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Abu Nuwas sits in the bazaar on his threadbare rug; a cup and sign proclaim him a teller of tales. For one small coin, he bids passers by to listen. A poor girl, Najda, sells spices from a tray. Would he, she asks, trade a tale for a packet of spice? Abu Nuwas agrees and begins the epic adventures of a girl and her genie. As did Scheherazade before him, Abu leaves Najda hanging in the middle of each yarn to keep her coming back. Between stories, he questions the girl about her life. He discovers that she has been promised in marriage to an old man whom she hates, but she must wed him to save her sick mother. The rich bridegroom will pay for the doctors the mother needs. Meanwhile, Najda sells spices in the market to earn enough money to keep her mother alive. While relating the fantastical accounts, the old man grows to admire the spice girl, and vows to find a way to help her. Listening to the stories of evil genies, demons, flying horses, dragons, viziers, princes, pirates, and nomadic raiders, young Najda finds her salvation with the help of Abu Nuwas, the TELLER OF TALES.
DIWAN OF ABU NUWAS Translation & Introduction Paul Smith Abu Nuwas (757-814) was the most famous and infamous poet who composed in Arabic of the Abbasid era. His style was extravagant and his compositions reflected the licentious manners of the upper classes of his day. His father was Arab and his mother was Persian. As a youth he was sold into slavery; a wealthy benefactor later set him free. By the time he reached manhood he had settled in Baghdad and was composing poetry. It was at this time, because of his long hair, he acquired the name Abu Nuwas (Father of Ringlets). Gradually he attracted the attention of Harun al-Rashid and was given quarters at court. His ability as a poet no doubt was one reason for Abu Nuwas' success with the caliph, but after a while he became known as a reprobate and participated in less reputable pastimes with the ruler. He spent time in Egypt but soon returned to Baghdad to live out his remaining years. It is said he lived the last part of his life as a Sufi and some of his poems reflect this. He is popular today, perhaps more so than he ever was, as a kind of comic anti-hero in many Muslim countries. His poems consist of qit'as (of which he was the first master) ghazals and qasidas. His poems could be classified into: wine poems (over a 100 here translated), praises (of nobles and caliphs & famous people), mockeries, jokes, complaints, love of men and women, hunting, laments, asceticism. All forms are here in the meaning & rhyme structure, the largest in print. Introduction: Life, Times & Poetry and forms he composed in: 2 appendixes of some of the stories about him in Arabian Nights and elsewhere. Large Format Paperback 7" x 10" 307 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi, Iqbal, Dara Shikoh, Ghalib, Seemab, Jigar and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
African Mythology A to Z by Patricia Ann Lynch Pdf
Designed specifically for young readers, the Mythology A to Z series explores the world's most important myths and legends in an accessible and entertaining manner. Each volume includes vividly written entries on the major figures, places, stories, objects, and themes of a given mythology. A vast continent, Africa is the home of the first humans and the birthplace of many cultures, ranging from nomadic bands to farmers to sophisticated civilizations. With four major language families and myriad peoples, Africa is also the source of a diverse and engaging body of myth. African Mythology A to Z is a clearly written reference guide to this lore. Containing 42 illustrations, two maps, a time line, a bibliography, an index, and extensive cross-references, African Mythology A to Z is a comprehensive and accessible reference guide for anyone interested in learning more about various African myths, traditions, and beliefs.
Faizah's Destiny: The Tales of Abu Nuwas 2 by Marva Dasef Pdf
The gods are at war and only a farmer's daughter can save the world from Armageddon. The village magician has gone missing. His four pupils think he has left a clue to his whereabouts in the Magicalis Bestialis--the book of magical creatures. They must seek the help of the elusive Simurgh, the mythical birds who know all the secrets of the universe. However, this is not an easy camping trip into the mountains. Spirits, gods, and demons confront the four friends, who are not aware they're being set up by otherworldly forces for a much larger task. A farmer's daughter, Faizah is chosen to lead the humans in the battle. She must persuade a slave, an orphan, and a rich merchant's son to join in the battle on the side of good. Although divided by Dev, the evil god of war, the teens must band together to find the Simurgh, rescue their teacher, and stave off Armageddon.
Abu Nuwas, the pre-eminent bacchic bard of the classical Arabic canon, was loved and reviled in equal measure for his lyrical celebration of Abbasid Baghdad's dissolute nightlife, his cutting satires of religion and the clergy, and the extraordinary range and virtuosity of his literary talent. Vintage Humour contains approximately 120 translations, each replicating the monorhyme scheme of the originals, with commentary where appropriate, a brief history of the poet's life and times, and a glossary of the key themes, motifs, and running jokes of the poems themselves. Based on extensive research with both Arabic and English source materials, Vintage Humour is an illuminating collection, of interest to both general and informed readers with an interest in Islamic studies, Arabic literature, and the history of Iraq and the Middle East.
