The Ternary Distinction Of Film Music

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The Ternary Distinction of Film Music

Author : Gaspara Cailléz Angeles MPhil ASCAP
Publisher : Balboa Press
Page : 87 pages
File Size : 41,9 Mb
Release : 2021-12-30
Category : Music
ISBN : 9781982293253

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The Ternary Distinction of Film Music by Gaspara Cailléz Angeles MPhil ASCAP Pdf

The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstructs the binary to establish a new tripartite schema that subsumes ambiguous classifications of film music that remain sitting outside and within the binary regions. Following the law of parsimony, the schema proffers a new way to organize film music without destabilizing categorial logic.

The Cambridge Companion to Film Music

Author : Mervyn Cooke,Fiona Ford
Publisher : Cambridge University Press
Page : 439 pages
File Size : 41,5 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781107094512

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The Cambridge Companion to Film Music by Mervyn Cooke,Fiona Ford Pdf

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Shared Meanings in the Film Music of Philip Glass

Author : Tristian Evans
Publisher : Routledge
Page : 240 pages
File Size : 49,9 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317055723

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Shared Meanings in the Film Music of Philip Glass by Tristian Evans Pdf

The study of music within multimedia contexts has become an increasingly active area of scholarly research. However, the application of such studies to musical genres outside the 'classical' film canon, or in television and other media remains largely unexplored in any detail. Tristian Evans demonstrates how postminimal music interacts with other media forms, focusing on the film music by Philip Glass, but also taking into account works by other composers such as Steve Reich, Terry Riley, John Adams and others inspired by minimalist and postminimal practices. Additionally, Evans develops innovative ways of analysing this music, based on an interdisciplinary approach, and draws on research from areas that include philosophy, linguistics and film theory. The book offers one of the first in-depth studies of Philip Glass's music for film, considering The Hours and Dracula, Naqoyqatsi, Notes on a Scandal and Watchmen, while examining re-applications of the music in new cinematic and televisual contexts. The book will appeal to musicologists but also to those working in the fields of film music, cultural studies, media studies and multimedia.

Film Music and Beyond

Author : Hans Keller
Publisher : Plumbago Books and Arts
Page : 138 pages
File Size : 53,9 Mb
Release : 2006
Category : Music
ISBN : 9780954012366

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Film Music and Beyond by Hans Keller Pdf

Between 1946 and 1959, the most outspoken voice in British film music was that of the Austrian emigre Hans Keller. This work is a collection of writings on film music by the celebrated critic.

The Routledge Companion to Embodied Music Interaction

Author : Micheline Lesaffre,Pieter-Jan Maes,Marc Leman
Publisher : Taylor & Francis
Page : 456 pages
File Size : 54,7 Mb
Release : 2017-09-19
Category : Music
ISBN : 9781317219736

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The Routledge Companion to Embodied Music Interaction by Micheline Lesaffre,Pieter-Jan Maes,Marc Leman Pdf

The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.

Film Music in the Sound Era

Author : Jonathan Rhodes Lee
Publisher : Routledge
Page : 1096 pages
File Size : 44,6 Mb
Release : 2020-03-10
Category : Music
ISBN : 9781000091281

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Film Music in the Sound Era by Jonathan Rhodes Lee Pdf

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Music and the Silent Film

Author : Martin Miller Marks
Publisher : Oxford University Press, USA
Page : 320 pages
File Size : 54,8 Mb
Release : 1997
Category : Silent film music
ISBN : 9780195068917

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Music and the Silent Film by Martin Miller Marks Pdf

Most people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.

Film Music Analysis

Author : Frank Lehman
Publisher : Taylor & Francis
Page : 250 pages
File Size : 41,7 Mb
Release : 2024-05-31
Category : Music
ISBN : 9781040000274

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Film Music Analysis by Frank Lehman Pdf

Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.

Edexcel GCSE Music Study Guide

Author : Paul Terry,Steven Berryman
Publisher : Rhinegold Education
Page : 256 pages
File Size : 48,9 Mb
Release : 2016-07-01
Category : Music
ISBN : 9781783238705

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Edexcel GCSE Music Study Guide by Paul Terry,Steven Berryman Pdf

A definitive study guide for the 9–1 GCSE syllabus. This comprehensive guide supports all components of the GCSE: Performing, Composing and Appraising. It covers the full list of Set Works and suggested Wider Listening, provides tests and practice exam questions and includes advice and tips on how to do well in the written paper.

After the Avant-garde

Author : Randall Halle,Reinhild Steingröver
Publisher : Camden House
Page : 376 pages
File Size : 43,6 Mb
Release : 2008
Category : Art
ISBN : 1571133658

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After the Avant-garde by Randall Halle,Reinhild Steingröver Pdf

Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.

