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When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief. The Sweet Hereafter was released as a major motion picture by Atom Egoyan in 1997 and won the Grand Prix at the Cannes Film Festival. Egoyan also received Academy Award nominations for Best Director and Best Adapted Screenplay that year.
In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: when the worst thing happens, who do you blame?
Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...
Suspended in a strangely modern-day version of limbo, a young man must create a life for himself in the wake of incarceration. Known only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence in a makeshift encampment with other convicted sex offenders. Barely beyond childhood himself, the Kid is in many ways an innocent, trapped by impulses and foolish choices. Enter the Professor, a man who has built his own life on secrets and lies. A university sociologist of enormous size and intellect, he finds in the Kid the perfect subject for his research on homelessness and reoffending sex offenders. The two men forge a tentative partnership. But when the Professor's past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men's relationship shifts. Suddenly, the Kid must reconsider everything he has come to believe, and choose what course of action to take when faced with a new kind of moral decision.
The second installment in the Neely trilogy, which opens with a preposterously long sentence and goes downhill from there. Sex, gunplay, exhumed corpses. Something for everybody.
Wade Whitehouse, divorced, estranged from his young daughter, spends his days as a well-driller, snow-plow operator, and policeman, his nights in a wind-swept trailer park. But when a union boss is killed in an apparent hunting accident near Wade's home, and he is convinced that it is murder, he seizes the event as a chance to right many wrongs—unaware that as he unravels the mystery he himself will become unravelled. Soon his hunger for justice and self-respect become inseparable from a desperate violence.
After a celebrity chef’s murder in London, a globetrotting heiress and chocolate expert can’t escape the spotlight of suspicion . . . Includes recipes! Hayden Mundy Moore is an expert on everything chocolate, helping clients develop new products and revamp recipes until they're irresistible. But sometimes, a dash of murder finds its way into the mix . . . Chocolate whisperer Hayden Mundy Moore is in London to lend her expertise to high-street chocolaterie-pâtisserie Primrose. Nothing more. Really! But when a famous culinary bad boy is found dead under suspicious circumstances (in her lodgings!), Hayden’s eagerness not to be involved (this time) makes her the prime suspect in the ensuing investigation.
With America ever under global scrutiny, Russell Banks contemplates the questions of our origins, values, heroes, conflicts, and contradictions. He writes with conversational ease and emotional insight, drawing on contemporary politics, literature, film, and his knowledge of American history.
A Kirkus Reviews Best Fiction Book of 2021 A searing story about memory and betrayal from the acclaimed and bestselling Russell Banks In his late seventies and dying of cancer, famed Canadian-American documentary filmmaker Leonard Fife, one of sixty thousand draft evaders who fled to Canada to avoid Vietnam, has agreed to one final interview, determined to bare all his secrets and demythologize his mythologized life. But the story that unspools in front of the camera and an intimate chorus of observers, including Fife’s wife, his nurse, and his acolyte and former star student Malcolm Macleod, is confoundingly unexpected, the dark and affecting account of a man entirely unknown to all. A searing novel about memory, betrayal, love, and the faint grace note of redemption, Russell Banks’s Foregone is a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.
A Permanent Member of the Family by Russell Banks Pdf
A sterling collection of short stories from the author of Rule of the Bone and The Sweet Hereafter--his first in almost fifteen years--including six never-before-published works. One of our most prestigious writers, Russell Banks is a literary icon whose works probe the recesses of the human condition. His novels and stories offer rich portraits that are profound and deeply resonant--appearing regularly in anthologies and collections such as The Best American Short Stories and The PEN/O. Henry Prize Stories. This collection of twelve short works showcases this master at the peak of his intuitive powers. As he did in such works as the classic The Sweet Hereafter, the revered Rule of the Bone, and the haunting Lost Memory of Skin, Banks limns provocative and morally complex themes with pathos and sharp insight. Each of the stories in this powerful collection demonstrates the range and virtuosity of his narrative prowess and startlingly panoramic vision. A Permanent Member of the Family is a stunning addition to the canon of a writer "whose great works resonate with such heart and soul" (Janet Maslin, The New York Times).
When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief. The Sweet Hereafter was released as a major motion picture by Atom Egoyan in 1997 and won the Grand Prix at the Cannes Film Festival. Egoyan also received Academy Award nominations for Best Director and Best Adapted Screenplay that year.
