The Tenth Street Studio Building

Author : Annette Blaugrund
Publisher : University of Washington Press
Page : 154 pages
File Size : 42,7 Mb
Release : 1997
Category : Architecture
ISBN : UOM:39015041352660

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The Tenth Street Studio Building by Annette Blaugrund Pdf

New York's Tenth Street Studio Building (1857-1956), designed by Richard Morris Hunt, housed some of the most important artists in the United States, notably Frederic E. Church, Albert Bierstadt, Winslow Homer, John La Farge, and William Merritt Chase. The tenants worked, taught, exhibited, promoted, and sold their work from their studios and the gallery. This book examines not only the architecture and functions of the building, illustrating a number of the studios, but also the marketing of art in the 19th century. Excerpts from diaries, letters, and autobiographies provide a sense of the congeniality and collaboration among the tenants. A roster of tenants from 1857 to 1895 is included.

Author : Sarah Burns
Publisher : Yale University Press
Page : 396 pages
File Size : 41,5 Mb
Release : 1996-01-01
Category : Art
ISBN : 0300064454

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Inventing the Modern Artist by Sarah Burns Pdf

Describes how late Victorian culture encouraged the evolution of art as a career, discussing such "inventions" as art therapy and bohemianism, and exploring artists' complicated and confused gender roles

Author : Annette Blaugrund
Publisher : Unknown
Page : 528 pages
File Size : 51,7 Mb
Release : 1987
Category : Art
ISBN : PSU:000017080316

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The Tenth Street Studio Building by Annette Blaugrund Pdf

Author : Kate Belli
Publisher : Crooked Lane Books
Page : 332 pages
File Size : 54,6 Mb
Release : 2022-10-11
Category : Fiction
ISBN : 9781639100934

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Treachery on Tenth Street by Kate Belli Pdf

Somebody’s killing the most glamorous models in Gilded-Age New York, but intrepid Genevieve Stewart is up to the task in Kate Belli’s third Gilded Gotham mystery, for fans of Victoria Thompson and Andrea Penrose. As a heat wave engulfs New York in the summer of 1889, the city’s top models begin turning up dead, one by one, suggesting the work of a single killer. Society girl turned investigative journalist Genevieve Stewart is drawn into the case when Beatrice Holler, one of her friend Callie’s fellow models, is found with her throat cut. Genevieve and her compatriot, wealthy Daniel McCaffrey, are joined by Callie to seek out the suspects, which leads them to search for answers from the members of the elite, notorious gangsters, and the city's most prominent painters. In an era when London’s Jack the Ripper murders have everyone on edge, the police want to keep the killings quiet. But the bodies are piling up as fast as the suspects—and unless the killer is found, the simmering New York summer could boil over into madness.

Author : David C. Miller
Publisher : Yale University Press
Page : 356 pages
File Size : 42,8 Mb
Release : 1993-01-01
Category : Art
ISBN : 0300065140

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American Iconology by David C. Miller Pdf

This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.

Author : Michelle Nevius,James Nevius
Publisher : Simon and Schuster
Page : 368 pages
File Size : 55,5 Mb
Release : 2009-03-24
Category : History
ISBN : 9781416593935

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Inside the Apple by Michelle Nevius,James Nevius Pdf

How much do you actually know about New York City? Did you know they tried to anchor Zeppelins at the top of the Empire State Building? Or that the high-rent district of Park Avenue was once so dangerous it was called "Death Avenue"? Lively and comprehensive, Inside the Apple brings to life New York's fascinating past. This narrative history of New York City is the first to offer practical walking tour know-how. Fast-paced but thorough, its bite-size chapters each focus on an event, person, or place of historical significance. Rich in anecdotes and illustrations, it whisks readers from colonial New Amsterdam through Manhattan's past, right up to post-9/11 New York. The book also works as a historical walking-tour guide, with 14 self-guided tours, maps, and step-by-step directions. Easy to carry with you as you explore the city, Inside the Apple allows you to visit the site of every story it tells. This energetic, wide-ranging, and often humorous book covers New York's most important historical moments, but is always anchored in the city of today.

Author : The Staff of the New-York Historical Society Library
Publisher : Columbia University Press
Page : 217 pages
File Size : 49,6 Mb
Release : 2010-10-19
Category : History
ISBN : 9780231519397

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When Did the Statue of Liberty Turn Green? by The Staff of the New-York Historical Society Library Pdf