Dracula's Daughters

Author : Douglas Brode,Leah Deyneka
Publisher : Scarecrow Press
Page : 319 pages
File Size : 43,5 Mb
Release : 2013-12-24
Category : Performing Arts
ISBN : 9780810892965

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Dracula's Daughters by Douglas Brode,Leah Deyneka Pdf

Almost as long as cinema has existed, vampires have appeared on screen. Symbolizing an unholy union between sex and death, the vampire—male or female—has represented the libido, a “repressed force” that consumed its victims. Early iconic representations of male vampires were seen in Nosferatu (1922) and Dracula (1931), but not until Dracula’s Daughter in 1936 did a female “sex vampire” assume the lead. Other female vampires followed, perhaps most provocatively in the Hammer films of the 1950s, ’60s, and ’70s. Later incarnations, in such films as Near Dark (1987) and From Dusk till Dawn (1996), offered modern takes on this now iconic figure. In Dracula’s Daughters: The Female Vampire on Film, Douglas Brode and Leah Deyneka have assembled a varied collection of essays that explore this cinematic type that simultaneously frightens and seduces viewers. These essays address a number of issues raised by the female vampire film, such as violence perpetrated on and by women; reactions to the genre from feminists, antifeminists, and postfeminists; the implications of female vampire films for audiences both gay and straight; and how films reflected the period during which they were created. Other topics include female vampire films in relationship to vampire fiction, particularly by women such as Anne Rice; the relationship of the vampire myth to sexually transmitted diseases like AIDS; issues of race and misogyny; and the unique phenomenon of teen vampires in young adult books and films such as Twilight. Featuring more than thirty photos spanning several decades, this collection offers a compelling assessment of an archetypal figure—an enduring representation of dark desires—that continues to captivate audiences. This book will appeal not only to scholars and students but also to any lover of transgressive cinema.

Theories of the Soundtrack

Author : James Buhler
Publisher : Oxford University Press
Page : 432 pages
File Size : 46,5 Mb
Release : 2018-10-03
Category : Performing Arts
ISBN : 9780190913236

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Theories of the Soundtrack by James Buhler Pdf

A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.

Heinemann GCSE Music

Author : Mark Phillips
Publisher : Heinemann
Page : 168 pages
File Size : 54,7 Mb
Release : 2002
Category : Juvenile Nonfiction
ISBN : 0435813188

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Heinemann GCSE Music by Mark Phillips Pdf

Providing audio CDs with relevant excerpts and a CD-ROM with supporting files, this pack offers an integrated approach to the requirements of performing, composing, listening and appraising for Key Stage 4. The pack also offers a copy of the student book and a teacher's resource file.

The Music and Sound of Experimental Film

Author : Holly Rogers (Professor of music),Jeremy Barham
Publisher : Oxford University Press
Page : 337 pages
File Size : 50,7 Mb
Release : 2017
Category : Music
ISBN : 9780190469894

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The Music and Sound of Experimental Film by Holly Rogers (Professor of music),Jeremy Barham Pdf

Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.

The Symphony in Australia, 1960-2020

Author : Rhoderick McNeill
Publisher : Taylor & Francis
Page : 278 pages
File Size : 43,9 Mb
Release : 2022-08-26
Category : Music
ISBN : 9781000578621

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The Symphony in Australia, 1960-2020 by Rhoderick McNeill Pdf

The Symphony remained a major orchestral form in Australia between 1960 and 2020, with a body of diverse and interesting symphonies produced during the 1960s and 1970s that defied the widespread modernist trends of serialism, electronic music and indeterminism that seemed harbingers of the symphony’s demise. From the late 1970s onwards, many Australian composers chose to work in styles that admitted modal and tonal melodic and harmonic elements with regular pulse. Major cycles of symphonies by Carl Vine, Brenton Broadstock and Ross Edwards began to appear in the late 1980s. Other prolific symphonists like Paul Paviour (10 symphonies), David Morgan (15 symphonies), Philip Bracanin (11), Peter Tahourdin (5), John Polglase (5) and many others demonstrated a revived interest in the form. This trend continued into the first two decades of the present century with symphonies by Matthew Hindson, Katy Abbott, Stuart Greenbaum, Andrew Schultz, Mark Isaacs and Gordon Kerry. This renewed interest in the symphony reflects similar trends in Britain and the United States. Rhoderick McNeill provides a comprehensive introduction to this large body of music with the aim of making the music and its composers known to concert- goers, music educators and students, conductors and music entrepreneurs.