Image and Territory by Jennifer Burwell,Monique Tschofen Pdf
In a culture that often understands formal experimentation or theoretical argument to be antithetical to pleasure, Atom Egoyan has nevertheless consistently appealed to wide audiences around the world. If films like The Adjuster, Calendar, Exotica, and The Sweet Hereafter have ensured him international cult status as one of the most revered of all contemporary directors, Egoyan's forays into installation art and opera have provided evidence of his versatility and confirmed his talents. Throughout his career, Atom Egoyan has shown himself to possess the rarest kind of singularity. As Jonathan Romney puts it, Egoyanþs 2preoccupations and tropes have been so consistent that he's practically created his own genre3 (1995, 8). Hrag Vartanian adds, 2Egoyanesque has become a word to film aficionados, commonly understood to mean a cinematic moment that examines sexuality, technology and alienation in the modern world3 (2004). For this singularity, Egoyan is widely hailed as a true auteur, ƯƯsomeone carrying on the legacy of the European art-house traditions of Bergman, Godard, and Truffaut. Certainly, his work bears a most recognizable signatureƯƯthere is no confusing an Egoyan work with anyone elseþs. Like his art-house predecessors, Egoyan clearly intends that his work be, as Dudley Andrew puts it, 2read rather than consumed,3 that is, viewed meditatively, reflected upon, and discussed (2000, 24). And indeed, in this world in which filmmaking has become commonplacewhere, as Egoyan has said, 2what used to be a rarified activity is now available to anyone with a digital camera and a computer3 (2001b, 18) he intends through much of his work to recall an earlier image culture in which artists had an ability to produce something that gained its power precisely through its rarity.
#1 NATIONAL BESTSELLER * WINNER OF THE 2022 TORONTO BOOK AWARDS * A New York Times Book Review Editors' Choice * Named a Most-Anticipated Book of 2022 by Entertainment Weekly, Lit Hub, and AV Club * “A visceral and incisive collection of six propulsive personal essays.” —Vanity Fair “[A] roving, psychologically probing memoir in essays . . . On the page, Polley turns out to be as brave, funny, and unself-serious as she is on the screen.” —The New Yorker From the Academy Award-nominated director of Women Talking, Run Towards the Danger explores memory and the dialogue between her past and her present. These are the most dangerous stories of my life. The ones I have avoided, the ones I haven’t told, the ones that have kept me awake on countless nights. As these stories found echoes in my adult life, and then went another, better way than they did in childhood, they became lighter and easier to carry. Sarah Polley’s work as an actor, screenwriter, and director is celebrated for its honesty, complexity, and deep humanity. She brings all of those qualities along with her exquisite storytelling chops to these six essays. Each one captures a piece of Polley’s life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person you are now but were not then. As Polley writes, the past and present are in a “reciprocal pressure dance.” Polley contemplates stories from her own life ranging from stage fright to high risk childbirth to endangerment and more. After struggling with the aftermath of a concussion, Polley met a specialist who gave her wholly new advice: to recover from a traumatic injury, she had to retrain her mind to strength by charging towards the very activities that triggered her symptoms. With riveting clarity, she shows the power of applying that same advice to other areas of her life in order to find a path forward, a way through. Rather than live in a protective crouch, she had to run towards the danger. In this extraordinary book, Sarah Polley explores what it is to live in one’s body, in a constant state of becoming, learning, and changing.
"A truly excellent novel. . . . The morbidly fascinating little twists of human existence are all here: love, sex, life and death, beauty and horror—the works." — Chicago Sun-Times In The Book of Jamaica, Russell Banks explores the complexities of political life in the Caribbean and its ever-present racial conflicts. His narrator, a thirty-five-year-old college professor from New Hampshire, goes to Jamaica to write a novel and soon becomes embroiled in the struggles between whites and Blacks. He is especially interested in an ancient tribe called the Maroons, descendants of the Ashanti, who had been enslaved by the Spanish and then fought the British in a hundred-year war. Despite this history of oppression, the Maroons have managed to maintain a relatively autonomous existence in Jamaica. Partly out of guilt and an intellectual sense of social responsibility, Banks's narrator gets involved in reuniting two clans who have been feuding for generations. Unfortunately, his attempt ends in disaster, and the narrator must deal with his feelings of alienation, isolation, and failure.
Can there truly be love after death? Drifting in the dark waters of a mysterious river, the only thing Amelia knows for sure is that she's dead. With no recollection of her past life—or her actual death—she's trapped alone in a nightmarish existence. All of this changes when she tries to rescue a boy, Joshua, from drowning in her river. As a ghost, she can do nothing but will him to live. Yet in an unforgettable moment of connection, she helps him survive. Amelia and Joshua grow ever closer as they begin to uncover the strange circumstances of her death and the secrets of the dark river that held her captive for so long. But even while they struggle to keep their bond hidden from the living world, a frightening spirit named Eli is doing everything in his power to destroy their newfound happiness and drag Amelia back into the ghost world . . . forever. Thrilling and evocative, with moments of pure pleasure, Hereafter is a sensation you won't want to miss.