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The Terrible Speed of Mercy by Jonathan Rogers Pdf
Jonathan Rogers follows the roots of Flannery O'Connor's fervent Catholicism and traces the outlines of a life marked by illness and suffering, but ultimately defined by an irrepressible joy. In her stories, and in her life story, Flannery O'Connor extends a hand in the dark, warning and reassuring us of the terrible speed of mercy.
The Terrible Speed of Mercy by Jonathan Rogers Pdf
“Many of my ardent admirers would be roundly shocked and disturbed if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.” —Flannery O’Connor Flannery O’Connor’s work has been described as “profane, blasphemous, and outrageous.” Her stories are peopled by a sordid caravan of murderers and thieves, prostitutes and bigots whose lives are punctuated by horror and sudden violence. But perhaps the most shocking thing about Flannery O’Connor’s fiction is the fact that it is shaped by a thoroughly Christian vision. If the world she depicts is dark and terrifying, it is also the place where grace makes itself known. Her world—our world—is the stage whereon the divine comedy plays out; the freakishness and violence in O’Connor’s stories, so often mistaken for a kind of misanthropy or even nihilism, turn out to be a call to mercy. In this biography, Jonathan Rogers gets at the heart of O’Connor’s work. He follows the roots of her fervent Catholicism and traces the outlines of a life marked by illness and suffering, but ultimately defined by an irrepressible joy and even hilarity. In her stories, and in her life story, Flannery O’Connor extends a hand in the dark, warning and reassuring us of the terrible speed of mercy.
“Dark family secrets, the lore of the sea, and a tender, protective friendship between women all converge in The Speed of Mercy, an unusual and surprising story set in idyllic rural Nova Scotia. With subtle humour, Conlin picks the locks on the long-closed doors of two families and bares the ugly, painful skeletons everyone knew were there but chose to hide.” — Sylvia D. Hamilton, author of And I Alone Escaped To Tell You The Speed of Mercy captures the unbearable cost of childhood betrayal and what happens when history is suppressed, our past is forgotten — yet finding the truth can change the future. Christy Ann Conlin rips into the myths and stereotypes about older women and those on the edge of conventional society to reveal the timeless gift of mercy in this feminist tour de force. “Christy Ann Conlin is a conjurer: of place, people, and the haunting past. I was instantly caught up in the darkly mysterious world and indelible characters she has brought to life. Gripping, suspenseful, and lyrically written, The Speed of Mercy caught me by the throat and didn’t let go.” — Alix Ohlin, Scotiabank Giller Prize–shortlisted author of Dual Citizens
This detailed analysis of the theme of retribution is a key to understanding the fiction of Flannery O'Connor. An idea central to the Bible, Dante, and Chaucer - one is paid back for the evil one does or for failure to do good - retribution expresses O'Connor's interest as a writer and defines the contour of her achievement as an artist. Within the twenty-year span of her writing career, O'Connor's notion of retribution expanded from her original concept in her first story, «The Geranium, » of retribution as personal and familial, to her final version in her last story, «Judgement Day, » which shows an interest that is eschatological.
A study of Flannery O'Connor, revealing a writer whose world was steeped in male presumption regarding women and creativity. It offers perspectives on her Catholicism, her upbringing, her readings of arguably misogynistic authors, and her schooling in the New Criticism.
n this unflinching look at depression and the human struggle to find hope in its midst, acclaimed author Tim Farrington writes with heartrending honesty of his lifelong struggle with the condition he calls "a hell of mercy." With both wry humor and poignancy, he unravels the profound connection between depression and the spiritual path, the infamous dark night of the soul made popular by mystic John of the Cross. While depression can be a heartbreaking time of isolation and lethargy, it can also provide powerful spiritual insights and healing times of surrender. When doctors prescribe medication, patients are often left feeling as if part of their very selves has been numbed in order to become what some might call "normal." Farrington wrestles with profound questions, such as: When is depression a part of your identity, and when does it hold you back from realizing your potential? In the tradition of Darkness Visible and An Unquiet Mind, A Hell of Mercy is both a much needed companion for those walking this difficult terrain as well as a guide for anyone who has watched a loved one grapple with this inner emotional darkness.
