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The Manyoshu is the great literary work of eighth century Japan, a collection comprising work from more than four hundred writers. Its richness and nobility of sentiments have made the Manyoshu an object of literary fascination for centuries. Ten Thousand Leaves is a selection of love poems from this magnificent anthology,selected and translated by world renowned scholar Harold Wright and complemented by spectacular period art.
1000 Poems from the Manyoshu by Nihon Gakujutsu Shink?kai. Japanese Classics Translation Committee Pdf
Dating from the eighth century and earlier, the Manyoshu is the oldest Japanese poetry anthology. The 1,000 poems chosen for this famous selection were chosen by a distinguished scholarly committee based on their poetic excellence, their role in revealing the Japanese national spirit and character, and their cultural and historical significance. Text is in English only.
Set between Holland and a remote Indonesian island, this intimate magical realism novel offers “an offbeat narrative that has the timeless tone of a legend” (Time). “Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” —Cheryl Strayed, author of Wild The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.
A sweeping anthology of classical Japanese poetry, including poems about love, war, trees and mountains, everyday life, and so much more. One of the most important works of Japanese literature of all time, available here in an accessible translation. Winner of the 1982 American Book Award for Translation The first and greatest anthology of classical Japanese poetry, the Man'yōshū is considered, along with The Tale of Genji, to be one the most important works in classical Japanese literature. In Japanese the title means “Anthology of Ten Thousand Leaves,” the “anthology of anthologies” from the first flowering of an artistic and literary sensibility in Japan during the Asuka and Nara periods—the seventh and eighth centuries. Exhibiting an astonishing variety, the poems range from the grand animistic rhetoric of the laments for the imperial family to the stark and curiously modern “Dialogue of the Destitute,” from the elegant banquet verse of aristocrats to the “poems of the frontier guardsmen.” As its name suggests, The Ten Thousand Leaves represents a culling of what was considered the best from an epoch of cultural and literary innovation perhaps unparalleled in Japanese history. This edition incorporates books one through five of the twenty that make up the original Man'yōshū and includes an introduction by the translator, Ian Hideo Levy, that provides a general historical and cultural background for this monumental work.
In this sequel to A Thousand Pieces of You by New York Times bestselling author Claudia Gray, Marguerite races through various dimensions to save the boy she loves. Ever since she used the Firebird, her parents' invention, to cross through to alternate dimensions, Marguerite has caught the attention of enemies who will do anything to force her into helping them dominate the multiverse—even hurt the people she loves. She resists until her boyfriend, Paul, is attacked, and his consciousness is scattered across multiple dimensions. The hunt for each splinter of Paul's soul sends Marguerite racing through a war-torn San Francisco, the criminal underworld of New York City, and a glittering Paris where another Marguerite hides a shocking secret. Each dimension brings Marguerite one step closer to rescuing Paul. But with every trial she faces, she begins to question the one constant she's found between the worlds: their love for each other.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Gloria, a young prostitute who has a son, make an ageement to help widower John Williams raise his infant daughter, but, after a tragic event, she finds herself longing for a family.
"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.
