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The Supernatural Revamped by Barbara Brodman,James E. Doan Pdf
This book presents the supernatural as a truly international phenomenon, not restricted to the original folk characters, their literary representations, or popular media. Instead, we move around the world and into the twenty-first century, reshaping legends into a post-modern image that is psychologically and socially relevant.
The Supernatural Revamped by Barbara Brodman,James E. Doan Pdf
This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.
From the shelves of mainstream bookstores and the pages of teen magazines, to popular films and television series, contemporary culture at the turn of the twenty-first century has been fascinated with teenage identity and the presence of magic and the occult. Alongside this profusion of products and representations, a global network of teenage Witches has emerged on the margins of adult neopagan Witchcraft communities, identifying themselves through various spiritual practices, consumption patterns and lifestyle choices. The New Generation Witches is the first published anthology to investigate the recent rise of the teenage Witchcraft phenomenon in both Britain and North America. Scholars from Theology, Cultural Studies, Sociology, History and Media Studies, along with neopagan commentators outside of the academy, come together to investigate the experiences of thousands of adolescents constructing an enabling, magical identity through a distinctive practice of Witchcraft. The contributors discuss key areas of interest, inspiration and development within the teen Witch communities from the mid 1990s onward, including teenage Witches' magical practices and beliefs, gender politics, the formation and identification of communities, forums and modes of expression, media representation and new media outlets. Demonstrating the diversification and expansion of neopaganism in the twenty-first century, this anthology makes an exciting contribution to the field of Neopagan Studies and contemporary youth cultures.
The Super Natural by Whitley Strieber,Jeffrey J. Kripal Pdf
Two of today's maverick authors on anomalous experience present a perception-altering and intellectually thrilling analysis of why the paranormal is real, but radically different from what is conventionally understood. Whitley Strieber (Communion) and Jeffrey J. Kripal (J. Newton Rayzor professor of religion at Rice University) team up on this unprecedented and intellectually vibrant new framing of inexplicable events and experiences. Rather than merely document the anomalous, these authors--one the man who popularized alien abduction and the other a renowned scholar and "renegade advocate for including the paranormal in religious studies" (The New York Times)--deliver a fast-paced and exhilarating study of why the supernatural is neither fantasy nor fiction but a vital and authentic aspect of life. Their suggestion? That all kinds of "impossible" things, from extra-dimensional beings to bilocation to bumps in the night, are not impossible at all: rather, they are a part of our natural world. But this natural world is immeasurably more weird, more wonderful, and probably more populated than we have so far imagined with our current categories and cultures, which are what really make these things seem "impossible." The Super Natural considers that the natural world is actually a "super natural world"--and all we have to do to see this is to change the lenses through which we are looking at it and the languages through which we are presently limiting it. In short: The extraordinary exists if we know how to look at and think about it.
Author : Susan Jennifer Navarette Publisher : University Press of Kentucky Page : 272 pages File Size : 49,8 Mb Release : 2014-07-11 Category : Social Science ISBN : 9780813147949
During the last decades of the nineteenth century, Charles Darwin, Thomas Henry Huxley, Walter Pater and others changed the nature of thought concerning the human body and the physical environment that had shaped it. In response, the 1890s saw the publication of a series of remarkable literary works that had their genesis in the intense scientific and aesthetic activity of those preceding decades -- texts that emphasized themes of degeneration and were themselves stylistically decompositive, with language both a surrogate for physical deformity and a source of anxiety. Susan J. Navarette examines the ways in which scientific and cultural concerns of late nineteenth-century England are coded in the horror literature of the period. By contextualizing the structural, stylistic, and thematic systems developed by writers seeking to reenact textually the entropic forces they perceived in the natural world, Navarette reconstructs the late Victorian mentalité. She analyzes aesthetic responses to trends in contemporary science and explores horror writers' use of scientific methodologies to support their perception that a long-awaited period of cultural decline had begun. In her analysis of the classics Turn of the Screw and Heart of Darkness, Navarette shows how James and Conrad made artistic use of earlier "scientific" readings of the body. She also considers works by lesser-known authors Walter de la Mare, Vernon Lee, and Arthur Machen, who produced fin de siècle stories that took the form of "hybrid literary monstrosities." To underscore the fascination with bodily decay and deformation that these writers explored, The Shape of Fear is enhanced with prints and line drawings by Victor Hugo, James Ensor, and other artists of the day. This elegantly written book formulates a new canon of late Victorian fiction that will intrigue scholars of literature and cultural history.