We were high school sweethearts. One day she disappeared after class and didn't come back. She left me high and dry. I was angry. I took it out on her by sleeping with her best friend. Then she showed back up with a story I didn't believe. I was done. I married her best friend after she got pregnant, and now I have a seventeen-year-old son who's stuck in the middle of our divorce. But then I saw my ex again. Feelings arose I thought I buried all those years ago. She's still mine. I proved it against a wall after a heated argument. I found out there's been no one else since me, and now that I've had her again, I'll make sure there is no one else. Then I met her son, and he looks just like me. He's also seventeen and best friends with my son.
Conference on Christianity and Literature (CCL) Book of the Year - Literary Criticism The good news of Jesus Christ is a subversive gospel, and following Jesus is a subversive act. These notions were embodied in the literary work of American author Flannery O'Connor, whose writing was deeply informed by both her Southern context and her Christian faith. In this Studies in Theology and the Arts volume, theologian Michael Bruner explores O'Connor's theological aesthetic and argues that she reveals what discipleship to Christ entails by subverting the traditional understandings of beauty, truth, and goodness through her fiction. In addition, Bruner challenges recent scholarship by exploring the little-known influence of Baron Friedrich von Hügel, a twentieth-century Roman Catholic theologian, on her work. Bruner's study thus serves as a guide for those who enjoy reading O'Connor and—even more so—those who, like O'Connor herself, follow the subversive path of the crucified and risen one. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Author : Christina Bieber Lake Publisher : Mercer University Press Page : 282 pages File Size : 50,5 Mb Release : 2005 Category : Art and literature ISBN : 0865549435
The Incarnational Art of Flannery O'Connor by Christina Bieber Lake Pdf
The Incarnational Art of Flannery O'Connor argues that O'Connor designed a unique asthetic to defy the Gnostic dualisms that characterize American intellectual and spiritual life. Focusing on stories with artist figures, objets d'art, child protagonists, and embodied images, Lake describes how O'Connor's fiction actively resisted romantic theories of the imagination and religious life by highlighting the epistemological necessity of the body. Ultimately O'Connor challenges the romantic and modern notion of the artist as a fire-stealing Prometheus and replaces it with a notion of the artist as a locally committed craftsman. Drawing upon M. M. Bakhtin's early essays in Art and Answerability and Toward a Philosophy of the Act, Lake illustrates O'Connor's conviction that art deliberately assigns the highest value of transcendental beauty to those beings least valued by the modern world, and challenges us to do the same. The book culminates with an original reading of Parker's Back that shows how in art, as in life, true knowledge comes to us through our own grotesque bodies and those of others. Unafraid of the mystery of being human, art can be the place where we encounter anew the world as more than what the intellect can unravel.
Barry Unsworth returns to the terrain of his Booker Prize-winning novel Sacred Hunger, this time following Sullivan, the Irish fiddler, and Erasmus Kemp, son of a Liverpool slave ship owner who hanged himself. It is the spring of 1767, and to avenge his father's death, Erasmus Kemp has had the rebellious sailors of his father's ship, including Sullivan, brought back to London to stand trial on charges of mutiny and piracy. But as the novel opens, a blithe Sullivan has escaped and is making his way on foot to the north of England, stealing as he goes and sleeping where he can. His destination is Thorpe in the East Durham coalfields, where his dead shipmate, Billy Blair, lived: he has pledged to tell the family how Billy met his end. In this village, Billy's sister, Nan, and her miner husband, James Bordon, live with their three sons, all destined to follow their father down the pit. The youngest, only seven, is enjoying his last summer aboveground. Meanwhile, in London, a passionate anti-slavery campaigner, Frederick Ashton, gets involved in a second case relating to the lost ship. Erasmus Kemp wants compensation for the cargo of sick slaves who were thrown overboard to drown, and Ashton is representing the insurers who dispute his claim. Despite their polarized views on slavery, Ashton's beautiful sister, Jane, encounters Erasmus Kemp and finds herself powerfully attracted to him. Lord Spenton, who owns coal mines in East-Durham, has extravagant habits and is pressed for money. When he applies to the Kemp merchant bank for a loan, Erasmus sees a business opportunity of the kind he has long been hoping for, a way of gaining entry into Britain's rapidly developing and highly profitable coal and steel industries. Thus he too makes his way north, to the very same village that Sullivan is heading for . . . With historical sweep and deep pathos, Unsworth explores the struggles of the powerless and the captive against the rich and the powerful, and what weight mercy may throw on the scales of justice.