A treasury of trivia from the New-York Historical Society: “An extraordinary tapestry depicting New York's story.... An almost addictive read.”—Library Journal For years, the librarians at the New-York Historical Society have kept a record of the questions posed to them by curious locals and visitors to the city. Who was the first woman to run for mayor of New York? Why are beavers featured on the city's official seal? Is it true that a nineteenth-century New Yorker built a house out of spite? Who were the Collyer brothers? In this book, the library staff answers more than a hundred of the most popular and compelling queries. With endlessly entertaining entries featuring hard-to-find data and unforgettable profiles, it’s ideal for those who love trivia, urban history, strange tales, and, of course, New York City. Discover: How “Peg-Leg” Peter Stuyvesant lost his right leg Whether Manhattan used to have cowboys How the New York Yankees got their name Who was Pig Foot Mary Why the Manhattan House of Detention is called the Tombs Who Topsy was and how she electrified New York City How many speakeasies were open during Prohibition What occurred every May in the nineteenth century to cause so much commotion When penguins were stolen from the Coney Island Aquarium, and much more

Author : Kirstin Ringelberg
Publisher : Routledge
Page : 178 pages
File Size : 51,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351551984

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Redefining Gender in American Impressionist Studio Paintings by Kirstin Ringelberg Pdf

Were late nineteenth-century gender boundaries as restrictive as is generally held? In Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space, Kirstin Ringelberg argues that it is time to bring the current re-evaluation of the notion of separate spheres to these images. Focusing on studio paintings by American artists William Merritt Chase and Mary Fairchild MacMonnies Low, she explores how the home-based painting studio existed outside of entrenched gendered divisions of public and private space and argues that representations of these studios are at odds with standard perceptions of the images, their creators, and the concept of gender in the nineteenth century. Unlike most of their bourgeois contemporaries, Gilded Age artists, whether male or female, often melded the worlds of work and home. Through analysis of both paintings and literature of the time, Ringelberg reveals how art history continues to support a false dichotomy; that, in fact, paintings that show women negotiating a complex combination of professionalism and domesticity are still overlooked in favor of those that emphasize women as decorative objects. Redefining Gender in American Impressionist Studio Paintings challenges the dominant interpretation of American (and European) Impressionism, and considers both men and women artists as active performers of multivalent identities.

Author : William James Stillman,John Durand
Publisher : Unknown
Page : 448 pages
File Size : 55,7 Mb
Release : 1859
Category : Art
ISBN : PRNC:32101082376466

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The Crayon by William James Stillman,John Durand Pdf

Author : Wendy Jean Katz
Publisher : Fordham Univ Press
Page : 304 pages
File Size : 42,9 Mb
Release : 2020-02-04
Category : History
ISBN : 9780823285402

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Humbug! by Wendy Jean Katz Pdf

Approximately 300 daily and weekly newspapers flourished in New York before the Civil War. A majority of these newspapers, even those that proclaimed independence of party, were motivated by political conviction and often local conflicts. Their editors and writers jockeyed for government office and influence. Political infighting and their related maneuvers dominated the popular press, and these political and economic agendas led in turn to exploitation of art and art exhibitions. Humbug traces the relationships, class animosities, gender biases, and racial projections that drove the terms of art criticism, from the emergence of the penny press to the Civil War. The inexpensive “penny” papers that appeared in the 1830s relied on advertising to survive. Sensational stories, satire, and breaking news were the key to selling papers on the streets. Coverage of local politicians, markets, crime, and personalities, including artists and art exhibitions, became the penny papers’ lifeblood. These cheap papers, though unquestionably part of the period’s expanding capitalist economy, offered socialists, working-class men, bohemians, and utopianists a forum in which they could propose new models for American art and society and tear down existing ones. Arguing that the politics of the antebellum press affected the meaning of American art in ways that have gone unrecognized, Humbug covers the changing politics and rhetoric of this criticism. Author Wendy Katz demonstrates how the penny press’s drive for a more egalitarian society affected the taste and values that shaped art, and how the politics of their art criticism changed under pressure from nativists, abolitionists, and expansionists. Chapters explore James Gordon Bennett’s New York Herald and its attack on aristocratic monopolies on art; the penny press’s attack on the American Art-Union, an influential corporation whose Board purchased artworks from living artists, exhibited them in a free gallery, and then distributed them in an annual five-dollar lottery; exposés of the fraudulent trade in Old Masters works; and the efforts of socialists, freethinkers, and bohemians to reject the authority of the past.

Author : Alice Cooney Frelinghuysen,Elizabeth Hutchinson
Publisher : Metropolitan Museum of Art
Page : 278 pages
File Size : 53,7 Mb
Release : 2006
Category : Electronic
ISBN : 9781588392015

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Louis Comfort Tiffany and Laurelton Hall by Alice Cooney Frelinghuysen,Elizabeth Hutchinson Pdf

Laurelton Hall, Louis Comfort Tiffany's (American, 1848-1933) extraordinary country estate in Oyster Bay, New York, completed in 1905, was the epitome of Tiffany's achievement and in many ways defined this multifaceted artist. Tiffany designed every aspect of the project inside and out, creating a total aesthetic environment. This publication accompanies an exhibition that reveals Tiffany's most personal art, bringing into focus this remarkable artist who lavished as much care and creativity on the design and furnishing of his home and gardens as he did on all the wide-ranging media in which he worked. Although the house tragically burned to the ground in 1957, many of its surviving architectural elements and interior characteristics are included in this volume. Also featured are Tiffany's personal collections of his own work-breathtaking stained-glass windows, paintings, glass and ceramic vases-as well as the artist's collections of Japanese, Chinese, and Native American works of art. -- Metropolitan Museum of Art website.