The New Age Movement and the Biblical Worldview by John P. Newport Pdf
John Newport delivers a comprehensive study of the impact of New Age beliefs on contemporary culture - and on Christianity itself - while also offering an effective, biblical antidote to today's worldview crisis. After first surveying the historical development of the New Age worldview, from ancient times through important tendencies in nineteenth-century America to recent Far Eastern influences, Newport explores in depth eleven key areas of the New Age worldview and contrasts each area of belief with the traditional biblical worldview.
The Theology of Amos Yong and the New Face of Pentecostal Scholarship by Wolfgang Vondey,Martin Mittelstadt Pdf
In The Theology of Amos Yong and the New Face of Pentecostal Scholarship, Wolfgang Vondey and Martin William Mittelstadt gather a table of experts on one of the most influential voices in current Pentecostal theology. The authors provide an introduction and critical assessment of Yong’s biblical foundations, hermeneutics, epistemology, philosophical presuppositions, trinitarian theology, theology of religions, ecumenical and interfaith relations, theology of disability, engagement with contemporary culture, and participation in the theology and science conversation. These diverse topics are pursued through the complementary perspectives that together shape Yong’s methodology: pneumatology, pentecostalism, and the possibility of renewal. The contributors invite a more thorough reading of Yong’s work and propose a more substantial engagement with the new face of Pentecostal scholarship. Contributors include Andrew Carver, Jacob D. Dodson, Jeff Hittenberger, Mark Mann, Martin William Mittelstadt, L. William Oliverio, Jr., David A. Reed, Tony Richie, Christopher A. Stephenson, Steven M. Studebaker, Paraskevè (Eve) Tibbs, and Wolfgang Vondey.
By making claims for its universalism a religious community establishes its collective identity, orients itself in the world, and articulates its basic common convictions about what is real, meaningful, valuable. For those engaged in the search for a theology of religions in today's context of appreciation for radical plurality, the question is this: Can there be a single, unified theology that expresses adequately the apparently very different truths of humanity's religions? 'The New Universalism' argues that theology can no longer content itself with correlating the question which the world poses with the answer given in revelation. Within today's global horizon every religion and worldview has as much right to answer the basic questions of human existence as any other. The task confronting theology, therefore, lies in the integration and mutual appropriation of many seemingly conflicting revelations. Drawing upon the work of Panikkar and Wittgenstein, Krieger constructs a method and a philosophical foundation for resolving ideological conflicts and carrying out a theological appropriation of non-Christian religions.
A collection that shows Freeman's many modes - romantic, gothic, and psychologically symbolic - as well as her use of pathos and sentimentality, humour, satire and irony. These stories centre on questions of women's integrity, courage and privation; explore the idea of masculinity; and dramatise the relationship between rural New England and modern culture and commerce. Also included here is 'The Jamesons', a series of sketches about village life reprinted for the first time since the turn of the 20th century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Much attention has been given in recent writings about religion to fundamentalism and the 'religious right'. But less attention has been given to their opposite - the emergence of a new generation of progressive religious thinkers and organisations on the 'religious left'. "The New Spirituality" is one of the first books to give a comprehensive and authoritative account of this burgeoning progressive religious movement. It offers a clear and engaging analysis of the cultural roots, key ideas and organisational structures of this new faith, assessing its significance in the changing moral and religious landscape of contemporary western society. Gordon Lynch argues that we are witnessing the rise of a new religious ideology which reveres the natural world, connects religious faith with novel scientific theories, and has a forward-looking agenda for society's transformation. "The New Spirituality" will be essential reading for students attempting to understand the shape of religious belief in the twenty-first century.