THE FIRST MERCY THOMPSON NOVEL! Moon Called is the novel that introduced Patricia Briggs’s Mercy Thompson to the world and launched a #1 bestselling phenomenon... Mercy Thompson is a shapeshifter, and while she was raised by werewolves, she can never be one of them, especially after the pack ran her off for having a forbidden love affair. So she’s turned her talent for fixing cars into a business and now runs a one-woman mechanic shop in the Tri-Cities area of Washington State. But Mercy’s two worlds are colliding. A half-starved teenage boy arrives at her shop looking for work, only to reveal that he’s a newly changed werewolf—on the run and desperately trying to control his animal instincts. Mercy asks her neighbor Adam Hauptman, the Alpha of the local werewolf pack, for assistance. But Mercy’s act of kindness has unexpected consequences that leave her no choice but to seek help from those she once considered family—the werewolves who abandoned her... “In the increasingly crowded field of kick-ass supernatural heroines, Mercy stands out as one of the best.”—Locus
This book attempts a close reading of the fiction of Flannery O'Connor, story by story, with one eye on her use of the Bible, and her view of the Bible in relation to her own work. After introductory chapters on O'Connor's markings in her own Roman Catholic Bible, her book reviews in diocesan newspapers, and her impatience with her wayward readers, Michaels looks first at her two novels, Wise Blood and The Violent Bear It Away, and then at seventeen of her short stories from her two collections, A Good Man Is Hard to Find and Everything That Rises Must Converge. Michaels takes notice of O'Connor's explicit references to the Bible (or Bibles) in her stories, and looks more particularly to the ways in which the stories are driven at least in part by specific biblical texts. Among the themes that emerge are alienation or displacement, what it means to be "good," the relation between body and spirit and between the Old Testament and the New, issues of race and gender, and above all what O'Connor once called "the action of grace in territory held largely by the devil."
First, I was abducted by little green men, then abandoned on a prison planet, and finally captured by a band of alien slavers... and the day isn't even over! FML. One of my alien captors is different, though. He's a man, yes, but he isn't green, and he's anything but little. Huge comes to mind. Breathtakingly big. I shouldn't trust him. I shouldn't lust for him. And if he delivers on his promise to send me back to Earth, I don't know if I can bear losing him. Alien's Mercy is a stand alone book in the Outlaw Planet Mates series. The books can be read in any order. No cliffhangers, no cheating and a HEA.
Critical Companion to Flannery O'Connor by Connie Ann Kirk Pdf
Examines the life and writings of Flannery O'Connor, including detailed synopses of her works, explanations of literary terms, biographies of friends and family, and social and historical influences.
The Tony Award–winning playwright of Hurlyburly “confronts the timely topic of assisted suicide . . . an affirmation of dignity that rings clear and true” (Variety). David Rabe is one of America’s finest dramatists. In A Question of Mercy, he explores the controversial and emotional issue of euthanasia, delving deep into the ties that bind friends and lovers. Thomas and Anthony are lovers struggling with Anthony’s final, exhausting battle with AIDS. Joined by their friend Susanah and a retired doctor, whose help Thomas has requested, they fashion a heartbreaking friendship as they work through the stages of a plan to relieve Anthony of his illness and his life. Rabe creates a passionate depiction of four people confronted with the reality of a loved one’s fight with death and a compelling dramatic event that poses the question: “What would you do?” “A moving and enlightening experience.” —Backstage “Completely gripping. This life and death tale questions the moral implications involved with assisted suicide, and the honor behind the action. A serious and provocative night at the theatre.” —Theasy Praise for David Rabe “Few contemporary dramatists have dealt with violence, physical and psychological, more impressively than Rabe.” —Kirkus Reviews “A remarkable storyteller.” —Chicago Tribune “Rabe’s mastery of dialogue is the equal of Pinter and Mamet put together . . . full of a measured Mafia formality played against Jacobean terrors, blood lust, horror and revenge raised to an unlikely poetry dazed by equally unlikely insights.” —The Boston Globe