategies to relieve the princesss despair. Success, he believes, comes through many paths to optimism. He teaches her how to meditate to still her mind. He encourages her to play the flute she loves. His teachings are enlivened by parables and metaphors to illustrate the essential truths. Finally, he reaches a breakthrough. Naomis innate altruism encourages her to focus on the well-being of othersinstead of being mired down in her own concerns. The master introduces her to others who are also on their own journeys, and she finds strength and inspiration in their stories. She soon learns that through the Buddhist practices of meditation, mindfulness, and self-awareness, there is reason for hope again.
He’s competing for her hand And her freedom... Held captive by her tyrannical sultan father, Princess Zorahaida lives an isolated life. A tournament is held and Jasim ibn Ismail, a handsome knight in arms, claims his prize: Zorahaida’s hand in marriage! Political reasons must be driving his offer—he’s certainly not offering love. Should Zorahaida grasp the tantalizing taste of freedom marrying the impulsive knight would gift her? Princesses of the Alhambra Captive in the castle; rescued by love! Book 1 — The Knight’s Forbidden Princess Book 2 — The Princess’s Secret Longing Book 3 - The Warrior’s Princess Prize “ Townend is a skilful and creative writer who draws you so expertly into her world. This is an exciting, hugely romantic and fresh story that has everything you would want from a Historical Romance.” —Chicks, Rogues and Scandals on The Knight’s Forbidden Princess “Exciting, original and adventurous.” —RT Book Reviews on The Knight’s Forbidden Princess
Narrative moves. Stories migrate from one culture to another, over vast distances sometimes, but their path is often difficult to trace and obscured by time. Fabulous Orients looks at the traffic of narrative between Orient and Occident in the eighteenth century, and challenges the assumption that has dominated since the publication of Edward Said's Orientalism (1978) that such traffic is always one-way. Eighteenth-century readers in the West came to draw their mental maps of oriental territories and distinctions between them from their experience of reading tales 'from' the Orient. In this proto-colonial period the English encounter with the East was largely mediated through the consumption of material goods such as silks, indigo, muslin, spices, or jewels, imported from the East, together with the more 'moral' traffic of narratives about the East, both imaginary and ethnographic. Through analyses of fictional representations (including travellers' accounts, letter narratives such as Letters Writ by a Turkish Spy, and popular sequences of tales such as the Arabian Nights Entertainments) of four oriental territories (Persia, Turkey, China and India), Ros Ballaster demonstrates the ways in which the East came to be understood as a source of story, a territory of fable and narrative. Fabulous Orients is structured according to territory rather than genre. Each section opens by re-narrating an oriental story in which a feminine character serves to 'figure' western desire for the territory she represents: the courtesan queen of the Ottoman seraglio Roxolana; the riddling Chinese princess Turandocte; and the illusory sati of India, Canzade. The book goes on to explore the range of fabulous writings relating to each territory in order to illustrate how certain narrative tropes can come to dominate its representation: the conflict between the male look and female speech staged in the seraglio in the case of Turkey and Persia, the inauthenticity and/or dullness associated with China and its products such as porcelain, and the illusory dreams that are woven in the space of India and associated with its textile industries. This is the first book-length study of the oriental tale to appear for almost a century. Informed by recent historiographical and literary re-assessments of western constructions of the East, it develops an original argument about the use of narrative as a form of sympathetic and imaginative engagement with otherness, a disinvestment of the self rather than a confident expression of colonial or imperial ambition.
WANTED: Desert princess to join harem Sultan Asim of Jazeer has hundreds of women at his beck and call. So why does he want the only one who threatens to reveal his family's shameful secrets? Journalist Jacqui Fletcher jumped at the chance to write a history of the harem--not to become a sultan's plaything! But it's hard to remember her assignment when the sultan's sensuous caresses spark a fire she's never experienced before... Asim is looking for a pliable princess for a marriage of duty. Brave, beautiful Jacqui couldn't be more wrong for him. So why does holding her feel so right?
Sojourners, Sultans, and Slaves by Gunja SenGupta,Awam Amkpa Pdf
In the nineteenth century, global systems of capitalism and empire knit the North Atlantic and Indian Ocean worlds into international networks in contest over the meanings of slavery and freedom. Sojourners, Sultans, and Slaves mines multinational archives to illuminate the Atlantic reverberations of US mercantile projects, "free labor" experiments, and slaveholding in western Indian Ocean societies. Gunja SenGupta and Awam Amkpa profile transnational human rights campaigns. They show how the discourses of poverty, kinship, and care could be adapted to defend servitude in different parts of the world, revealing the tenuous boundaries that such discourses shared with liberal contractual notions of freedom. An intercontinental cast of empire builders and émigrés, slavers and reformers, a "cotton queen" and courtesans, and fugitive "slaves" and concubines populates the pages, fleshing out on a granular level the interface between the personal, domestic, and international politics of "slavery in the East" in the age of empire. By extending the transnational framework of US slavery and abolition histories beyond the Atlantic, Gunja SenGupta and Awam Amkpa recover vivid stories and prompt reflections on the comparative workings of subaltern agency.
"The Kingdom exists in a delicate balance. Do everything you can, Nalini, to keep it together."Victory means life and furthering everything that her father has built. Defeat means death, destruction and ruin.The choices could not be starker for Princess Nalini after a curse is placed upon her family. Untrained for rule and war, she must adapt quickly. For who else can stop the armies of frightening fanaticism marching toward the capital if not the Sultan's daughter?
The Knight's Forbidden Princess by Carol Townend Pdf
A princess captive in the tower… A Spanish knight who can set her free! In this Princesses of the Alhambra story, meet Princess Leonor, who can’t escape her tyrannical sultan father. For Spanish knight Count Rodrigo, her innocence—and beauty—tug at his sense of honor. He will lay down his life to protect her…but the risks are great: she is the daughter of his sworn enemy!