Author : Irma B. Jaffe
Publisher : Fordham Univ Press
Page : 312 pages
File Size : 40,7 Mb
Release : 1992
Category : Art
ISBN : 0823213420

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The Italian Presence in American Art, 1860-1920 by Irma B. Jaffe Pdf

The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, was published in 1989. The present volume comprises 17 papers presented at the second joint symposium, dealing with American art from 1860 to 1920. It is also Volume II of what is now projected as a three-volume study of the Italian presence in American art, to be completed with a volume based on the third symposium (1991) covering the period 1920-1990. The production is lovely throughout, and the essays are illustrated with 16 color plates and 149 bandw figures. Co-published with the Instituto della Enciclopedia Italiana, Rome. Annotation copyright by Book News, Inc., Portland, OR

Author : JamesL. Yarnall
Publisher : Routledge
Page : 384 pages
File Size : 41,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351561556

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"John La Farge, A Biographical and Critical Study " by JamesL. Yarnall Pdf

John La Farge, A Biographical and Critical Study is the first biography in a century of the American painter, illustrator, muralist, stained-glass artist, and writer. Examining La Farge's career from his youth to his late rebound as a decorative artist-from New York City and New England to Europe to Japan to the South Seas-this is also the only biography to date composed independently of the artist and his estate. Drawing on primary documentation culled from archives and contemporary newspapers and journals, the biography thoroughly documents La Farge's career and artwork. Earlier biographies avoided the darker aspects of his complex and conflicted life, which had dramatic effects on his work. The study also offers critical analysis of the artist's works, showing influences from other artists and giving contemporary and modern responses. La Farge authority James L. Yarnall scrutinizes how posterity has viewed the artist throughout the century since his death. The book is copiously illustrated with black-and-white and color images.

Author : James Bone
Publisher : Simon and Schuster
Page : 336 pages
File Size : 47,5 Mb
Release : 2016-04-12
Category : Biography & Autobiography
ISBN : 9781942872603

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The Curse of Beauty by James Bone Pdf

The tumultuous and heartbreaking life of a world-famous model whose riveting story of beauty, fame, passion, murder, and madness in the Gilded Age captivated a nation. As America was stepping into the modern era, one great beauty became the artist’s model of choice. Her perfect form became the emblem of the Gilded Age and appears on the greatest monuments of New York and the nation. Supermodel, actress, icon—her beauty paved the way for a life of glamour, passion, and ultimately tragedy. She dated the millionaires of the fashionable Newport colony, became the first American movie star ever to appear naked in a film, but her promising film career collapsed, her doctor fell in love with her and killed his own wife, and on her fortieth birthday, her mother committed her to an insane asylum. She remained there until her death in 1996 at the age of 104 and is now buried in an unmarked grave. Her name is Audrey Munson. Many readers will recognize Audrey Munson, and have walked by her in the street, without even knowing her name. She stands atop New York’s Municipal Building. She sits as “Miss Manhattan” and “Miss Brooklyn” outside the Brooklyn Museum, is immortalized on the Manhattan Bridge, the Frick Mansion, the New York Public Library, and the Pulitzer Fountain outside the Plaza Hotel. In gold, bronze, and stone, she still graces bridges, skyscrapers, fountains, churches, monuments, and public buildings across the nation, from Jacksonville to San Francisco, from Atlanta to the Wisconsin state capitol. From James Bone, the former New York Bureau Chief of The Times of London, this brilliantly reported investigative biography reveals, for the first time, the riveting truth of the forgotten life of an iconic beauty.

Author : Sanford Robinson Gifford
Publisher : Metropolitan Museum of Art
Page : 290 pages
File Size : 52,9 Mb
Release : 2003
Category : Hudson River school of landscape painting
ISBN : 9780300101843

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Hudson River School Visions by Sanford Robinson Gifford Pdf

Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light of each scene-color saturated and atmospherically potent-the key to its expression. His approach to painting and his unique style gave rise to a highly distinctive body of work with enchanting and mesmerizing effect. This publication examines seventy paintings by the artist and includes comparative illustrations of related works by Gifford, his Hudson River School mentors and colleagues, and those painters, in addition to Cole and Turner, who exerted influence on his art, including Frederic Edwin Church and John F. Kensett. The essays discuss Gifford's place in the Hudson River School, his numerous Catskill Mountain subjects, his experiences and perceptions as a traveler both at home and abroad, and the variety of his patrons. -- Metropolitan Museum of Art website.