"Our millennial children, as well as nonchurchgoing millennials, are both the church's greatest challenge and its most exciting new opportunity." —John Seel, PhD Warning: There is a fundamental frame of reference shift in American society happening right now among young adults. You may think of this group as millennials—those born between 1980 and 2000—but millennials resist this label for good reason: the national narrative on them is pejorative, patronizing, and just plain wrong. Here's what we do know: Of Americans with a church background, 76 percent are described as "religious nones" or unaffiliated—and it's the fastest growing segment of the population. Close to 40 percent of millennials fit this religious profile. Roughly 80 percent of teens in evangelical church high school youth groups will abandon their faith after two years in college. It's unlikely that the evangelical church can survive if it is uniformly rejected by millennials, and yet: Millennial pastors and youth ministers are disempowered; their perspective is often not taken seriously by senior church leadership. Most millennial research is framed in categories rejected by millennials; that is, left-brained, analytical communication is lost on right-brained, intuitive millennials. Evangelicals' bias toward rational left-brained thinking makes the church seem tone-deaf. What's next? Read on. John Seel suggests survival strategies—communication on-ramps for genuine human connection with the next generation. It can be done.
Television, Religion, and Supernatural by Erika Engstrom,Joseph M. Valenzano Pdf
This book examines the text of the CW network television series Supernatural, a program based in the horror genre that offers viewers myriad religious-based antagonists, through the portrayals of monsters which its two main characters “hunt” and destroy, as well as storylines based in the Bible. Even as the series’ producers claim a non-religious perspective, we contend that story arcs and outcomes of episodes actually forward a hegemonic portrayal of Christianity that portrays a good-versus-evil motif regarding the superiority of Christianity. The depiction of its protagonist brothers, Dean and Sam Winchester of Lawrence, Kansas, forwards a pro-American perspective to a more generalized fight against evil in contemporary times.
Christ and Culture in the New Testament by James W. Thompson Pdf
Believers in an increasingly secular world face the challenge of responding to the cultural changes that have taken place in the past generation, as Christians become a “cognitive minority,” especially in the West. Some attempt to restore the Christian culture of the past with political activism, and others accommodate to the cultural changes. Christians in a post-Christian world can learn much from believers who lived in the pre-Christian period. The New Testament demonstrates that, in a pluralistic and syncretistic world of religions, Christian identity exists neither through absorption into the culture nor through total withdrawal but through dialogue and critique.
A fantastical field guide to the hidden history of New York's magical past Manhattan has a pervasive quality of glamour—a heightened sense of personality generated by a place whose cinematic, literary, and commercial celebrity lends an aura of the fantastic to even its most commonplace locales. Enchanted New York chronicles an alternate history of this magical isle. It offers a tour along Broadway, focusing on times and places that illuminate a forgotten and sometimes hidden history of New York through site-specific stories of wizards, illuminati, fortune tellers, magicians, and more. Progressing up New York’s central thoroughfare, this guidebook to magical Manhattan offers a history you won’t find in your Lonely Planet or Fodor’s guide, tracing the arc of American technological alchemies—from Samuel Morse and Robert Fulton to the Manhattan Project—to Mesmeric physicians, to wonder–working Madame Blavatsky, and seers Helena Roerich and Alice Bailey. Harry Houdini appears and disappears, as the world’s premier stage magician’s feats of prestidigitation fade away to reveal a much more mysterious—and meaningful—marquee of magic. Unlike old-world cities, New York has no ancient monuments to mark its magical adolescence. There is no local memory embedded in the landscape of celebrated witches, warlocks, gods, or goddesses—no myths of magical metamorphoses. As we follow Kevin Dann in geographical and chronological progression up Broadway from Battery Park to Inwood, each chapter provides a surprising picture of a city whose ever-changing fortunes have always been founded on magical activity.