The Arabian Nights in Transnational Perspective by Ulrich Marzolph Pdf
In a 2004 meeting marking the Arabian Nights' tercentennial at the Herzog August Library in Wolfenb'ttel, Germany, nineteen international scholars presented their work on the transnational aspects of the Arabian Nights. This volume collects their papers, whose topics range from the history of the Arabian Nights manuscripts, to positioning the Nights in modern and postmodern discourse, to the international reception of the Nights in written and oral tradition. Essays are arranged in five sections. The first section contains essays on Galland's translation and its "continuation" by Jacques Cazotte. The second section treats specific characteristics of the Nights, including manuscript tradition, the transformations of a specific narrative pattern occurring in the Nights and other works of medieval Arabic literature, the topic of siblings in the Nights, and the political thought mirrored in the Nights. The essays in the third section deal with framing in relation to the classical Indian collection Panchatantra and as a general cultural technique, with particular attention to storytelling in the oral tradition of the Indian Ocean islands off the African coast. The two concluding and largest sections focus on various aspects of the transnational reception of the Nights. While the essays of the fourth section predominantly discuss written or learned tradition in Hawai'i, Swahili-speaking East Africa, Turkey, Iran, German cinema, and modern Arabic literature, the fifth section encompasses essays on the reception and role of the Nights in the oral tradition of areas as wide apart as Sicily, Greece, Afganistan, and Balochistan. A preface by Ulrich Marzolph unifies this volume. In view of the tremendous impact of the Arabian Nights on Western creative imagination, this collection will appeal to literary scholars of many backgrounds.
This is the first book to present the life, times and poetry of one of the greatest poets in the Arab tradition, Abu Nuwas. Author Philip Kennedy provides the narrative of Abu Nuwas's fascinating life, which was full of intrigue and debauched adventure, in parallel with the presentation of his greatest poems, across all genres, in easy and accessible translations, giving commentary where needed.
An extensive collection of essays that examines the place of homosexuality in the contemporary and classical Muslim world. The place of sexual and gender minorities in the contemporary Islamic world is the subject of fascinating new directions in research and scholarly thought. Islam and Homosexuality gathers together 20 experts exploring these issues to provide an expansive look at the treatment of same-sex interactions in Muslim cultures today. Islam and Homosexuality offers one volume on the specific experiences of gay Muslims today and a second volume viewing the issue from a global perspective. Essays explore the lives of LGBTIQ persons in both Islamic nations and Muslim communities in non-Islamic countries. Additional writings explore the roots of homophobia in the theology of Islam, the various judgments against homosexuality in the different schools of Islamic law, and the potential scriptural basis for including LGBTIQ persons in the Muslim community. No other resource on the relationship between LGBTIQ persons and the world's largest religion covers the topic with anything approaching this work's range or depth.
THE BOOK OF ABU NUWAS Translation & Introduction Paul Smith Abu Nuwas (757-814) was the most famous and infamous poet who composed in Arabic of the Abbasid era. His style was extravagant and his compositions reflected the licentious manners of the upper classes of his day. His father was Arab and his mother was Persian. As a youth he was sold into slavery; a wealthy benefactor later set him free. By the time he reached manhood he had settled in Baghdad and was composing poetry. It was at this time, because of his long hair, he acquired the name Abu Nuwas (Father of Ringlets). Gradually he attracted the attention of Harun al-Rashid and was given quarters at court. His ability as a poet no doubt was one reason for Abu Nuwas' success with the caliph, but after a while he became known as a reprobate and participated in less reputable pastimes with the ruler. He spent time in Egypt but soon returned to Baghdad to live out his remaining years. It is said he lived the last part of his life as a Sufi and some of his poems reflect this. He is popular today, perhaps more so than he ever was, as a kind of comic anti-hero in many Muslim countries. His poems consist of qit'as (of which he was the first master) ghazals and qasidas. His poems could be classified into: praises (of nobles and caliphs & famous people), mockeries, jokes, complaints, love of men and women, wine, hunting, laments, asceticism. All forms are here in the true meaning & rhyme structure. Introduction on his Life, Times & Poetry and forms he composed in and two appendixes of some of the stories about him in the Arabian Nights and elsewhere. Large Format Paperback 7" x 10" 196 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator works in English into Persian and knower of Hafiz's Divan off by heart. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi, Iqbal, Dara Shikoh, Ghalib and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
Medieval Islamic Civilization by Josef W. Meri Pdf
Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the seventh and sixteenth century. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, art history, history, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. This reference provides an exhaustive and vivid portrait of Islamic civilization including the many scientific, artistic, and religious developments as well as all aspects of daily life and culture. For a full list of entries, contributors, and more, visit www.routledge-ny.com/middleages/Islamic.
Author : Joseph A. Massad Publisher : University of Chicago Press Page : 470 pages File Size : 45,9 Mb Release : 2008-09-15 Category : Social Science ISBN : 9780226509600
Sexual desire has long played a key role in Western judgments about the value of Arab civilization. In the past, Westerners viewed the Arab world as licentious, and Western intolerance of sex led them to brand Arabs as decadent; but as Western society became more sexually open, the supposedly prudish Arabs soon became viewed as backward. Rather than focusing exclusively on how these views developed in the West, in Desiring Arabs Joseph A. Massad reveals the history of how Arabs represented their own sexual desires. To this aim, he assembles a massive and diverse compendium of Arabic writing from the nineteenth century to the present in order to chart the changes in Arab sexual attitudes and their links to Arab notions of cultural heritage and civilization. A work of impressive scope and erudition, Massad’s chronicle of both the history and modern permutations of the debate over representations of sexual desires and practices in the Arab world is a crucial addition to our understanding of a frequently oversimplified and vilified culture. “A pioneering work on a very timely yet frustratingly neglected topic. . . . I know of no other study that can even begin to compare with the detail and scope of [this] work.”—Khaled El-Rouayheb, Middle East Report “In Desiring Arabs, [Edward] Said’s disciple Joseph A. Massad corroborates his mentor’s thesis that orientalist writing was racist and dehumanizing. . . . [Massad] brilliantly goes on to trace the legacy of this racist, internalized, orientalist discourse up to the present.”—Financial Times